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Composition with Red, Yellow and Blue
Piet Mondrian
De Stjl Art Movement
1927
Composition
How artwork is organized using the principles of design and arranging the elements of art.
Drawing
First used on cave walls as early as 10,000 BC.
Albrecht Durer & Hans Holbein
First to create detailed drawings that could stand alone as artworks.
Charcoal
Early drawing material made from slowly burned wood.
Red Chalk
made from iron oxide pigment and refined clay. Popular in the 16th & 17th centuries.
Black Chalk
Carbonaceous shale, soft chalk
White Chalk
calcium carbonate or soapstone, used for highlights in drawings.
Conte Crayons
Harder than chalk and produce smooth lines. Made in red, black and white. Developed in the early 1800's
Graphite
Form of carbon discovered in the 1500's and encased in wood for pencils.
Ink
Liquid pigment that can be used with a pen or brush
Pens
Made with quills and reeds, later were created with metal tips.
Tortillon
A tightly rolled paper stump that is used for blending projects
kneaded rubber eraser
Eraser that can be manipulated into smaller sizes and wont leave crumbs
Parchment
Drawing surface created from animal skin in the Middle Ages
Sketch Paper
thin draing paper
Illustration Board
heavy weight board
hot and cold press
very good for pen and ink
Bristol Board
A smooth surface drawing paper especially suited for the delicate lines of fine pen and pencil work
Contour Drawing
a line drawing that defines the outer and inner shapes of forms
Blind Contour Drawing
drawing without looking at the paper
Gesture Drawing
Technique used to quickly capture the action and form of a subject
Perspective drawing
Technique that shows spatial relationships and the illusion of space on a flat surface
Hatching
Technique using closely placed parallel lines to create shading and tones
Crosshatching
technique using perpendicular lines to create heavy shading
Oil Paint
paint made of pigment suspended in drying oil
Watercolor
transparent paint made from pigment and a binder dissolved in water
Egg Tempera
paint created by adding pigment to egg yolk, used as a water-soluable binder. Painted onto stiff surfaces like wood panels or Masonite.
Gouache
paint used for graphic arts like illustrations, comics and posters
Drying Oils
added to oil paints to decrease drying times and thin the consistency
Primer
A base for painting
Masking Fluid
Covers areas of the paper that are needed to stay white for highlights.
Palette
used for organizing and mixing paint colors
Underpainting
Technique used to create a base for a finished painting.
Glazing
Technique used with oil paints to layer transparent colors over a dried opaque color
Dry Brush
Technique used to create a scratchy-looking texture on the surface with evident brush strokes
Sgraffito
Technique of scratching through a layer of paint to reveal the layer or surface underneath
Wet-on-wet
watercolor technique using wet paint on wet paper
Wash
technique of adding a large area of color to a watercolor painting
Plein air
painting in the outdoors to directly capture the effects of light and atmosphere on a given object
Alla Prima
Painting wet oil paint onto wet oil layers
Trompe-l'oeil
visual illusion in art, especially as used to trick the eye into perceiving a painted detail as a three-dimensional object.
Impasto
A painting technique in which pigments are applied in thick layers or strokes to create a rough three-dimensional paint surface on the two-dimensional surface.
Wheatfield with Crows
Vincent van Gogh painting using Impasto technique to create a sense of movement. 1890
Filippo Brunelleschi
painter credited with discovering geometric perspective in 1413
The Last Supper
Leonardo da Vinci painting that shows the use of one-point perspective. 1495-1498
Apprentice
someone who learned to be an artist by working under a master artist
Brayer
A small, hand-held rubber roller used to spread printing ink evenly on a surface before printing.
Burnisher
smooth metal tool used to press paper onto a surface to create a print
Plate
copper or zinc sheet of metal used for intaglio printmaking
Gouge
used in relief printmaking to cut away the parts that will not hold ink
Intaglio
printing technique where the image is carved into a surface and the ink is held in those lines for printing.
Lithography
printmaking technique where the artists uses a greasy medium like crayon or ink to produce an image on limestone or aluminum.
Relief Printing
method of printing in which a raised surface is used to produce the image. For example, Letter Press.
Screen Printing
Ink is forced through stenciled silk with a squeegee in this printmaking process. Andy Warhol used this method to create multiple prints of the same image.
Andy Warhol
Famous artist that used screen printing to produce multiple prints of the same image, he began creating pop art paintings in 1961. "Campbell's Soup Cans" and celebrity portraits
Collography
printmaking technique in which materials of various textures are attached to a surface.
Frottage
printmaking technique in which the artist gets an impression of the surface of the material.
Monotype
A printmaking process in which only one print results
Stamping
type of relief printmaking, made from rubber, wax or other materials. A shape is pressed into the ink and then pressed onto paper to create the image
linocut
A relief process in printmaking, in which an artist cuts away negative spaces from a block of linoleum, leaving raised areas to take ink for printing.
woodcut
A print of an image that has been carved in wood
burnisher
a disklike handtool that is flat on the bottom and has a handle
mezzotint
picture engraved on copper or steel by polishing or scraping away parts of a roughened surface. artist works from dark to light
aquatint
an intaglio printmaking process that uses melted rosin or spray paint to create an acid-resistant plate
Porcelain
type of pottery or ceramics developed in China during the Han dynasty 206 BC - 220 AD. High fire clay that is pure white. hard, non-porous and translucent
Venuses
figures shaped like obese women that were found from the stone age and were made from bone and various stones
Michelangelo
considered the greatest Renaissance sculptor. known for his David and Moses
relief
a sculpture in which the sculptural elements are attached to a solid background. The sculpture can appear raised from the background if the background elements are cut away
bas relief (low relief)
Sculpture that has a shallow depth and is not raised from the background. Coins are an example of this
haut-relief (high relief)
when more than half of the sculptural form is projecting from the background. Many ancient greek relief sculptures used this technique.
earthenware
earliest clay used
Terra cotta
type of earthenware that is reddish brown and is more porous than stoneware or porcelain and is less durable
chisel
piece of steel that is pointed at one end and flat on the other end, tool for sculpting
pitching tool
wedge-shaped chisel used for sculpting
rasps
flat steel tools with a rough surface which can be used to wear away excess stone
Ribbon or Loop
tools used to trim, carve and hallow out shapes in a sculpture
wire cutter
used to remove a pot from a potters wheel
Caliper
adjustable tool used to measure openings for making lids
subtractive sculpture
A kind of sculpture technique in which materials are taken away from the original mass; carving.
Additive sculpture
A kind of sculpture technique in which materials (for example, clay) are built up or "added" to create form.
Assemblage
A three-dimensional composition in which a collection of objects is unified in a sculptural work.
hand building
working with clay without a pottery wheel
pinch pot
pot made by pinching the clay with the fingers and thumb
coil method
Hand-rolling clay into long 'snakes' of clay.
leather hard
clay that has partially dried by is not completely dry
bone dry
Clay in which all the moisture has dried out.
bisque
Clay that has been fired once
greenware
Unfired pottery
slip
liquid clay, a mixture of clay and water acts like a glue
lost-wax
casting method in which a metal copy of a sculpture is produced from an original sculpture
fiber art
refers to fine art whose material consists of natural or synthetic fiber and other components, such as fabric or yarn
mandrel
tool used to shape a ring
loupe
magnifier used to see detail
calipers
tool used to measure the gauge or thickness of jewelry material
knitting
creating a series of interlocking loops using straight knitting needles that are pointed at one end
crocheting
using a stick with a hook at the end and creating stitches to interlock the yarn into a fabric or pattern