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antagonist
person, group, or force that goes up against the main character
protagonist
main character in book, movie, play, or story
characterization
the way an author describes the personality, traits, and motives of a person, animal, or fiction being in a story
climax
the highest, most intense, or most exciting point of something, usually the turning point in a story
exposition
literary device used to introduce background information about events, settings, and characters to the audience
point of view
an opinion or specific attitude from which a story is told or an event is seen
setting
the time, place, and general environment where something happens or exists
allusion
makes a brief, indirect reference to a famous person, place, event, work of art, or story
figurative language
the use of words in a non-literal way to give extra meaning, feeling, or a vivid picture
flashback
sudden jump backward into time to an earlier event
froeshadowing
a story tool where an author gives a hint or a clue about something that will happen later in the plot
hyperbole
uses extreme, intentional exaggeration to make a point, add humor, or show strong emotions
litotes
uses an understatement to express a positive idea by denying its opposite
irony
a contrast between expectation and reality
imagery
the use of descriptive and figurative language to appeal to the readers senses
symbol
an object, person, situation, or action that means more than its literal sense
motif
a reoccurring image, element, object, phrase, or idea that appears throughout the work
diction
the authors choice of arrangement and words (adjective)
jargon
the specialized, technical vocabulary used by a specific profession, trade, or subculture
parallel structure
the repetition of similar grammatical forms, phrases, or event patterns in a text
onomatopoeia
where words imitate, resemble, or suggest the actual natural sound of the thing they describe
oxymoron
puts two opposite or contradictory words together
theme
the central message, underlying meaning, or big idea that a story communicates about life or human nature
tone
authors attitude toward a subject
dramatic irony
where the reader or the audience knows a vital piece of information that the characters do not
dynamic character
person who goes through a deep internal change like shifting their values, fixing a flaw, or learning a hard lesson because of the story’s events
first person pov
storytelling style where a character in the story narrates the events, (I, me, my, we)
flat charcater
a figure with a single dominant trait or idea
limited pov
style where the story is told through an outside voice using pronouns like he, she, or they; but it is strictly restricted to the thoughts, feelings, and experiences
metaphor
compares two different things by stating that one thing is another
omniscient pov
and outside voice that knows everything about all of the characters, events, feelings, and places
personification
writer gives human traits, emotions, or actions to non-human things like objects, animals, or big ideas
round character
figure with multi-faced personality, deep motivations, and internal conflicts
second person pov
storyteller addresses the audience or a character using the pronouns “you”
simile
comparing two different things using the workers “Like” and “As”
situational irony
happens when the actual rest of an event is the exact opposite of what people think will happen
static character
a person in a story who does not go through any deep inner change, growth, or personal development from start to finish
third person pov
a story telling style where an outside narrator tells the story (he, she, it, they)
verbal irony
happens when a person says one thing but means the exact opposite