Western Art History (Early Medieval - Italian Proto-Renaissance Painting

Purse Cover, from Sutton Hoo ship burial, glass, enamel cloisonné with stones, c.625, Anglo-Saxon Style

Belt Buckle (gold and cloisonné enamel), from Sutton Hoo ship burial, c.625, Anglo-Saxon Style

Cross-inscribed Carpet Page, f.26 from the Lindisfarne Gospels, from Northumbria (England), illuminated manuscript, tempera on vellum, c.698-721, Hibernian-Saxon Style

Chi-rho-iota Page, f.34 from the Book of Kells, from Iona (Scotland), illuminated manuscript, tempera on vellum, late 8^th century, Hibernian-Saxon Style

Equestrian Statue of Charlemagne, bronze, 9^th century, Carolingian Style

Crucifixion, cover from the Lindau Gospels from Saint Gall (Switzerland), gold, pearls and precious stones, c.870, Carolingian Style

Charlemagne's Palace Complex and Palatine Chapel, Aachen (Germany), c.792-805, Carolingian Style

Otto III enthroned, f.24 from the Gospel Book of Otto III, Reichenau (Germany), illuminated manuscript, tempera on vellum, 997-1000, Ottonian Style

Abbey Church of Sainte-Foy, Conques, c.1050-1120, Romanesque Style

“The Last Judgment,” limestone, west portal, Abbey Church of Sainte-Foy, Conques, c.1120-30, Romanesque Style

Sainte Foy (Saint Faith) Reliquary, gold and precious stones over wooden core, late 10^thcentury, Romanesque Style

Gislebertus: “Last Judgment,” limestone, west portal, Cathedral of Saint-Lazare, Autun, c.1120-1135, Romanesque Style

Gislebertus: “The Suicide of Judas,” limestone, capital from the nave, Cathedral of Saint-Lazare, Autun, c.1120-30, Romanesque Style

Man (symbol of St. Matthew), f.21 from the Book of Durrow, from Iona (Scotland), illuminated manuscript, ink and tempera on parchment, c.660-680, Hiberno-Saxon Style

Eagle (symbol of St. John), f.84 from the Book of Durrow, from Iona (Scotland), illuminated manuscript, ink and tempera on parchment, c.660-680, Hiberno-Saxon Style

Lion (symbol of St. Mark), f.119 from the Book of Durrow, from Iona (Scotland), illuminated manuscript, ink and tempera on parchment, c.660-680, Hiberno-Saxon Style

Ox (symbol of St. Luke), f.124 from the Book of Durrow, from Iona (Scotland), illuminated manuscript, ink and tempera on parchment, c.660-680, Hiberno-Saxon Style

Abbey Church of Notre-Dame, Jumièges, 1040-1067, Romanesque Style

Abbey Church of Saint-Étienne, Caen, begun 1067, Romanesque Style

“King Edward and Attendants at Westminster” from the Bayeux Tapestry, wool embroidery on linen, 1070-80, Romanesque Style

“Funeral Procession of King Edward at Westminster” from the Bayeux Tapestry, wool embroidery on linen, 1070-80, Romanesque Style

“Haley’s Comet and Harold, Earl of Wessex” from the Bayeux Tapestry, wool embroidery on linen, 1070-80, Romanesque Style

“Battle of Hastings” from the Bayeux Tapestry, wool embroidery on linen, 1070-80, Romanesque Style

Cathedral of Notre-Dame, Chartres, begun c.1134, Gothic Style

West façade with Royal Portal, Cathedral of Notre-Dame, c.1145-1155, Gothic Style

Interior, Cathedral of Notre-Dame, c.1200-1220, Gothic Style

Notre-Dame de la Belle Verrière (Virgin and Child with Angels), choir, Cathedral of Notre-Dame, stained glass, c.1170, Gothic Style

Rose Window and Lancets, north transept of Cathedral of Notre-Dame, stained glass, c.1220, Gothic Style

God as Architect of the World (folio 1) from the Paris Moralized Bible, ink, tempera and gold leaf on vellum, c.1220-1230, Gothic Style

Virgin of Jeanne d’Evreux, from the abbey Church of Saint-Denis, silver gilt and enamel, 1339, Gothic Style

The Unicorn in Captivity, tapestry, c.1495-1505 [Cloisters Museum-Met, NYC], Gothic Style

Thomas de Cormont: Sainte-Chapelle, Paris, c.1243-1248, Rayonnat Style