Instrumental Music Shows Up

Dance pieces

________ for solo lute are stylized and intended for the enjoyment of the listener.

Lutheran hymns

________ could alternate between unison congregation and polyphonic setting for choir or organvariations.

Lutenists

________ and keyboard players made arrangements of vocal pieces, either improvised or written down as tablature (intabulations)

Canzona

________- leading genre of contrapuntal instrumental music, embellished and later thoroughly reworked chansons.

Instruments

________ doubled or replaced voices in polyphonic compositions, reading from the vocal parts and adding embellishments.

Galliard

________- followed the same form with a variant of the same melodyarrangements of vocal music.

Dances

________ for ensemble were functional and suitable for accompanying dancers.

Danserye

________- specific parts for specific instruments aren't named in the scores until the 17th century.

polyphonic instruments

Improvising figuration on ________ or drawing on imitative textures from vocal music.

Dance music

________ was improvised but started to be published after the invention of the printing press.

Social dancing

________ was popular in the renaissance especially for well- bred people- they were expected to be good dancers.

Solo lute repertory

________ was developed independently of mainstream vocal music and became the first to harbor a style idiomatic to the instrument.

Dances

________ were grouped in pairs or threes- slow dance in duple meter followed by fast one in triple meter on the same tune.