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Excluding poetry
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Apostrophe
Addressing a person who is absent or imaginary, or to an object or abstract idea. Example: In “Story of an Hour,” Louise whispers to “freedom” as though it is present.
Anaphora
The repetition of a word or phrase at the beginning of successive clauses. Example: “We shall fight on the beaches, we shall fight on the landing grounds…”
Figurative Language
Words or phrases that are not intended to be interpreted literally. Example: “Free, free, free” symbolizes liberation in “Story of an Hour.”
Hyperbole
A deliberate and purposeful exaggeration. Example: “Stark raving mad” in “Miracles.”
Metaphor
A comparison of two seemingly unlike things that does not use comparative words. Example: The decorated pole in “Sticks” is a metaphor for the father’s regret.
Metonymy
One word is substituted for another with which it is closely associated. Example: “The pen is mightier than the sword” (pen = writing, sword = military power).
Mixed Metaphor
When two or more incongruous comparisons are used together. Example: “That’s a real home run down the rabbit hole.”
Oxymoron
A paradox that links seemingly contradictory elements that make sense together. Example: “Deafening silence.”
Paradox
A statement that appears contradictory but reveals truth. Example: “The joy that kills” in “Story of an Hour.”
Parallelism
Repetition of a syntactical structure in a line or phrase. Example: “Eyes too big, hearts too young, lives too fragile” (parallel phrasing).
Pathetic Fallacy
A type of personification in which aspects of nature reflect events or emotions. Example: The “blue sky” and “sparrows” in “Story of an Hour” mirror Louise’s joy.
Personification
Giving human qualities to non-human things or abstract ideas. Example: “The trees whispered.”
Rhetorical Question
A question asked not to get an answer but to emphasize a point. Example: “Why did we have hairspray? Was it hers?” in “Miracles.”
Simile
A comparison using “like” or “as.” Example: “Lonely as a cloud” (Wordsworth).
Synecdoche
When a part stands for the whole or vice versa. Example: “All hands on deck” means all sailors.
Tenor
The literal subject of a metaphor or simile. Example: In “lonely as a cloud,” the tenor is the speaker’s loneliness.
Vehicle
The figurative comparison in a metaphor or simile. Example: In “lonely as a cloud,” the vehicle is the cloud.
Understatement
A form of irony where something is expressed as less important than it is. Example: Saying “That’s not ideal” after a disaster.
Allusion
An indirect reference to a literary, historical, or cultural event or figure. Example: “She met her Waterloo” (defeat).
Analogy
A comparison to clarify or explain. Example: The spider babies in “Miracles” act as an analogy for the children’s fragile lives.
Atmosphere
The mood/vibe created through setting, diction, imagery. Example: The unsettling atmosphere in “Miracles.”
Diction
Word choice. Example: Chopin’s diction of “afflicted” emphasizes fragility in “Story of an Hour.”
Dramatic Irony
When the audience knows more than the characters. Example: Doctors believe Louise dies of joy; we know it’s despair.
Situational Irony
When events turn out opposite of what’s expected. Example: Louise dies just as she embraces freedom.
Verbal Irony
When words imply the opposite of their literal meaning. Example: “His only concession to glee” in “Sticks.”
Formal Diction
Use of sophisticated, elevated vocabulary. Example: A narrator describing grief with elegance rather than slang.
Informal Diction
Conversational, casual word choice. Example: Saunders’ plain diction in “Sticks.”
Imagery
Language appealing to the senses. Example: “Smaller than anything” describes spider hatchlings in “Miracles.”
Inversion
Reversing standard word order. Example: “Happy I am” instead of “I am happy.”
Rhetorical Strategies
Techniques used to persuade or enhance writing. Example: Repetition, appeals to emotion, irony.
Sarcasm
Crude or mocking use of irony. Example: Saying “Great job!” after someone fails.
Symbol
An object representing a larger idea. Example: The pole in “Sticks” symbolizes regret and isolation.
Syntax
The arrangement of words in a sentence. Example: Chopin’s long, flowing sentences mirror Louise’s stream of thought.
Verisimilitude
The appearance of being true or real. Example: The realistic child POV in “Miracles.”
Theme
The central message or insight of a work. Example: “Story of an Hour” critiques marriage as restrictive.
Bildungsroman
A coming-of-age story about growth. Example: “Miracles” has elements of children maturing through reflection.
Intrusive Narration
When the narrator breaks in to address the audience. Example: Dickens often uses intrusive narration.
Mood
The reader’s emotional response to a work. Example: A mix of awe and unease in “Miracles.”
Motif
A recurring image, symbol, or idea. Example: The recurring decorations on the pole in “Sticks.”
First-Person POV
Narrator is a character using “I.” Example: The child narrator in “Miracles.”
Second-Person POV
Narrator addresses the reader as “you.” Example: Choose-your-own-adventure books.
Third-Person Limited POV
Narrator is outside the story but knows the thoughts of one/few characters. Example: Focusing only on Louise in “Story of an Hour.”
Third-Person Objective POV
Narrator reports only observable events. Example: Like a camera, no inner thoughts.
Third-Person Omniscient POV
Narrator knows all thoughts and events. Example: A godlike overview of multiple characters.
Unreliable Narration
A narrator whose account is distorted or misleading. Example: The children in “Miracles” reflect innocence and later insight, showing unreliability in memory.
Tone
The narrator’s or author’s attitude toward the subject. Example: Saunders’ tone in “Sticks” is both humorous and tragic.