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Rhetoric
The study of effective, persuasive language use; according to Aristotle, use of the “available means of persuasion”
Speaker
A term used for the author or the person whose perspective (real or imagined) is being advanced in a speech or piece of writing
Purpose
One’s intention or objective in a speech or piece of writing
Audience
One’s listener or readership; those to whom a speech or piece of writing is addressed
Context
The set of circumstances or facts that surround a particular event, situation, etc. (i.e. what is happening in the world politically, socially, economically, etc.)
Exigence
An urgent problem or issue that a writer feels compelled to address
Choices
The moves a writer makes to enrich his/her writing (through paterns of diction, syntax, organization, rhetorical strategies, etc.)
Appeals
Rhetorical strategies, specifically THE BIG THREE: logos, pathos, ethos; when used in a balanced way, they create an effective use of rhetoric.
Tone
The speaker’s attitude toward the subject or audience
Logos
A Greek term that means “word”; an appeal to logic; one of Aristotle’s three rhetorical appeals
Pathos
A Greek term that refers to suffering but has come to be associated with broader appeals to motion; one of Aristotle’s three rhetorical appeals. Think of this as an effort to incite empathy
Ethos
A Greek term referring to the character of a person; his or her “ethics.” one of Aristotle’s three rhetorical appeals
Narration
Recalling an event or series of events; telling a story
Description
Writing that includes many specific details and emphasizes the sense by painting a picture of how something looks, sounds, smells , tastes, or feels (utilizes imagery)
Exemplification
Writing that provides a series of examples - facts, specific cases, or instances - and turns a general idea into a concrete one to make an argument clearer and more persuasive to the reader
Comparison/Contrast
Writing that juxtaposes two things to highlight their similarities and differences
Classification/Divison
Writing that sorts material or ideas into major categories so that readers can make connections between things that might otherwise seem unrelated
Definition
Writing that establishes common ground or identifies areas of conflict to ensure that writers and their audiences are speaking the same language
Cause/Effect
Writing that analyzes the causes that lead to a certain effect or, conversely, the effects that result from a cause
Process Analysis
Writing that explains how something works, how to do something, or how something was done
Trope
Artful diction; the use of language in a non-literal way; also called a figure of speech
Diction
Word choice (specify such as artful, patriotic, etc.)
Scheme
A pattern of words or sentence construction used for rhetorical effect (example: parallelism, as in “The bigger they are, the harder they fall.”)
Syntax
Sentence structure
Style
The distinctive quality of speech or writing created by the selection and arrangement of words and figures of speech
Repetition
Repeating a word or phrase within a sentence or poetical line in order to emphasize an idea
Parallelism
The repetition of similar grammatical or syntactical patterns (“I came, I saw, I conquered.” ~ Julius Caesar)
Anthithesis
Parallel structure that juxtaposes contrasting ideas (Example: “Money is the root of all evils; poverty is the fruit of all goodness.”)
Juxtaposition
Placement of two things side by side for emphasis
Cumulative Sentence
An independent clause followed by subordinate clauses or phrases that supply additional detail (Example: She cautiously walked to the door, wary of what was awaiting her on the other side.)
Periodic Sentence
A sentence that builds toward and ends with the main clause (Example: Wary of what was awaiting her on the other side, she cautiously walked to the door.)
Hortative Sentence/Hortatory
A sentence that urges or strongly encourages (Example: “Let both sides explore what problems unite us instead of belaboring those problems which divide us.” ~ JFK
Inverted sentence/Inversion
A sentence in which the verb precedes the subject (Example: “Always in motion is the future.” ~ Yoda, Star Wars
Rhetorical Question
A question asked more to produce an effect than to summon an answer (Example: “What business is it of yours?”)
Alliteration
The repetition of the same sound or letter at the beginning of consecutive words or syllables (Example: Peter Piper picked a peck of pickled peppers…)
Anaphora
The repetition of words at the beginning of successive clauses (Example: “It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness…” ~ Charles Dickens, A Tale of Two Cities
Antimetabole
The repetition of words in an inverted order to sharpen a contrast (Example: “Eat to live, not live to eat.” ~ Socrates)
Simile
A figure of speech that uses “like” or “as” to compare two things (Example: He was as strong as an ox.)
Metaphor
A figure of speech or trope through which one thing is spoken of as though it were something else, thus making an implicit comparison (Example: She is fishing in troubled waters.)
Imagery
Vivid use of language that evoked a reader’s senses (Sight, smell, taste, touch, hearing)(Example: “The eerie silence was shattered by her scream.”)
Allusion
AN indirect reference, often to another text or an historic event (can be religious, literary, classical, mythological, or historical); Example: He was a real Romeo with the ladies
Asyndeton
Leaving out conjunctions between words, phrases, clauses.
Polysyndeton
The deliberate use of a series of conjunctions; Example: “[I]t is respectable to have no illusions — and safe — and profitable — and dull.” ~ Joseph Conrad, Lord Jim, 1900
Hyperbole
Exaggeration for the purpose of emphasis; Example: “If he doesn’t call soon, I’ll just die!”
Irony
A contradiction between what is said and what is meant; incongruity between action and result; Example: He patted the St. Bernard’s head and said, “Take it easy, Tiny.”
Metonymy
A metaphoric use of an aspect of something to represent the whole; Example: He lusted for the crown. Crown here is a metonymies use for power or authority - it is not used literally
Oxymoron
A figure of speech that combines two contradictory terms (to describe one thing); Examples: Open secret; tragic comedy; original copies; liquid gas; seriously funny; foolish wisdom; civil war
Paradox
A statement that seems contradictory but is actually true; Example: “What a pity that youth must be wasted on the young.” ~ George Bernard Shaw; “I can resist anything but temptation.” ~ Oscar Wilde
Personification
Assigning lifelike characteristics to inanimate objects; Example: The flowers danced in the breeze
Zeugma
A construction in which one word (usually a verb) modifies or governs - often in different, sometimes incongruent ways - two or more words in a sentence; Example: John lost his coat and his temper.
Anecdote
A short and amusing or interesting story about a real incident or person
Allegory
A story, poem, or picture that can be interpreted to reveal a hidden meaning, including a historical, political, philosophical, or religious one (Example: In Animal Farm, Orwell constructs a political allegory by using a barnyard to tell the story of the rise of the Communist Party in Russia.)
Analogy
A comparison between two things, typically on the basis of their structure and for the purpose of explanation or clarification; metaphors and similes are specific types
Antecedent
The word, phrase, or clause referred to by a pronoun.
Connotation
The non-literal, associative meaning of a word; the implied, suggested meaning; may involve ideas, emotions, or attitudes.
Denotation
The strict, literal, dictionary definition of a word, devoid of any emotion, attitude, or color. (Example: the de notation of a knife would be a utensil used to cut; the connotation of a knife might be fear, violence, anger, foreboding, etc.)
Euphemism
Greek for “good speech”; a more agreeable or less offensive substitute for a generally unpleasant word or concept; may be used to adhere to standards of social political correctness or to add humor or ironic understatement (Example: Saying “earthly remains” rather than “corpse”)
Mood
The prevailing atmosphere or emotional aura of a work, which is determined or affected by setting, tone, and events; similar to tone and atmosphere
Parody
A work that closely imitates the style or content of another with the specific aim of comic effect and/or ridicule (Example: Vampire Sucks is a parody of Twilight; The Scary Movie series parodies multiple horror films)
Satire
A work that targets human vices and follies or social institutions and conventions for reform or ridicule (Examples: The Importance of Being Earnest, The Daily Show, The Colbert R