1/31
Name  | Mastery  | Learn  | Test  | Matching  | Spaced  | 
|---|
No study sessions yet.
Elements of Design
The fundamentals to all designs: form, shape, line, texture, color, space, movement. The discipline of learning the power of these elements and formatting them within the principles of design is the responsibility of the designer.
Color
Typically known as hue. The aspect of the appearance of objects and light sources that may be described in terms of hue, lightness, and saturation. White light may be separated into these categories through a prism. Does not include black or white.
Achromatic
Not including color. Black, white, grey.
Line
As a geometric conception: a point in motion, with only one dimension - length. The variables are: size, shape, position, direction, number, interval and density.
Mass
A solid body or a grouping of visual elements (line, color, texture, etc.) that compose a solid form. It is the two-dimensional appearance of a three-dimensional form.
Movement
Also known as motion. This element portrays the act or process of changing place or direction, orientation, and/or position through the visual illustration of starting or stopping points, blurring of action, etc.
Space
A two- or three-dimensional element defined by other elements of design. The dimensions of height, depth, and width within which all things exist and move.
Texture
A technique used in two-dimensional design to replicate three-dimensional surfaces qualities through various drawing and media techniques. On three-dimensional surfaces, it is experienced by touch or by visual experience.
Value
The word for the lightness or darkness of an area. It is a graded scale from white to black, but also exists as the corresponding lightness or darkness of colors.
Principles of Design
Applicable to all design disciplines. They are tools used to format the elements of design. An example of these might include unity, harmony, balance, rhythm, contrast, pattern and et cetera.
Balance
The designer organizes this to create a design or arrangement of parts that appear to be a whole with equilibrium.
Symmetrical balance
Visual balance that exists as a mirror or near mirror balance about a medial line, such as a human face seen directly.
Asymmetrical balance
Visual balance that exists as a balance that does not exists as a mirror or near mirror balance about a medial line. It is balanced as forms of weight equalize.
Radial Balance
Visual balance that is visually formed about a central point, such as a spider web.
Contrast
An element that presents an opposition such as, light and dark value. It may be presented as size, shape, color, texture, etc., etc. It offers variety within a visual format.
Direction
Utilizing movement to create the visual illusion of displacement via optical forces.
Economy
A principle operating on the "slim." Especially important when dealing with clients, where their product or service is more important than the elaboration of design elements. Can also be considered "precise," or "simplistic."
Emphasis
Denotes an area where elements are called to attention above other areas. It may be endowed in a variety of ways including arrangement, contrast, content ( such as a finger pointing to something).
Proportion
A two- or three-dimensional element where forms are directly related through known relationships such as a part to the whole. Generally utilized in comparison of known scales. E.g. Nose to a face.
Repetition
Elements that are presented multiple times within the design.
Rhythm
A recurrence or repetition of one or more elements within a visual format, creating harmony.
Unity
- "Oneness," "Harmony," "Gestalt." The condition of completeness with the use of all visual elements within a design.
Traditional Color Wheel
Color theory instrument utilizing Red, Yellow, and Blue for primary colors. Secondary colors are violet, green and orange. This implement is used to navigate color harmonies and tint, tone, and shades.
Color Harmony
Specific groupings of colors that enhance one-another when paired together. The groups are called complements, split-complements, triads, tetrads, and monochromatic.
Complementary Color
Color Harmony that identifies two colors that are directly across from one-another on the color wheel.
Split Complement
Color Harmony utilizing three colors. It is comprised of one color plus the colors on each side of its complement.
Triad Harmony
Color Harmony that includes three colors that are equidistant from one-another.
Tetrad Harmony
Color Harmony that utilizes four colors either in a square or rectangular orientation.
Monochromatic
Color Harmony that utilizes any one color, but may also include white, black and/or gray.
Analogous Color
Color Harmony that utilizes three colors that are adjacent to one-another.
Primary
Color that cannot be made from using other colors. Red, Yellow, and Blue are examples.
Secondary
Color that is admixture of two primary colors. Orange, Violet and Green are examples.