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Metaphor
Figure of speech that compares unlike things by stating one as the other without like or as
simile
Makes a direct comparison between two different things
hyperbole
Using extreme exaggeration for emphasis or effect
understatement
Something is intentionally represented as less important, serious, or significant that it actually is
Personification
When human qualities, emotions, or actions are given to inanimate objects, animals or abstract ideas
dramatic irony
When the audience knows something the characters dont creating tension, suspense, or humor
synecdoche
Where a part represents a whole (“wheels” for a car) or a whole represents a part
alliteration
When the same consonant sound is repeated at the beginning of adjacent or nearby words
asyndeton
Omits conjunction like “and” “but” “or” from a series of words or clauses
Polysyndenton
Repitition of coordinating conjunctions “like” “and” “or” “but” in close sucession
situational irony
When the outcome of events is opposite of what y is expected or intended
verbal irony
When a speaker says one thing but means the opposite (sometimes sarcasm)
Ambiguity
Quality of having multiple, deliberate, meanings
metonymy
When a word or phrase is substituted for another that is closely related with it - “Hollywood” for the film industry
absolute
Usually a quantity amount that is all or nothing - “all” “none” “everything”
Apostrophe
A speaker directly addresses an absent person, a deceased person, a personified object
caesure
Pause or break within a line of poetry often marked by punctuation
enjambment
When a sentence or phrase runs from one line of poetry to the next without a pause