Music Cites

We impose emotions onto music

Emotionless Cognitive Appraisal

Behavioral response proceeds the emotional response // We do not impose emotions onto music

James-Lange Theory

Week 2 Citation: Psych of Music, Rhythm, & Movement

Levitin et al., 2018

Rhythm definition

(Schulkind, 1999)

Walking & Synchronization 1

(Franek et al. 2014; Mendonca et al. 2014)

Walking & Synchronization 2

(Leman et al., 2013)

Dyads/Larger Groups & Syncronization

(Koban et al., 2017)

Groove

(Janata et al., 2012)

Ronan the silly Sea Lion

(Cook et al. 2013; Rouse et al. 2016)

Rheus Macques vs Huamans

(Zarco et al. 2009)

Cognitive Stimulation (Adaptationist Perspective)

(Levitin, 2024)

Sexual Selection Hypothesis

Darwin

Peacock’s Tails & Sexual Selection

(Miller & Marcus, 2012)

Auditory Cheesecake Mfer

Pinker (2007)

Week 3 Citation: Effects of Music in Exercise and Sport: A Meta-Analytic Review

(Terry et al., 2020)

Music’s role in hedonic theory

(Bigliassi et al., 2016; Terry et al., 2012)

Music + PA adherence

(Clark et al., 2016; Hutchinson et al., 2018)

If individuals are unmotivated to exercise…

(Brand & Ekkekakis, 2018) —> ART

How to foster PA engagement if motivation is low

(Ryan & Deci, 2000, 2017) —> SDT

Association + RPE

(Hutchinson & Karageorghis, 2013)

Elite athletes + Association

(Gabana et al., 2015)

“Magic number for human activation”

(Schneider et al., 2010)

Affect as main barrier to PA engagement

(Ekkekakis et al., 2013; Emerson & Williams, 2015)

Peak-End Rule

(Parfitt & Hughes, 2009)

Week 5 Citation: Emotional responses to music: The need to consider underlying mechanisms

Juslin & Västfjäll (2008)

How do we interpret sound (brainstem reflex)

(Lipscomb & Hodges, 1996)

Why do we have the BSR?

Evolutionary perspective —> (Ploog, 1992)

Arousal Potential Theory —> Berlyne (1971)

How does Evaluative Conditioning happen?

(Martin et al. 1984; Ohman & Mineka, 2001)

Music qualities that elicit EC

(Le Doux, 2002)

How Can Humans Recognize/Process Emotion? (Emotional Contagion)

Cunningham & Sterling (1988)

How does emotional contagion happen?

Super-Expressive Voice Theory —> (Juslin, 2001)

Episodic Memory lay definition

(Davies, 1978)

Episodic Memory: Music and personal memories

(Baumgartner, 1992)

The Reminiscence Bump

(Conway & Holmes, 2005)

Musical Expectancy Mechanism Theory

(Meyer, 1956)

Emotions music most frequently express

(Lindstrom et al., 2003)

Week 6 Citation: Regulating Performance Emotional States through Music

(Middleton et al., 2020)

3 ways music may impact sport performance despite ~75% VT rule

Attention —> (Hutchison & Karageorghis, 2013)

Flow —> (Pates et al., 2003)

CSA —> (Kuan et al., 2018)

Music self-selection

(Brandt et al., 2019; Lane et al., 2011)

Week 7 Citation: Pre / In-Task / Post-Task Music

(Karageorghis et al., 2021)

Pre-task Music + Arousal

(Yamamoto et al., 2003)

Pre-task Music + Arousal + Grip strength

(Karageorghis et al., 2018)

Pre-task Music & Precision sports

(Kuan, 2014)

Athletes + Physiological Efficiency

(Terry et al. 2012)

Active & Static Post-Task Music + Affect

Active —> (Jones et al., 2017)

Static —> (Karageorghis, 2016)

Respite & Recuperative Recovery Music

Respite —> (Karageorghis et al., 2021)

Recuperative —> (Jones et al., 2020) 

Week 8 Citation: Effects of musical valence on the cognitive processing of lyrics

Fiveash & Luck (2016)

Music can induce strong emotions

(Juslin & Sloboda, 2010; Lundqvist et al., 2009)

Primary reason people listen to music

(Juslin & Laukka, 2004)

Moods + Dual Process Theory

(Beukeboom & Semin, 2006; Bless & Fiedler, 2006; Forgas, 2008, 2013; Gasper & Clore, 2002; Matovic et al., 2014)

Week 10 Citation: AMS

(Bood et al. 2013)

Athletes + Physical Efficiency again (second cite)

(Karageorghis & Terry, 2011)

Week 11 Citation: “Music We Move To”

(Duman et al., 2022)

Week 12 Citation: Translational Approach + PD

Dalla Bella (2018)

Dynamic Attending Theory

(Reiss Jones, 1976)

PD definition

(Postuma et al., 2015)

Week 13 Citation: Listening To Music To Cope With Everyday Stress

(Krause et al., 2021)

Stress is an evolutionary adaptation

(Dhabar, 2014)

Music as life stress distractor

(Boer & Fischer, 2012)

Music & Surgery sedation

(Dijkstra et al., 2010; Tam et al., 2008)

Music & Surgery anxiety

(Liu et al., 2016; Thoma et al., 2015)

Music post surgery

(Karakul & Bolisik, 2018)

Music and job stress regulation

(Haake, 2011)