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Dura-Europos Synagogue
converted private house with central courtyard and main room with a niche for the Torah
extensive cycle of mural paintings (Roman influence), narrative and figurative
painted on dried plaster, fresco like, scenes from scripture
well preserved, based off Roman grid like pattern
differs from Roman temple because shrine is modest
SIGNIFICANCE
MOSES STRIKING THE ROCK
expression of Jewish faith under Roman persecution
Dura-Europos Church
Christian place for community worship - modest remodeled Roman house with central courtyard, meeting hall, and baptistry
architecture developed to accommodate ritual
platform for clergy to stand
raised platform at one end for leader of congregation
with surge of Christianity, houses were needed to accommodate
baptistry has frescoes on the walls
SIGNIFICANCE
popular with the disenfranchised and poor parts of the city
separate spaces for those baptized versus those not
safe place for prosecuted Christians
Old St. Peters
follows pattern for Roman Basilicas
central nave with transept that housed saint peter’s relics and symbolized Christian cross, flanking aisle, and apse
open columnaded courtyard called an atrium
huge marbled balacchino - domical canopy over altar - supported by 4 spiral columns (taken from older Roman buildings) which marked spot of tomb
mosaics and frescoes
longitudinal plan and boxy form
clerestory windows
built on vatican hill, to avoid confrentation between Roman Christian and those who worshiped old gods
SIGNIFICANCE
marked site of Saint Peter’s tomb
created by Constantine after he established Christianity as religion
important model for churches
Teotihuacan
large, densely populated metropolis laid out in grid pattern (Roman planning) with axis oriented by sophisticated surveying
astronomical orientations and sacrificial practices
3 monumental pyramids echoing shape of nearby mountains/volcanos made of core of lava and earth
stacked square platforms that diminish
ramped staircase leading to crowning temples, made of wood and thatch (perishable)
talud-tablero
alternating sloping and vertical construction
stone masonry panels
long main avenue - avenue of the dead
Pyramid of the Moon (Teotihuacan)
surface brightly painted on layer of stucco
pyramid got bigger over time
truncated pyramids stacked by central staircase and surrounded by altar platforms
7 phases of construction
SIGNIFICANCE
gods (deity of water and agriculture) worshiped here and were given sacrifices, animals buried alive in cages, human sacrifice
pilgrims and crowd processions
Pyramid of the Sun (Teotihuacan)
sun-dried bricks used on the outside
faced with stone, then stucco
built over a cave, may have marked sacred spring that symbolizes the womb of the earth/entrance to the underworld
stars align with point on horizon
along avenue of the dead
twice the size of the pyramid of the moon
SIGNIFICANCE
children skeletons buried in corners, believed to bring rainfall
Pyramid of the Feathered Serpent (Teotihuacan)
large courtyard with axillary buildings and altars for sacrifice
sculpture patterns feature projecting stone heads of feathered serpent alternating with long snouted scaly creature with rings on its forehead, linked by relief carvings of feathered serpent bodies and seashells (water assoc.)
vivid paint (quezalcoatl - brilliant green)
SIGNIFICANCE
8, 18, 20 groups of people for sacrifice - venus calender
beneath temple was a looted tomb thought to belong to ruler
surrounded by warrior remains (assoc with warfare)
Chichen Itza
flat low limestone region
solid core of coarse rubbled faced on both sides with veneer of limestone
El Castillo (Snake Mountain)
radial pyramid that was brightly painted
temple of Kukulan (feathered serpent god) sits on top of pyramid and the sun casts shadows on equinoxes in the shape of a snake writhing
stepped pyramid that is the birthplace of snake serpent god
ballcourt at base where civilization started
astronomical orientations with 4 cardinal points
9 level step pyramid represents 9 levels of underworld
chamber with throne in form of red jaguar
Temple of Warriors
smaller temple on the side of El Castillo
named for warrior sculptures that decorate piers around the structure
4 platforms leading to temple structure
arcade approach with columned area
ballcourt and Chacmool figure
El Caracol
round northern Mayan structure enclosed by a circular staircase
astronomical observatory at summit (windows along staircase and opening at summit )
cylindrical tower rests on broad surface that is supported by larger rectangular platform
composed of 2 concentric walls
Ballcourt of Chichen Itza
temples dedicated to jaguars
rows of skull images
sacred landscape due to presence of serpent statues
ballcourt as portal from our world to divine
Chacmool Figure (Chicen Itza)
reclined on back and containing a receptacle to receive offerings
Ashokan Pillar
monolithic (carved from single block of highly polished sandstone from queries where Buddha preached)
enormous scale
associated with tree of life and axis mundi (axis of the world, anchored into the ground)
inscriptions with Buddhism law code
capped with elaborate capitals
SIGNIFICANCE
raised at important sites for Buddhist pilgrimage
Lions Capital
lotus blossom at base, represented water, purity, Buddha rose up from the sludge like a lotus does
2 pairs of back to back lions stand on round abacus (drum shaped slab) decorated with 4 wheels and 4 animals (rulers) symbolizing 4 corners of the world
chakra - referencing wheel of the law (Ashoka as chakravartin “holder of the wheel”)
open mouths reference worldwide announcement of Buddha’s message
copper disc on top of capital = disc of the sun, Buddha as sun with rays spreading
SIGNIFICANCE
many symbols to represent Buddha
finest capital from Sarnath where Buddha gave his first sermon and set the wheel of law into motion
Chakra spokes symbolize principles in life and 24 hours of the day
Great Stupa at Sanchi
solid mound of earth containing relics of Buddha with square steps
4 compass points of the stupa are marked by huge sandstone Toranas (gateways)
mandala = sacred diagram of the universe
at summit is pole with chatras corresponding to axis mundi
relief sculptures cover Toranas, depict episodes from Buddha’s life/past
East Toranas contain Yakshi- nude women personifying fertility and vegetation
axis mundi through harmika
stone fence that seperates stupa from the profane world
SIGNIFICANCE
not entered but circumambulated with right hand to honor Buddha
religious relics containing Buddha’s ashes, originally Ashoka split into 8 Stupas and continued from there
Chaitya Hall
carved out of stone with barrel vaulted ceiling
stupa at end of hall which is circumambulated
pillared ambulatory (horse-shoe shaped aisles which enabled circumambulation)
acoustics, good for chanting
elaborate capitals atop rock-cut pillars, depicting people riding elephants
amorphous couples (mithunas) flank entrance and symbolize creation of life force
SIGNIFICANCE
stop along trade route- pilgrimage site
monastic complex
Borobudur
constructed on a hill, terraces, colossal size
volcanic blocks of stone
takes form of cosmic mountain (mandela) with sandstone relief sculptures on base and around monument - teachings of buddha
accessible by 4 stairways, cardinal points, axis mundi
hollowed stupas and stupas containing seated buddha at the top
SIGNIFICANCE
circumambulate stupa at the top
pilgrimage destination, guide them into enlightenment
Horyu-Ji
asymmetrical form
pagoda- curving roof forms with emphasis on axis mundi,
reliquary like a stupa,
decreasing size the higher you go, 5 stories
soaring spirit of Buddhist faith
golden kondo hall- main hall for worship, contained statues of Buddha, main statue saved from fire
oldest wooden building
SIGNIFICANCE
introduction of Buddhism in Japan
influence of Chinese culture
center for Buddhist scholarship
Hagia Sophia
centrally planned domed basilica
light floods interior due to windows at base of dome
pedentive construction made the dome possible through gradual transition from square to circle
lavishly decorated with mosaics (covered as mosque)
candlelight on reflective gold glass, dissolving building into light
brick walls covered with marble
buttresses and 4 minarets added when turned into mosque
weight concentrated on pillars, not walls (Roman)
sanctuary aspse
SIGNIFICANCE
Justinian constructed as symbol of rebirth after insurrection (riot)
highly spiritual
San Vitale
octagonal plan(2 concentric walls)
clerestory lighting
piers alternate with curved columned room into 2 story ambulatory
natural light filtered through windows and over mosaics (glowing marbles)
mosaics on apse walls and choir - form unified composition
SIGNIFICANCE
Justinian and Theodora mosaics, unification of church and state
Justinian and Theodora wear purple; expensive dye reserved only for elite
Dome of the Rock
octagonal with towering gold covered dome
central plan
designed around rock
originally had mosaics, now colorful tiles, rich mosaic ornamentation along dome base
rises from a huge platform (Noble Enclosure), high visibility
4 entrances, cardinal
2 aisles around central rock
columns reused from roman/christian structures
SIGNIFICANCE
rock was religious site, originally where Abraham’s sacrifice of his son was
Adam’s grave
Muhammad beginning journey to heave/return to mecca
not a mosque, shrine site
Great Mosque at Cordoba
overlaying horseshoe shaped arches, double rows on slender columns
dazzling frames, infinite space
red and white alternating ashlar
aqueduct inspired
since the columns are short they had to double tier for support
crisscrossing ribs form intricate and decorative patterns in dome - octagonal base of squinches (columns on the corner)
walls covered with marbles and mosaics, has small protrusions
hypostyle prayer hall
built in phases
columns used from Roman and Visigoth sites
SIGNIFICANCE
converted to Christian use
Islamic and Christian heritage like Hagia Sophia
Great Mosque at Djenne
largest mud-brick building (adobo), replastered every year
courtyard on north side (entrance) in front of roofed prayer hall
platform raised to prevent floodwater
not orthogonal, trapezoidal shape
qibla wall like always faces mecca
roof spaces with projecting pipes to drain water
engaged wooden columns
bundles of palm sticks protruding
tops of (3) minarets decorated with ostrich eggs- fertility & purity
SIGNIFICANCE
Islam spread through Mali via trade routes
center for Islamic studies
St. Sernin
stone-vaulted basilica, grand
basilica style but increased length of nave, doubled side aisles, added transept, and radiating chapels
crossing square marked off by heavy arches served as module for church -
geometrically precise
thick walls
use of stone- fire-resistant
groin vaults
compound piers (piers with columns attached)
no direct lighting
SIGNIFICANCE
pilgrimage site
Beta Ghiorgis (Church of St. George)
cut out of the volcanic bedrock in form of a cross (4 arms of equal length)
hollowed out a hemispheric dome beneath cruciform roof
built over system of waterways which feed into river Jordan
carved downwards and looks northwest
painted walls
SIGNIFICANCE
sophisticated understanding of hydroengineering
Amiens Cathedral
skeletal architecture,
pointed arches at astounding height
flying buttresses as external support and rib vaults for taller appearance
complex windows, large
clerestory allows flood of light
decorative stonework
center of city
SIGNIFICANCE
medieval modernist!!
high ceilings
Florence Duomo/Cathedral
wider and deeper nave and aisle bays - spaciousness
solid steady walls
capitals of piers prevent soaring into vaults and emphasize functional support
not gothic, smaller windows and clerestory
like early Christian basilica nave
massive compound stone piers contrast white walls
round oculi
heavy molding
tie rods to prevent collapse
SIGNIFICANCE
celebrates Rome
rivalry with Siena
City of Florence
dominant city state
PROUD Roman heritage, doesn’t address Etruscan
economic and cultural perceived superiority
Roman grid ground pattern, 2 axis
Roman core where all the civic buildings were
flat ground and next to river
Siena Duomo
striped stone associated with Siena, ornate decoration, colored stonework
cathedral on top of a hill, domed
built in phases
groin vaults in the nave and aisles springing from compound piers
triple doors
buttresses and fliers not visible from outside, thicker walls
french gothic facade
SIGNIFICANCE
combines French gothic details and Italian stonework
pride of Siena
City of Siena
Italian city-state
urban center for bankers and merchants, international contact, patronage
focused on open field and large public plaza with streets directed towards it, at a low point
built on 3 hills/ridges
Etruscan town
primarily used brick
Great Zimbabwe
largest stone complex in Africa pre-modern era
huge walled enclosure with excellent stonework, regularly shaped blocks without mortar
great enclosure houses one large and several small conical towerlike structures - suggest granary, within upper valley
3 separate entrances, non fortified
wall height varies
chevron pattern on outer wall
royal residences
hill complex (promontory), had defensive compounds, monumental walls
lower valley less preserved
soapstone monolith - bird and crocodile sculptures
SIGNIFICANCE
satellite urbanism
trade center - gold
Palazzo Vecchio
gigantic bell tower - symbol of city pride and defensive structure, cantilevered out, precise geometry for precise viewing
rusticated walls (rough)
emblems on windows
fortified courtyard
additions to the buildings, not visible from piazza
3 main stories capped by ballatoio - crown type structure wrapped around (fourth story of windows and battlements)
can see both sides (like Parthenon)
SIGNIFICANCE
defensive, fortified
town hall on a major piazza - socialization
Palazzo Pubblico
built in phases, wings, office buildings added
civic center around campo (public space) - big, open field
civic buildings
built out of brick - city identity
surrounded by palaces of elites so had to match the style of surrounding buildings
pointed arches
galleries with holes in the floor to pour/dump stones and hot oil against attackers
FRESCOES
SIGNIFICANCE
defensive lookout over countryside and symbol of city-states power
Fresco of Good and Bad Government
illusionistic panorama of cities
glorified rule of “the nine” Siena’s governors
good government - dancing in street, lavish clothes, repaired buildings, merchants holding goods
bad government - dead trees, no crops, building in disrepair, illness, bound prisoners
Maesta
Mary as protector of Siena
religious, Mary under canopy, holding Jesus, surrounded by saints and angels
no delineation between church and state
gold background and compositional is Byzantine inspired
relaxed strict formality and rigidity of figures from Byzantine art, soft, flowy clothes, French Gothic inspiration