Dance pieces
________ for solo lute are stylized and intended for the enjoyment of the listener.
Lutheran hymns
________ could alternate between unison congregation and polyphonic setting for choir or organvariations.
Lutenists
________ and keyboard players made arrangements of vocal pieces, either improvised or written down as tablature (intabulations)
Canzona
________- leading genre of contrapuntal instrumental music, embellished and later thoroughly reworked chansons.
Instruments
________ doubled or replaced voices in polyphonic compositions, reading from the vocal parts and adding embellishments.
Galliard
________- followed the same form with a variant of the same melodyarrangements of vocal music.
Dances
________ for ensemble were functional and suitable for accompanying dancers.
Danserye
________- specific parts for specific instruments aren't named in the scores until the 17th century.
polyphonic instruments
Improvising figuration on ________ or drawing on imitative textures from vocal music.
Dance music
________ was improvised but started to be published after the invention of the printing press.
Social dancing
________ was popular in the renaissance especially for well- bred people- they were expected to be good dancers.
Solo lute repertory
________ was developed independently of mainstream vocal music and became the first to harbor a style idiomatic to the instrument.
Dances
________ were grouped in pairs or threes- slow dance in duple meter followed by fast one in triple meter on the same tune.