Analyzing Authorial Techniques and Audience Engagement

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73 Terms

1
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In the ______ "_____________", author ____________ crafts a _______ piece that ________

In the [text type] "[title]", author [name] crafts a [tone/adjective] piece that [contention/aim].

2
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With an ______ and _______ tone, author speaks to a broad audience of __________, ranging from _______ to _________

With an [tone] and [tone] tone, the author speaks to a broad audience of [group], ranging from [x] to [y].

3
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In the _____ "" Writer _________ presents a scathing critique of ______________________________ with a particular focus on the___.

In the [text type] "[title]", Writer [name] presents a scathing critique of [issue] with a particular focus on the [aspect].

4
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Adopting a _______ almost _____________ tone, author addresses a broad spectrum of _______________, ranging from ________________ to ______________.

Adopting a [tone], almost [tone] tone, author addresses a broad spectrum of [audience], ranging from [x] to [y].

5
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The author's purpose is not merely to criticise (or whatever you want), but to evoke a deep sense of __________(emotion).

The author's purpose is not merely to criticise, but to evoke a deep sense of [emotion].

6
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Author Opens with an ___________ expression of ____________, immediately confronting the readership with the _______________________________ (argument)

Author opens with an [tone] expression of [emotion], immediately confronting the readership with the [argument].

7
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Author opens by arguing _______________ (argument).

Author opens by arguing [argument].

8
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Transforming into a more ___________ argument, author highlights the __________________, asserting ___________________ (argument).

Transforming into a more [tone] argument, author highlights the [focus], asserting [argument].

9
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Thus, the author escalates his/her point by framing __________ (argument).

Thus, the author escalates their point by framing [argument].

10
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In a strategic tonal shift, Author introduces (whatever), reminding the readership that _____________________.

In a strategic tonal shift, Author introduces [idea], reminding the readership that [point].

11
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Building on his previous disapproval, Author asserts in a _______ tone that _________________________, utilising striking imagery and sharp contrast to expose _______________.

Building on previous disapproval, Author asserts in a [tone] tone that [argument], utilising striking imagery and sharp contrast to expose [issue].

12
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Author deepens the _______________ (emotional) appeal by asserting that ________________________.

Author deepens the [emotional/logical/ethical] appeal by asserting that [claim].

13
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Expanding on the notion of ______________, Author presents ____________________________.

Expanding on the notion of [idea], Author presents [example or argument].

14
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Consequently, Author culminates with an ____________________ empowering (or whatever) call to action, encouraging readers to __________________.

Consequently, Author culminates with an [adjective] call to action, encouraging readers to [action].

15
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Ultimately, Author expands the scope of his critique to ______ (argue or whatever) that __________________________________, but rather than evolving in _____________, he/she finishes on a note of urgent hope (or whatever).

Ultimately, Author expands the scope of their critique to argue that [broad issue], but rather than evolving in [tone], they finish on a note of urgent hope.

16
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The use of the phrase "_____________________" immediately establishes the _________________________ behind the text.

The use of the phrase "[quote]" immediately establishes the [intention/tone] behind the text.

17
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The term "_______" holds consequential connotations often associated with , predisposing the readership to position ______________ not as _________ but as_____.

The term "[word]" holds consequential connotations often associated with [context], predisposing the readership to position [group] not as [x] but as [y].

18
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By presenting ________________ as a ___________, the author positions the readership to feel __________, think of _______________ as both ______________ and ____________.

By presenting [subject] as a [metaphor/label], the author positions the readership to feel [emotion] and think of [subject] as both [x] and [y].

19
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However, the _______________ quickly gives way to emotional appeal with the erudite reference to the ______________________________.

However, the [initial tone/argument] quickly gives way to emotional appeal with the erudite reference to the [example].

20
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The metaphorical language places _____________________ emotional _____________ on the readership, suggesting that a ______________________.

The metaphorical language places [burden/emotion] emotional [weight/appeal] on the readership, suggesting that a [realisation/change] is necessary.

21
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By placing ____________ in the same category of ____________________, the author reframes ______________________ as a ___________________ rather than _________________.

By placing [group] in the same category of [category], the author reframes [issue] as a [problem/value] rather than [previous framing].

22
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The author gives the readership an issue, motivating them to act ____________________.

The author gives the readership an issue, motivating them to act [urgently/ethically].

23
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This portrayal of ______________________ reimagines ___________ as more than ________________________; it is _________________________.

This portrayal of [subject] reimagines [concept] as more than [surface]; it is [deeper meaning].

24
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Authors final appeal becomes a call for ________________, not just _______________.

Author's final appeal becomes a call for [action/virtue], not just [emotion].

25
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This piece ultimately inspires ______________; ____________________.

This piece ultimately inspires [emotion/reflection]; [change/action].

26
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Furthermore, this is reinforced by the author's description of them as "_____________" which clearly aligns the readership's ___________________.

Furthermore, this is reinforced by the author's description of them as "[quote]" which clearly aligns the readership's [feelings/view].

27
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This dual appeal, both ___________ and ______________ encourages the readership to think of _____________________________.

This dual appeal, both [emotional/logical] and [emotional/logical] encourages the readership to think of [issue] in a [unified/nuanced] way.

28
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Additionally, the ________ and __________ visual of ___________________ adopts a __________________ resemblance, offering __________ and _________ to those reading, inaugurating a discussion and personal link with readership.

Additionally, the [adjective] and [adjective] visual of [image] adopts a [symbolic/metaphorical] resemblance, offering [emotional/logical] meaning to the reader.

29
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Yet, the emphasis on "_______________________" lightens the message with an air of approachability, masking the profound argument beneath a veil of casual enjoyment.

Yet, the emphasis on "[quote]" lightens the message with an air of approachability, masking the profound argument beneath a veil of casual enjoyment.

30
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By humanising the ____________ as a ______________ parallel to humans and further describing their/its ______________ in relatable terms, the author not only informs the readership but also creates a sense of ________________.

By humanising the [subject] as a [metaphor] parallel to humans and further describing their/its [characteristics] in relatable terms, the author not only informs the readership but also creates a sense of [connection].

31
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The varied sentence lengths and short structure reinforce the far-reaching impacts of ___________________, expanding the readership's scope beyond personal interest and into collective wellbeing.

The varied sentence lengths and short structure reinforce the far-reaching impacts of [issue], expanding the readership's scope beyond personal interest and into collective wellbeing.

32
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This inclusive appeal is enhanced through the author's repeated use of the possessive pronoun "________", which serves to influence the readership individually and unite others under a common cause.

This inclusive appeal is enhanced through the author's repeated use of the possessive pronoun "[word]", which serves to influence the readership individually and unite others under a common cause.

33
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Meanwhile, the integration of ______ adjectives like "_________" evokes a _________ sensory experience and ________________, which works to engage the readership's ______________________.

Meanwhile, the integration of [sensory/emotive] adjectives like "[word]" evokes a [feeling/sensation] sensory experience and [emotional impact], which works to engage the readership's [senses/empathy].

34
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The lack of technical jargon m___________ the message accessible to all readers, regardless of ex________________ or k__________________.

The lack of technical jargon moulds the message accessible to all readers, regardless of experience or knowledge.

35
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Words like "_____" and "__________" function as imperatives, guiding the readership to ______________________.

Words like "[command]" and "[command]" function as imperatives, guiding the readership to [act/reflect].

36
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However, this ____________________ is subtly softened by __________________ language used to describe _______________ as __________________ when_____________________________.

However, this [harshness/critique] is subtly softened by [gentle/empathetic] language used to describe [subject] as [positive descriptor] when [context].

37
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This juxtaposition creates a cause-and-effect logic: _______________ results in ___________________.

This juxtaposition creates a cause-and-effect logic: [cause] results in [effect].

38
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The repetition of direct address through the word "_____" creates a personal connection, placing ____________ in the readership's hands.

The repetition of direct address through the word "[you]" creates a personal connection, placing [responsibility/issue] in the readership's hands.

39
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He/she describes the ____________ as "______________________", a phrase that elevates the ______________________, stirring a sense of _____________ and _______________.

He/she describes the [subject] as "[phrase]", a phrase that elevates the [concept], stirring a sense of [emotion] and [thought].

40
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The lexical choice of "_____" evokes a visceral reaction, while "_______" suggests a ____________________________, subtly calling the readers ___________ and ______________.Lexical choice

The lexical choice of "[word]" evokes a visceral reaction, while "[word]" suggests a [mood/idea], subtly calling the readers [action] and [reflection].

41
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Wells further reinforces this ___________ through a ______________ image. While _______ is present, it serves a ______________ purpose.

Wells further reinforces this [feeling] through a [type] image. While [negative element] is present, it serves a [purpose].

42
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The personification of "________" as _____________ is deliberately ________________, making the ________________________ into ______________________________.

The personification of "[object/idea]" as [human trait] is deliberately [tone], making the [object] into [symbolic meaning].

43
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The metaphor heightens the __________ discomfort, forcing the readership not only to witness but also to _________, creating a __________ sense of _____________ dominating the readership's mind.

The metaphor heightens the [type] discomfort, forcing the readership not only to witness but also to [action], creating a [intense] sense of [feeling] dominating the readership's mind.

44
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The symbolic colour contrast of the "" against the "" increases the visual tension, displaying the __________________________.

The symbolic colour contrast of the "[colour]" against the "[colour]" increases the visual tension, displaying the [conflict/contrast].

45
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The tonal transition from ____________ to _________________ is answered in the poetic narration of ______________________.

The tonal transition from [tone] to [tone] is answered in the poetic narration of [image/scene].

46
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Through ____________ yet _______________ language, the author reframes _______________ as a_________________________, but of their own __________________.

Through [adjective] yet [adjective] language, the author reframes [concept] as a [new perspective], but of their own [agency].

47
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The inclusive language seeks to foster a sense of ________________ and ____________ among readers.

The inclusive language seeks to foster a sense of [belonging] and [responsibility] among readers.

48
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This layered use of pathos and analogy effectively taps into the readership's ________ for _______________.

This layered use of pathos and analogy effectively taps into the readership's [emotion] for [cause].

49
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This ethical stance promotes the readership to reflect on their _______________ and _________________.

This ethical stance promotes the readership to reflect on their [beliefs] and [actions].

50
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This framing not only reinforces the author's central message to ________________, but also instils in readers a sense of _______________ and _______________ as part of a broader culture.

This framing not only reinforces the author's central message to [call to action], but also instils in readers a sense of [identity] and [responsibility] as part of a broader culture.

51
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The tone here is presented as _______________ yet ___________, as the author invites the readership to become _______________ rather than _____________________.

The tone here is presented as [tone] yet [tone], as the author invites the readership to become [active] rather than [passive].

52
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Importantly, the author notes that readers should "________________________", a metatextual moment that acknowledges _______________________ and empowers the readership.

Importantly, the author notes that readers should "[quote]", a metatextual moment that acknowledges [challenge/issue] and empowers the readership.

53
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This moment of _______________ strengthens or weakens credibility and respects the readership's intelligence.

This moment of [humour/sincerity/etc] strengthens or weakens credibility and respects the readership's intelligence.

54
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This ______________ concludes with the readership feeling ________ yet somewhat ______________________, subtly reversing the usual narrative.

This [section] concludes with the readership feeling [emotion] yet somewhat [conflicted], subtly reversing the usual narrative.

55
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Transitioning from a slightly ___________ tone, the author highlights this __________ and _________ (loss or whatever) in order to prompt __________.

Transitioning from a slightly [tone] tone, the author highlights this [loss/issue] and [impact] in order to prompt [reflection/action].

56
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The word "_____________" casts the ________________________, while society becomes _______________________________.

The word "[word]" casts the [blame], while society becomes [complicit/ignorant].

57
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This ________ imagery stirs a mix of _________ and ______________, influencing the readership to feel implicated in the issue.

This [sensory] imagery stirs a mix of [emotions] and [reflections], influencing the readership to feel implicated.

58
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Hence, the use of the word "________" for the ___________ holds layered meaning, suggesting ________________________________________________________.

Hence, the use of the word "[word]" for the [subject] holds layered meaning, suggesting [deeper idea].

59
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The humanisation of the ___________________ deepens the ________________________, encouraging readers to reflect on their role.

The humanisation of the [subject] deepens the [emotional connection], encouraging readers to reflect on their role.

60
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Author ultimately challenges the readership to feel ______________________, think about the __________________, and act only ___________________________________.

Author ultimately challenges the readership to feel [emotion], think about the [issue], and act only [responsibly/ethically].

61
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This appeals strongly to the readership as the author outlines ________________________.

This appeals strongly to the readership as the author outlines [urgent need/action].

62
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The tone urges the readership to pause, reflect, and reconsider ______________________.

The tone urges the readership to pause, reflect, and reconsider [beliefs/actions].

63
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By calling for "_________", the author appeals to the readership's sense of ________ and _________________.

By calling for "[action]", the author appeals to the readership's sense of [justice] and [responsibility].

64
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"___________________?" The rhetorical question drips with __________ and ______________, pushing the readership to reflect.

[Question]? The rhetorical question drips with [sarcasm] and [urgency], pushing the readership to reflect.

65
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In doing so, the author stirs up ___________ feelings, leaving them questioning their principles.

In doing so, the author stirs up [guilt/shame] feelings, leaving them questioning their principles.

66
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Readers are no longer able to ignore their part in the __________; instead, they are urged to act.

Readers are no longer able to ignore their part in the [problem]; instead, they are urged to act.

67
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The author provokes the readership to feel a deep sense of _________________, prompting them to reconsider their actions with a _______________.

The author provokes the readership to feel a deep sense of [responsibility], prompting them to reconsider their actions with a [new perspective].

68
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The utilisation of emotive words such as ______________ is particularly ____________; it implies not just ___________________ but a __________________.

The utilisation of emotive words such as [words] is particularly [effective]; it implies not just [feeling] but a [call to action].

69
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This framing encourages the readership to feel a profound sense of ____________ and __________, precipitating them to think ____________________.

This framing encourages the readership to feel a profound sense of [urgency] and [empathy], precipitating them to think [critically].

70
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When provided with a solution, the readership is urged to feel __________________, think _________________, and act on ______________________.

When provided with a solution, the readership is urged to feel [hope], think [rationally], and act on [recommendations].

71
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The author transforms the ____________ from a ____________ into ______________, moving the readership to feel ________________, act with _______________, and think with ____________________.

The author transforms the [issue] from a [problem] into [opportunity], moving the readership to feel [inspired], act with [purpose], and think with [clarity].

72
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This moment becomes a call for ______________, not just ______________.

This moment becomes a call for [action], not just [reflection].

73
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Hence, the author directly addresses the readership with "_____", breaking the _____________________ and demanding ____________.

Hence, the author directly addresses the readership with "[you]", breaking the [fourth wall] and demanding [engagement/action].