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Musical capital of Europe during the “Classical” Music period:
Vienna, Austria.
Main musical characteristic of Jazz:
Improvisation and syncopation.
Early major Jazz composers/conductors/arrangers who brought Jazz to the classical concert hall:
George Gershwin and Duke Ellington.
Definition of Music in TABH:
The organization of sound in time.
What is atonality?
Music without a tonal center or key.
What is the Avant-Garde in Music?
Experimental or innovative works that challenge traditional boundaries.
Different types of Folk Songs in TABH
Ballads, work songs, protest songs, and lullabies
Ragtime
A musical style characterized by a syncopated melody against a steady bass line.
Syncopation
Accenting beats or parts of beats that are typically unaccented.
Call and Response in Jazz and the Spiritual:
A musical dialogue where a leader sings or plays a phrase and a group responds.
Name of the typical Jazz scale:
The blues scale, found by playing all the black keys and certain white keys on the piano.
What does Aristotle’s term "Mimesis" mean?
Imitation of nature or reality in art.
Two forms art takes:
Representational (realistic) and abstract.
Elements of Composition:
Line, shape, form, space, texture, and color.
Principles of Design:
Balance, contrast, emphasis, movement, pattern, rhythm, and unity.
Horizontal lines
evoke calm and stability
Vertical lines
convey strength and potential movement.
Primary colors:
Red, blue, yellow (cannot be created by mixing).
Secondary colors:
Green, orange, violet (created by mixing primaries).
Value scale:
A range from black to white, showing shades (adding black) and tints (adding white).
En-plein-air:
Painting outdoors to capture natural light. Practiced by Impressionists like Monet.
Types of balance in painting:
Symmetrical, asymmetrical, and radial.
Western world's major influence for a thousand years into the Renaissance:
The Catholic Church. Goal: Glorify God and instruct the faithful.
Giotto:
Early adopter of perspective.
Leonardo da Vinci:
Renaissance polymath; The Last Supper, Mona Lisa.
Michelangelo:
Sculptor/painter; Sistine Chapel, David.
Raphael:
The School of Athens.
Bosch:
Called “the discoverer of the unconscious” by Carl Jung.
Caravaggio:
Master of Baroque.
El Greco:
Foreshadowed Expressionism.
Claude Monet:
Named Impressionism.
Georges Seurat:
Remembered for pointillism ("dots in a spot").
Northern European Renaissance mediums:
Oil painting (fine detail).
Southern European Renaissance mediums:
Fresco (durability).
Moveable type:
First developed by the Chinese.
Significance of the 69th Regiment Armory Exhibit:
Introduced Modern Art to America (New York, 1913).
Photography’s impact:
Freed painting from realism, allowing for abstraction.
Francisco de Goya’s nationality
Spanish.
Francisco de Goya’s important works
The Sleep of Reason Produces Monsters, The Third of May 1808, The Disasters of War, Las Pinturas Negras.
Francisco de Goya Duende
Artistic passion and inspiration.
Francisco de Goya fate shared with Beethoven
Both became deaf later in life.
Martha Graham:
Dance; born 1894; compared to Picasso. Collaborated with Copland on Appalachian Spring.
Aaron Copland:
Defined the American sound; expanded audiences with accessible music.
Andrew Wyeth:
Described as realist; famous painting: Christina’s World (1948); favorite artist of Silbert
Roots of American Music development Metaphor
A tree with deep roots and branching limbs.
Roots of American Music three main cultural groups:
African, European, Native American.
Roots of American Music Special dialogue:
Call and response.
Frank Lloyd Wright Architectural Motto:
famously championed the philosophy of "organic architecture," which emphasizes harmony between human habitation and the natural world. He often said, "Form and function are one." This reflects his belief that a building's design should integrate seamlessly with its environment and purpose.
Frank Gehry Why is he an “anti-Wright?”
because his architectural philosophy prioritizes form (art) over function. While Wright emphasized practicality and integration with nature, Gehry focuses on sculptural, abstract forms that push the boundaries of traditional architecture. His works, like the Guggenheim Museum Bilbao, are often described as works of art first and functional spaces second.
Philip Johnson Local Signature Structure:
notable designs in Pittsburgh is PPG Place, a striking postmodern structure in downtown Pittsburgh. Known for its neo-Gothic style and reflective glass facade, PPG Place is a visual landmark characterized by its dramatic spires and intricate detailing, often referred to as the "Crown Jewel of Pittsburgh."
Master of Chiaroscuro:
(the use of strong contrasts between light and dark to achieve a sense of volume and drama) is widely regarded as Caravaggio (1571–1610). His revolutionary use of light and shadow in works such as The Calling of Saint Matthew and Judith Beheading Holofernes profoundly influenced Baroque art and future artists.
First Attempt at Perspective:
to use linear perspective is attributed to Filippo Brunelleschi (1377–1446), an architect and artist of the Italian Renaissance. Around 1415, Brunelleschi conducted experiments and created the first scientifically based system of perspective. This was later documented by Leon Battista Alberti in his treatise De Pictura (1435), which codified Brunelleschi's findings and popularized the method among Renaissance artists.
Baroque Era (1600–1750)
Johann Sebastian Bach
Known for intricate counterpoint and keyboard compositions.
Key works: The Well-Tempered Clavier, Brandenburg Concertos.
Baroque Era (1600–1750)
George Frideric Handel
Renowned for operas, oratorios, and instrumental music.
Key works: Messiah (includes the famous "Hallelujah Chorus"), Water Music.
Classical Era (1750–1820)
Wolfgang Amadeus Mozart
A child prodigy and master of symphonies, operas, and chamber music.
Key works: The Magic Flute, Symphony No. 41 ("Jupiter").
Classical Era (1750–1820)
Franz Joseph Haydn
Known as the "Father of the Symphony" and the string quartet.
Key works: The Creation, Surprise Symphony.
Classical Era (1750–1820)
Ludwig van Beethoven
Transitioned from Classical to Romantic styles; revolutionized symphonies.
Key works: Symphony No. 9 ("Ode to Joy"), Moonlight Sonata.
Romantic Era (1820–1900)
Franz Schubert
Known for lieder (art songs) and symphonies.
Key works: Ave Maria, Unfinished Symphony.
Romantic Era (1820–1900)
Robert & Clara Schumann
Robert: Romantic composer of piano and orchestral works.
Key works: Carnaval, Scenes from Childhood.
Clara: A virtuoso pianist and composer.
Known for her piano compositions and advocacy for Robert’s music.
Romantic Era (1820–1900)
The Mahlers
Gustav Mahler: Master of large symphonies.
Key works: Symphony No. 5, Das Lied von der Erde.
Alma Mahler: Composer and influential muse, though less recognized for her compositions.
Romantic Era (1820–1900)
Giuseppe Verdi
Prolific opera composer.
Key works: Aida, La Traviata, Requiem.
Romantic Era (1820–1900)
Richard Wagner
Innovator of opera and creator of the Gesamtkunstwerk (total artwork).
Key works: The Ring Cycle, Tristan und Isolde.
Romantic Era (1820–1900)
Pyotr Ilyich Tchaikovsky
Renowned for emotional symphonies and ballets.
Key works: Swan Lake, 1812 Overture, The Nutcracker.
Impressionism and Modernism (20th Century)
Claude Debussy
Impressionist composer known for atmospheric music.
Key works: Clair de Lune, Prélude à l'après-midi d'un faune.
Impressionism and Modernism (20th Century)
Igor Stravinsky
Known for revolutionary rhythms and modernist works.
Key works: The Rite of Spring, Firebird Suite.
Impressionism and Modernism (20th Century)
Aaron Copland
Created a distinctly American classical style.
Key works: Appalachian Spring (ballet for martha), Rodeo.
Impressionism and Modernism (20th Century)
Leonard Bernstein
Composer and conductor blending classical and popular styles.
Key works: West Side Story, Candide.
Impressionism and Modernism (20th Century)
George Gershwin
Bridged classical music and jazz.
Key works: Rhapsody in Blue, Porgy and Bess.
Impressionism and Modernism (20th Century)
Duke Ellington
A giant of jazz and big-band music.
Key works: Take the "A" Train (in collaboration with Billy Strayhorn), Mood Indigo.
Shade:
Created by adding black to a color, making it darker. This results in deeper, more muted versions of the original hue.
Tint:
Created by adding white to a color, making it lighter. This results in softer, pastel-like versions of the original hue.
“en-plein-air” method mean?
In plain air