Experimenting with Music - IB Music HL Reviewer

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Application of Knowledge

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56 Terms

1

Application of Knowledge

Applying theoretical knowledge to practical work for informed creative decisions.

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2

Practicing and Refining

Involves an iterative process of trial, refinement, and revision based on feedback and reflection.

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3

Evaluation and Reflection

Critical evaluation of music-making processes, strengths, weaknesses, and proposing solutions for improvement.

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4

Experimenting with music

Involves exploring new sounds, techniques, and forms to push the boundaries of traditional music-making, emphasizing innovation, creativity, and breaking conventional norms.

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5

Melody

The horizontal aspect of music, involving a sequence of notes perceived as a single entity.

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6

Harmony

The vertical aspect of music, involving the combination of different notes played simultaneously.

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7

Rhythm

The timing of musical sounds and silences, including aspects like beat, tempo, and meter.

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8

Texture

How different musical sounds and lines are combined, ranging from monophonic to polyphonic.

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9

Timbre

The quality or color of a musical sound that distinguishes different types of sound production.

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10

Form

The overall structure or plan of a piece of music, often delineated by sections and themes.

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11

Dynamics

The variation in loudness between notes or phrases in music.

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12

John Cage

An avant-garde composer known for compositions like '4'33"' and 'Sonatas and Interludes.'

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13

Karlheinz Stockhausen

An electronic music pioneer known for works like 'Gesang der Jünglinge' and 'Kontakte.'

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14

Steve Reich

A minimalist composer recognized for works like 'It's Gonna Rain' and 'Music for 18 Musicians.'

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15

György Ligeti

A composer known for avant-garde works like 'Atmosphères' and 'Lux Aeterna.'

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16

Extended Techniques

Playing instruments in non-traditional ways to produce unconventional sounds.

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17

Prepared Piano

Inserting objects like screws, rubber, or paper between piano strings to alter the sound.

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18

Multiphonics

Producing multiple notes simultaneously on wind instruments.

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19

Bow Over the Bridge

Playing string instruments with the bow near or on the bridge to produce eerie sounds.

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20

Electronic Manipulation

Using electronic devices and software to alter and create sounds.

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21

Sampling

Using pre-recorded sounds and incorporating them into new compositions.

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22

Synthesis

Creating sounds from scratch using synthesizers.

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23

Digital Effects

Applying effects like reverb, delay, and distortion to alter sound.

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24

Aleatoric Processes

Incorporating elements of chance into composition and performance.

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25

Indeterminate Notation

Notating music that allows for performer interpretation.

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26

Minimalism

Using repetitive structures and gradual changes to create music.

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27

Phasing

Playing two identical phrases at slightly different tempos so they gradually shift out of sync.

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28

Improvisation

Creating music spontaneously within certain guidelines or frameworks.

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29

Sound Exploration

Discovering new sounds through unconventional instruments, found objects, or electronic means.

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30

Theme

Deciding on a central theme or idea for the piece.

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31

Influences

Drawing inspiration from other works, genres, or experiences.

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32

Score Writing

Notating music using traditional or graphic scores.

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33

Traditional Notation

Using standard musical notation with some modifications.

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34

Graphic Notation

Using visual symbols to represent sound, often without traditional staves and notes.

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35

Recording and Production

Using recording technology to capture and manipulate sound.

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36

Multi-Tracking

Recording multiple layers separately and combining them.

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37

Sound Editing

Using software to cut, splice, and process recordings.

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38

4'33" by John Cage

Concept: Silence and ambient sounds are the focus. Impact: Challenges the definition of music and the role of the performer and listener.

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39

Gesang der Jünglinge by Karlheinz Stockhausen

Concept: Integration of human voice and electronic sounds. Impact: Pioneered spatial audio and electronic music techniques.

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40

Music for 18 Musicians by Steve Reich

Concept: Minimalism with gradual process changes. Impact: Demonstrates the hypnotic effect of repetition and phased patterns.

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41

Atmosphères by György Ligeti

Concept: Micropolyphony and static textures. Impact: Creates a dense, immersive sound world.

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42

Connect Theory and Practice

Integrate theoretical understanding with hands-on music-making.

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43

Develop Musical Competencies

Enhance skills in composition, improvisation, and performance.

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44

Explore Diverse Musical Materials

Engage with a wide array of musical stimuli from different cultures and historical periods.

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45

Experimenting as a Researcher

Investigation and Analysis: Students investigate and analyze music to inform their practical work.

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46

Critical Reflection

Regular reflection on the process and outcomes of their experiments helps students refine their work.

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47

Musical Decision-Making

Based on their research and reflections, students make informed decisions about how to develop their musical ideas.

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48

Idea Development

Students experiment with developing musical ideas through composing, improvising, and arranging.

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49

Artistic Choices

Students make artistic choices about how to modify, manipulate, and transform musical elements.

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50

Application of Findings

Students apply their theoretical findings to their practical work, ensuring that their creative decisions are informed by a deep understanding of musical principles.

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51

Shaping Musical Ideas

Students develop their ability to communicate musical ideas through performance.

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52

Performance Techniques

Students experiment with different performance techniques and musical elements, such as dynamics, articulation, and phrasing.

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53

Independent Musical Voice

Through regular practice and experimentation, students refine their performing skills and develop an independent musical voice.

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54

Iterative Process

Students continuously trial, refine, and revise their musical material.

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55

Technical Mastery

Students work on mastering the technical skills required for their creative and performing activities.

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56

Critical Evaluation

Students critically evaluate their music-making processes and outcomes.

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