Dance History Test 2

0.0(0)
studied byStudied by 0 people
0.0(0)
full-widthCall with Kai
GameKnowt Play
New
learnLearn
examPractice Test
spaced repetitionSpaced Repetition
heart puzzleMatch
flashcardsFlashcards
Card Sorting

1/22

flashcard set

Earn XP

Description and Tags

Russia and petipa

Study Analytics
Name
Mastery
Learn
Test
Matching
Spaced

No study sessions yet.

23 Terms

1
New cards

St. Petersburg

  • Maryinsky

    • director: Ivan Vsevolojsky

  • Imperial Court watched ballet

  • Imported talent (francomania)

  • conservative - almost stiffling

  • Balletomanes - obsessed with ballet, called the shots behind the scenes - basically policing petipa (part of reason its so conservative) 

  • dancers treated like pampered pets lowkey, objectified and prized (treated well for the time I suppose)

2
New cards

Moscow

  • Bolshoi

    • director: Alexander Gorsky

  • regular people watch ballet

  • Russian Nationalism

    • Actors and writers: Anton Tchekov, Stanislavsky - not appreciated in St. Petersburg because of francomania

  • Liberal - more willing to experiment

  • dancers pretty much treated like regular people - had other jobs,

3
New cards

Ivan Vsevolojsky

  • director of Maryinsky (imperial therater)

  • pushed hard for reform and improving state of ballet company

  • fostered tchaikovsky collab

  • imported talent from france

    • Virginia Zucchi - dramtics

    • Pierina Legnani - tricks and 32 fuettes og. in Cinderella

    • Carlotta Brianza - technician and drama - og aurora

4
New cards

Ballet masters in St. Petersburg Lineage (francomania)

  1. Charles Didelot - reps transition to romanticism, post boroque reform, Noverre Ballet d’Action

  2. Jules Perrot - reps romantic era

  3. Arthur Saint-Leon - also romantic, russian nationalism

  4. Marius Petipa - Classical Era

  5. Michel Fokine - shows russian ballet off the west

5
New cards

Arthur Saint-Leon

  • romantic era

  • produced ballets trying to promote russian nationalism

    • *humpback horse 1864

  • jumping back and forth to choreograph in the west - did Coppelia in france - petipa does daughter of Pharaoh while he’s gone and arthur gets jealous

6
New cards

Marius Petipa

  • Classical Era

  • from a dance family - brother to lucien petipa → sent to russia to be a dancer out of luciens shadow

  • works as #2 to perrot and saint leon - learns a whole lot during his awful long apprenticeship, also learned what not to do

  • Daughter of Pharoh 1862 (before he’s ballet master

  • had a ballet formula

  • forced to resign after last ballet “Magic Mirror” is booed off the stage cuz new director told everyone it would be bad

7
New cards

Petipa Formula - Hallmarks for classical ballet

  • processionals and divertissments 

  • grand pas de duex - entrée, adagio, male variation, female variation coda

  • classical, demi-character, character dances

  • mime

  • classical tutu

  • ****no dramatic cohesiveness - breaks in story for bows and solos to shoe off technique 

8
New cards

Romanticism in decline

  • en travestie - women wearing men’s clothes and doing their roles

  • green room

  • ideas of ballet d’action are all gone, no more drama, only pretty girls

  • new interests - opera/singing - Jenny Lind (swedish nightingale)

  • Exodus to Russia - Perrot and Saint Leon - no one wanted to see them dance anymore, and the arts were stagnating

  • tragedies of romantic ballerinas

  • arrival of Can-Can (gentlemen’s entertainment)

  • Franco-Prussian War

9
New cards

Russia As next “leader” in ballet world"

  • doesn’t go through industrial revolution at same time as western Europe

  • French revolution mean’t no more elite in france → funding for arts is inconsistent

  • ***Czar and elite still in Russia (St. Petersburg) → consistent funding for the arts

  • strong agricultural heritage - men and women equally respected and responsible for making a living

  • **Francomania - they were obsessed with what was going on in western europe (france especially)

10
New cards

Balletomanes

  • people obsessed with ballet to a point that it’s lowkey weird

  • rich guys usually - had the money so called the shots behind the scenes

  • more conservative 

11
New cards

Christian Johansson

  • dancer: trained by Vestris and Bournonville, Danish ballet trad.

  • teacher - taught Bournonville tech., “class of perfection”

  • petipa lowk stole some of his class combos and put them into his men’s variations

12
New cards

Pavel Gerdt

  • first prince Desiré in Sleeping Beauty

  • teacher - considered guardian of the classical tradition

  • daughter Yelisaveta inspires balanchine

13
New cards

Colonel Telyakovsky

  • replaces Ivan Vsevolojsky as director of the imperial theater (Maryinsky) in 1901

  • wanted new and exciting → petipa out - told everyone petipa’s new ballet was bad

    • petipa forced to resign - replaced by fokine

14
New cards

court composers who worked with petipa

  • Ludwig Minkus

    • Don Quixote

    • La Bayadère

    • Paquita

  • Cesare Pugni

15
New cards

Erico Cecchetti 

  • og bluebird sleeping beauty

  • Italian - ideals of Carlo Blasis

  • part of exporting russian ballet ot the west

16
New cards

Tchaikovsky

  • Russian composer - went through the imperial system for training musicians

  • ballets in order of fame

    • sleeping beauty

    • the nutcracker

    • swan lake*

17
New cards

The nutcracker

  • petipa was sick so he gave his notes to Lev Ivanov to choreograph it

  • og a flop but stuck around long enough to find audience because of incredible music

18
New cards

Swan lake

  • actually first ballet Tchaikovsky wrote but didn’t succeed until after his death

  • act 2 choreographed by Ivanov as a memorial tribute to Tchaikovsky

    • success→ they do the whole ballet

      • Acts 1 &3 Petipa- castle scenes, divertissments

      • acts 2 &4 Ivanov- romantic lake scenes

  • “ultimate” classical ballet

    • huge emotional narrative 

    • razzle dazzle and pas de deux

19
New cards

classical tutu

short or pancake tutu - to show off legs and technique

20
New cards

divertissements

  • pause in the story for dances to show off kinda

  • dancing for the sake of dancing 

  • cue second act of nutcracker

21
New cards

types of dances in petipa ballet

  • Classical

    • technique

    • pointe work

    • think dancer noble type

  • demi-character

    • still pointe but extra movements - usually animals

  • character dances

    • like folk dances - usually directly inspired and integrated

    • in heels or boots

22
New cards

classicism 

  • Apollonian - technique

  • formality, control,

  • rigidity - specific rules

  • pancake tutus 

  • Petipa’s formula, symmetrical formations, all kinda looked the same - it’s also what the balletomanes wanted

23
New cards

Processional

  • dance to kick off divertissement or an act

  • basically where everyone comes out

  • ex angels in nutcracker