AP Lang Vocab

absolute

absolute

a word free from limitations or qualifications (“best,” “all”, “unique,” “perfect”)

ad hominem argument

an argument attacking an individual’s character rather than his or her position on an issue

allusion

a reference to something literary, mythological, or historical that the author assumes the reader will recognize

analogy

a comparison of two different things that are similar in some way

anaphora

repetition of the same word or group of words at the beginning of successive clauses (Example from the great Richard D. Bury: “In books I find the dead as if they were alive; in books I foresee things to come; in books warlike affairs are set forth; from books come forth the laws of peace.”)

anecdote

a brief narrative that focuses on a particular incident or event

antedecent

the word, phrase, or clause to which a pronoun refers

antithesis

a statement in which two opposing ideas are balanced

aphorism

a concise, statement that expresses succinctly a general truth or idea, often using rhyme or balance

asyndeton

a construction in which elements are presented in a series without conjunctions (“They spent the day wondering, searching, thinking, understanding.”)

balanced sentence

a sentence in which words, phrases, or clauses are set off against each other to emphasize a contrast (George Orwell: “If thought corrupts language, language can also corrupt thought.”)

chiasmus

a statement consisting of two parallel parts in which the second part is structurally reversed (“Susan walked in, and out rushed Mary.”)

cliché

an expression that has been overused to the extent that its freshness has worn off (“the time of my life”, “at the droop of a hat”, etc.)

climax

generally, the arrangement of words, phrases, or clauses in an order of increasing importance, often in parallel structure (“The concerto was applauded at the house of Baron von Schnooty, it was praised highly at court, it was voted best concerto of the year by the Academy, it was considered by Mozart the highlight of his career, and it has become known today as the best concerto in the world.”)

colloquialism

informal words or expressions not usually acceptable in formal writing

complex sentence

a sentence with one independent clause and at least one dependent clause

compound sentence

a sentence with two or more coordinate independent clauses, often joined by one or more conjunctions

compound-complex sentence

a sentence with two or more principal clauses and one or more subordinate clauses

concrete details

details that relate to or describe actual, specific things or events

connotation

the implied or associative meaning of a word (slender vs. skinny; cheap vs. thrifty)

cumulative (loose) sentence

a sentence in which the main independent clause is elaborated by the successive addition of modifying clauses or phrases (Jonathan Swift, A Modest Proposal: “I have been assured by a very knowing American friend of my acquaintance in London, that a young healthy child well nursed is at a year old a most delicious, nourishing, and wholesome food, whether stewed, roasted, baked or boiled; and I make no doubt that it will equally serve in a fricassee or a ragout.”)

declarative sentence

a sentence that makes a statement or declaration

deductive reasoning

reasoning in which a conclusion is reached by stating a general principle and then applying that principle to a specific case (The sun rises every morning; therefore, the sun will rise on Tuesday morning.)

denotation

the literal meaning of a word

dialect

a variety of speech characterized by its own particular grammar or pronunciation, often associated with a particular geographical region (“Y’all” = Southern dialect)

diction

the word choices made by a writer (diction can be described as formal, semi-formal, ornate, informal, technical, etc.)

didactic

having the primary purpose of teaching or instructing

ellipsis

the omission of a word or phrase which is grammatically necessary but can be deduced from the context (“Some people prefer cats; others, dogs.”)

epigram

a brief, pithy, and often paradoxical saying

ethos

the persuasive appeal of one’s character, or credibility

euphemism

an indirect, less offensive way of saying something that is considered unpleasant

exclamatory sentence

a sentence expressing strong feeling, usually punctuated with an exclamation mark

figurative language

language employing one or more figures of speech (simile, metaphor, imagery, etc.)

hyperbole

intentional exaggeration to create an effect

idiom

an expression in a given language that cannot be understood from the literal meaning of the words in the expression; or, a regional speech or dialect (“fly on the wall”, “cut to the chase”, etc.)

imagery

the use of figures of speech to create vivid images that appeal to one of the senses

imperative sentence

a sentence that gives a command

implication

a suggestion an author or speaker makes (implies) without stating it directly. NOTE: the author/speaker implies; the reader/audience infers

inductive reasoning

deriving general principles from particular facts or instances (“Every cat I have ever seen has four legs; cats are four-legged animals.)

inference

a conclusion based on premises or evidence

interrogative sentence

a sentence that asks a question

invective

an intensely vehement, highly emotional verbal attack

inverted syntax

a sentence constructed so that the predicate comes before the subject (ex: In the woods I am walking.)

irony

the use of words to convey the opposite of their literal meaning; or, incongruity between what is expected and what actually occurs (situational, verbal, dramatic)

jargon

the specialized language or vocabulary of a particular group or profession

juxtaposition

placing two elements side by side to present a comparison or contrast

litotes

a type of understatement in which an idea is expressed by negating its opposite (describing a particularly horrific scene by saying, “It was not a pretty picture.”)

logos

appeal to reason or logic

malapropism

the mistaken substitution of one word for another word that sounds similar (“The doctor wrote a subscription.”)

maxim

a concise statement, often offering advice; an adage

metaphor

a direct comparison of two different things

metonymy

substituting the name of one object for another object closely associated with it (“The pen [writing] is mightier than the sword [war/fighting].)

mood

the emotional atmosphere of a work

motif

a standard theme, element, or dramatic situation that recurs in various works

non sequitur

an inference that does not follow logically from the premises (literally, “does not follow”)

paradox

an apparently contradictory statement that actually contains some truth (“Whoever loses his life, shall find it.”)

parallelism

the use of corresponding grammatical or syntactical forms

parody

a humorous imitation of a serious work (Weird Al Yankovich’s songs, and the Scary Movie series are examples)

parenthetical

a comment that interrupts the immediate subject, often to quality or explain

pathos

the quality in a work that prompts the reader to feel pity

pedantic

characterized by an excessive display of learning or scholarship

personification

endowing non-human objects or creatures with human qualities or characteristics

Philippic

a strong verbal denunciation. The term comes from the orations of Demosthenes against Philip of Macedonia in the fourth century

polysyndeton

the use, for rhetorical effect, of more conjunctions than is necessary or natural (John Henry Newman: “And to set forth the right standard, and to train according to it, and to help forward all students towards it according to their various capacities, this I conceive to be the business of a University.”)

rhetoric

the art of presenting ideas in a clear, effective, and persuasive manner

rhetorical question

a question asked merely for rhetorical effect and not requiring an answer

rhetorical devices

literary techniques used to heighten the effectiveness of expression

sarcasm

harsh, cutting language or tone intended to ridicule

satire

the use of humor to emphasize human weaknesses or imperfections in social institutions (Jonathan Swift’s Gulliver’s Travels, The Simpsons, etc.)

scheme

an artful deviation from the ordinary arrangement of words (anaphora, anastrophe, antithesis are some examples of schemes)

simile

a comparison of two things using “like,” “as,” or other specifically comparative words

simple sentence

a sentence consisting of one independent clause and no dependent clause

solecism

non standard grammatical usage; a violation of grammatical rules (ex: unflammable; they was)

structure

the arrangement or framework of a sentence, paragraph, or entire work

style

the choices a writer makes; the combination of distinctive features of a literary work (when analyzing style, one may consider diction, figurative language, sentence structure, etc.)

syllepsis

a construction in which one word is used in two different senses (“After he threw the ball, he threw a fit.”)

syllogism

a three-part deductive argument in which a conclusion is based on a major premise and a minor premise (“All men are mortal; Socrates is a man; therefore, Socrates is mortal.”)

synecdoche

using one part of an object to represent the entire object (for example, referring to a car simply as “wheels”)

synesthesia

describing one kind of sensation in terms of another (“a loud color,” “a sweet sound”)

syntax

the manner in which words are arranged into sentences

theme

a central idea of a work

thesis

the primary position taken by a writer or speaker

tone

the attitude of a writer, usually implied, toward the subject or audience

trope

an artful deviation from the ordinary or principal signification of a word (hyperbole, metaphor, and personification are some examples of tropes)

understatement

the deliberate representation of something as lesser in magnitude than it

vernacular

the everyday speech of a particular country or region, often involving nonstandard usage