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Main argument
Due to digital convergence and the emergence of new technologies, audiences are no longer passive to the media they consume
Digital natives
Communities of media users that were born and raised in the digital age and is fluent in it
Digital natives relevance to the theory
Argues that they actively participate in media rather than just consume it. Their familiarity with digital tools fuels the shift
Prosumer
A media consumer that also produces media
Example of a prosumer
A TikTok user
Prosumer relevance to the theory
Argues traditional roles of media produced and consumer are now blurred
Convergence
The coming together of technologies and institutions to create and distribute something new
Convergence relevance to the theory
Argues it supports mass amaturisation and collaborative content by providing tools
Mass amateurisation
The rise of non professionals producing media content using the capabilities given by new media forms
Example of mass amaturisation
YouTubers producing documentaries of high quality and production
Mass amateurisation relevance to the theory
Argues that quality of media is no longer controlled by gatekeepers
Cognitive Surplus
increased leisure time allowing for more sharing, collaboration and creativity using online platforms
Example of cognitive surplus
People editing Wikipedia in their spare time
Cognitive surplus relevance to the theory
Argues it’s a fuel for citizen journalism + mass amaturisation
Web 2.0.
Phase in history where it evolved interactivity, user participation and collaboration
Examples of Web 2.0
The emergence of platforms like YouTube
Web 2.0 in relevance to the theory
Argues it’s the foundation for interactive media
Citizen journalism
News and information reported by non professionals (the audience)
Citizen journalism in relevance to the theory
Example of “we the media”, shift in media power from institutions to individuals