neuroaesthetics

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119 Terms

1
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we perceive electromagnetic waves...

...within a specific interval

2
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order towards retinal stimulus

illumination, reflectance, and transmittance

3
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problems due to the physical nature of electromagnetic waves

illumination, reflectance, and transmittance

4
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define illumination

different intensity, different wavelengths, different inclination

5
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define reflectance

light can be absorbed in different ways due to the objects nature, reflectance may occur at different angles

6
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define transmittance

reflected light may change due to its trajectory, e.g. humidity, competition light sources that disturb trajectory length

7
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visual field of left eye

temporal half of left retina, optic nerve, optic tract, and optic radiation

8
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visual field of right eye

temporal half of right retina, optic chiasma, lateral geniculate body, occipital cortex; occipital to parietal to frontal

9
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object processing

ventral stream aka "what" stream; color, texture, pictorial detail, shape, and size; occipital to temporal to frontal

10
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spatial processing

Doral stream aka "where" stream; location, movement, spatial transformations, spatial relations

11
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what are photo-receptors

they contain light-absorbing chemicals - pigments - that generate a neural signal when they absorb light

12
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what are phot-receptors made up of

three types of cones and one type of rod

13
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what are the three types of cones

long, middle, and short wavelength cones

14
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what does it mean if the photo-receptors are analog

their response increases with increasing amounts of light

15
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What are rods used for

used in very dim light. can only signal how much light there is

16
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purpose of retinal ganglion cells

luminance and color are distinguished

17
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What happens with pigments change

it initiates a chemical reaction that results in an ion channel opening

18
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define rods

used for scotopic vision, light sensitive, loss causes blindness, low visual activity, have more pigments than cones, 120 million cones across the retina

19
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define cones

used for photopic vision, not very sensitive to light, high visual activity, concentrated in the fovea

20
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define luminance

we see luminance summing the different cone response and rod responses

21
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define color

we see color by subtracting the different cone responses

22
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What were gusto fenchers focus

the analysis of elemental perceptual features and preference judgments for basic shapes and for colors

23
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empirical approaches

through understanding of the basic elements of aesthetics, you can build a general understanding of the perceptual qualities that drive our aesthetic experiences

24
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bottom-up approach

empirical approach; basic sensory features to more complex representations

25
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three people under gestalt psychology

wax wertheimer, kurt koffka, and Wolfgang kohler

26
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what does gestalt psychology establish

establish an holistic approach to perception and considered the visual scene as an organized grouping of features, that perceptions could not be dissected into basic elements

27
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what is the gestalt credo

the whole is different from the sum of its parts

28
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define prananz

the notion that we organize perceptions on the simplest interpretations

29
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what does pregnant acknowledge

that the perceptual world is ambiguous and illusory

30
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law of proximity

things closer together appear to be more related than things farther apart

31
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law of similarity

when things appear to be similar we tend to think they have the same function

32
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law of continuity

elements arranged on a line or curve are perceived to be more related than elements not on a line or curve

33
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law of closure

we view a complex arrangement of visual elements, we look for a single recognizable pattern, an image with missing parts your brain will fill in the gap

34
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law of symmetry

we perceive objects as symmetrical shapes the form around their center

35
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how does Rudolph Arnheim describe paintings

with respect to the perceptual forces that the artists induce through balance, harmony, and object placement

36
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what was Daniel berlyne interested in

how art influences the beholders emotions.

37
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what did Daniel berlyne believe in

optimally pleasing artworks are those that create some arousal or psychological tension but not so much that they become disturbing

38
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what are collative properties, psychological arousal/emotional experiences are drive by?

novelty, complexity, surprisingness, uncertainty, and incongruity

39
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what does beeline's model explain

it explain why's individuals differ in their appreciation of artworks and how appreciation can change over time

40
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define cognitive science

it seeks to understand mental processes such as perception, memory, language, emotion, and reasoning

41
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what dose cognitive science incorporate

incorporates findings and perspectives from philosophy, computer science, anthropology, linguistics, and neuroscience

42
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analogy from cognitive scientist

the mind as a computational mechanism that manipulates information and has its own input, storage, and output devices

43
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define information processing approach

how sensory signals act as information that is encoded, interpreted, and represented

44
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top-down processing

refers to the use of knowledge to direct what we percieve

45
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what was ernst gombrich interested in

interested in top-down processing and considered an integral part of aesthetic experience

46
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why was the book art and illusions main argument

that an artist begins not with his visual impression but with his idea or concept

47
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define schemas

all art is illusory and we must build an interpretation of what an artwork represents based on existing knowledge

48
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define aesthetic

the science of beauty, of liberal arts, the art of thinking beautifully

49
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define Neuroaesthetics

a discipline dealing with the biological underpinnings of aesthetic experience

50
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a work of art is not complete...

...without the beholders perceptual and emotional involvement

51
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Epson's definition of ambiguity

when alternative viewpoints can be adopted without any real misinterpretation

52
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artists create works of art...

...beholders recreate them responding to an intrinsic ambiguity, what changes is the degree of this contribution

53
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gestalt

pattern

54
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nervous tissue made up of

nervous cells or neurons and glial cells

55
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nervous tissue and neurons function

proces and transmit electrical pulses

56
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characteristics of nervous tissue and neurons

electrically excitable and widely interconnected

57
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the classifications of neurons

multipolar, pseudounipolar, bipolar, and unipolar

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multipolar neuron

the most common one

59
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pseudo unipolar neuron

sensitive ganglia

60
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bipolar neuron

retina, vestibular ganglion, and olfactory mucose

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unipolar neuron

very rare

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sensitive neurons

specialized in receiving sensory impulses and dendrites and send them t the SNC for processing

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motor neurons

originate in SNC, send impulses to organs and cells (muscular, glandular and other nervous cells)

64
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dendrites

conduct the nervous impulse in a centripetal way towards the soma

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axons

conduct the nervous impulse in a centrifugal way away from the soma

66
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neurons may have...

...many dendrites but one axon at the max

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neuron - fundamental constituents

dendrite, nucleus, axon, soma/cell body, myelin sheat, terminal arborization

68
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neuronal membrane

barrier, soma's proteins are different from dendrites proteins

69
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cytoskeleton

the structure on which the neuronal membrane rests; components are: microtubules, microfilaments, neurofillaments

70
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dendrites functions

functionally and morphologically they are expansions of the soma, shorter than axons, irregular contours

71
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synapses may be:

electrical (gap junctions0 transmit electrical stimuli or chemical that transform electrical stimuli in chemical ones

72
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how do neurons communicate

through action potentials

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what do action potentials depend on

the existence of a resting potential and the presence of specific ion channels

74
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parts of the central nervous system

brain and the spinal cord

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parts of the peripheral nervous system

ganglion and nerve

76
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right brain functions

art awareness, creativity, imagination, intuition, insight, holistic thought, music awareness, 3-D forms, left-hand control

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left brain functions

analytic thought, logic, language, science and math

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frontal lobes functions

executive functioning, moral reasoning, motor control, planning future actions, and. regulating emotions

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parietal lobe functions

tactical sensations, attention, perceptual image of the body; spatial relationship with the environment

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occipital lobe functions

visual information processing

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temporal lobe functions

interpretation of visual information and auditory information, conscious retrieval of memories, memory and emotional experiences

82
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hippocampus functions

coding and retrieval of short term memory, consolidation of information from short term to long term memory, spatial awareness, declarative memories

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amigdala functions

music director of emotional life, coordinates emotional state with hormonal and vegetative responses, mediates with pre-frontal cortex emotional influence on cognitive processes

84
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thalamus

access of sensory informations except the olfactory sensations

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lateral geniculate nucleus

a specialized part of the thalamus that is part of the visual pathway relaying information from the retina to the primary visual cortex

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basal ganglia

learned movements and aspects of cognition

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striatus

most external region of the ganglia, rewards and expectation

88
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hypothalamus

regulates many vital functions such as heart-beat and blood pressure, as well as the release of hormones

89
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visual brain

eye to optic nerve to lateral geniculate nucleus to visual cortex

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Francis circa believed

"The information contained in a computer memory is
not an image but it symbolizes and image. A symbol is
something that stands for something else, just like a word
does. [...] A traffic light symbolizes "stop". Clearly, what we
expect to find in the brain is some sort of symbolic
representation of a visual scene"

91
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Chris firth believed

"What I perceive are the raw and ambigous data
that get to my eyes, ears and fingers from the
external world. I perceive something that is
much richer that combines these raw signals
with a huge quan9ty of past experiences [...]
Our percep9on of the world is a fantasy that
coincides with reality"

92
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visual pathways

retina towards th lateral geniculate nucleus, towards the primary visual cortex in the occipital lobe towards around 30 different areas in the occipital, temporal, and frontal lobes

93
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"what" pathway

from the occipital towards the temporal lobe which processes information on what has to be seen, color information, recognition of objects, body and face

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"where' pathway

from the occipital towards the parietal lobe, it processes information on the location of objects

95
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the mimetic approach

art is mimesis, art is the imitation of reality

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Aristotle

defines art as a form of mimemis, views it as a natural form of pleasure

97
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we can learn from art as...

...an imitation of reality

98
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art can...

...depict and rarify essential universals of the human condition

99
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the expressionist approach

perceiving with feeling

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Leo tolstoy: what is art

he argued the essential success of an artwork is the degree to which the artist is able to communicate their feelings to the beholder