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Apology of Socrates
Plato
Allegory of the Cave
The Republic
Excerpts from Oedipus Tyrannos
Sophocles
Oedipus
Robert Icke
A General Introduction to Psychoanalysis
Sigmund Freud
Othello (Act I, Scenes I-II)
Shakespeare
The Prince
Machiavelli
Diving into the Wreck
Adrienne Rich
Ode to Aphrodite; Fragment 16, 58, and 130
Sappho
The “Manifesto of the Communist Party”
Karl Marx
Modern Times
Charlie Chaplin
The Souls of Black Folk
W.E.B. Du Bois
Recitatif
Toni Morrison
Elenchus
Technique that Socrates uses to investigate the nature of ethical concepts. The original definition has been refuted and a modified one emerges. The modified definition is once again interrogated and refuted a second time. The process continues until a satisfactory definition—one that everyone agrees on—is reached.
Daimon
A supernatural being or entity.
Allegory
Narrative, whether in prose or verse, are contrived by the other to make coherence sense on the ‘literal’ or primary level of significance and at the same time communicate a second correlated order of signification
Hubris
Arrogant disregard for laws and other moral constraints
Tyrannos
A single individual who rules a city-state. He has executive privilege and power, but can, to some extent, share it with others. The role is a non-inherited one
Dramatic Irony
Refers to moments when the audience hears a meaning of which the speaker is unaware
Oedipus
A combination of oidein (“to swell”) or oida (“I have seen” / “I have known”) and pous (“foot”). Oedipus can thus be read as “Swell-Foot” and “Know-Foot.
Sphinx
A mythical creature with the head and bust of a human (a woman), the body of a lion, the wings of an eagle or falcon, and the tail of a snake. Stationed at the crossroads between Delphi and Thebes, the Sphinx would confront passersby with a riddle: “What creature has 4 legs in the morning, 2 in the afternoon, and 3 in the evening?” Oedipus and the Sphinx (1864) by Gustave Moreau
Hamartia
Innocent mistake based on ignorance of a particular fact (traditional definition)
A mistake arising from a flaw of character such as pride or anger (modern definition
Psychoanalysis
Studies the unconscious mind and is a theory that explains how human behavior is powered by unconscious drive and desires.
Oedipus Complex
Individual’s unconscious desire for the parent of the opposite sex and the hatred of the parent of the same sex
Moor
Does not actually describe an ethnicity or race but is used to refer to someone of African or Arabic descent.
Iambic Pentameter
Metrical form with a long history in English poetry. It consists of five alternating pairs of unstressed and stressed syllables that mimic the sound of a heartbeat.
“mirrors of princes”
Short treatises urging rulers to be merciful and generous toward their subjects. These manuals were popular during the middle ages and phrased their advice in the language of Christian morality and reminded those in power to remain virtuous.
Liberality
Generosity
Parsimony
Unwillingness to spend money
Machiavellian
Denoting cunningness, manipulation, and deviance
Ode
A poem in praise of someone or something
Aphrodite
The Greek goddess of love and beauty
Trojan War
Armed Conflict that pitted the Achaeans (Greeks) against the Trojans after the ‘abduction’ of Helen by Paris
Bourgeoisie
The class of modern Capitalists, owners of the means of production and employers of wage-labor
Proletariat
The class of modern wage-laborers who, having no means of production of their own, are reduced to selling their labor-power in order to live
Marxism
The movement founded by Marx and Engels that fights for the self-emancipation of the working class.
Means of production
What humans apply their labor to
Historical/Dialectical Materialism
Believing that all change results from the constant conflict arising from the oppositions inherent in all ideas, movements, and events.
Alienation
The process that results in the workers’ lack of control over their own labor, which they must “sell” to the members of the bourgeoisie / the factory owners
Spiritual
A type of religious folksong most closely associated with the enslavement of African people in the American South
Recitative
“a rhythmically free vocal style that imitates the natural inflections of speech and is used for dialogue and narrative in operas an oratorios.” It also refers to the tone or rhythm peculiar to any language.”