MUS 573 Cumulative

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Survey of Music Theory

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287 Terms

1
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Is Andrew Barker (the author of Harmonics in Classical Greece) a musicologist or a classicist?

Classicist

2
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What does barker claim is the "most obstructive difficulty" to studying Greek harmonics?

Few surviving early texts; Its history must be reconstructed from others authors' writings; Evidence we have on the subject cannot always be taken at face value.

3
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Study of the patterns formed by lengths of syllables in verse, whether it is set to "music" or not

Metrics

4
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Study of the patterns within which a singer or instrument's sequence of long and short syllables and/or notes are divided and grouped into repeated rhythmical structures; roughly analogous to the 'bars' of modern music

Rhythmics

5
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The study of the structures underlying melody; identification and analysis of the varieties of scales and systems of attunements that could be reckoned as musical

Harmonics

6
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Which is the most important of the three Greek musical sciences?

Harmonics

7
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Which Greek author includes rhythmics as a substantial discipline?

Aristoxenus

8
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Theoretical writers of the fourth century unanimously agree that there is an objective and discernible line of demarcation, independent of human whim, decision, or ingenuity, between musically well-ordered relations and transformations on the one hand, and on the other the indeterminate chaos of the non-musical. (True/False)

True

9
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Barker suggests that harmonics had little or nothing to do with the realities of Greek musical practice. (True/False)

False. While this is a common assumption, Barker argues the opposite.

10
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The Greater and Lesser Perfect systems comprise a regular scheme which formed the background to Aristoxenian analysis. (True/False)

True

11
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Within the perfect systems, what gives each note its identity?

Its relations to other notes in the system

12
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Two tetrachords are separated by one tone (major second)

disjunction

13
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Group of four notes, of which the outermost are a perfect fourth apart

tetrachord

14
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The highest note of the lower tetrachord is also the lowest note of the tetrachord above

conjunction

15
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In the Greek perfect systems, the second word of a note name identifies what?

Its tetrachord

16
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How many octaves are in the Greater Perfect System?

2

17
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The "proslambanomenos" is the highest note in the Greater Perfect System (True/False)

False - it is the LOWEST note in the Greater Perfect System

18
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In the Aristoxenian tradition, what are the names of the three genera created by shifting the notes inside of the tetrachords?

Enharmonic, Diatonic, Chromatic

19
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What is the range of the Lesser Perfect System?

An octave plus a fourth

20
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In the Greater Perfect System, the tetrachord above the meson is (conjunct/disjunct)?

Disjunct

21
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In the Greater Perfect System, the tetrachord above the meson is called the?

diezeugmenon

22
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In the Lesser Perfect System, the tetrachord above the meson is (conjunct/disjunct)?

conjunct

23
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In the Lesser Perfect System, the tetrachord above the meson is called the?

synemmenon

24
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Ancient Greek writers tended to use what term for "high"?

oxys (sharp)

25
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Ancient Greek writers tended to use what term for "low"?

barys (heavy)

26
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One difficulty with ancient Greek terminology is that 'sharp' and 'heavy' are not direct contraries, meaning they cannot be directly compared. (True/False)

True

27
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The Greek word for 'pitch'

tasis

28
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The meaning of the Greek word for 'pitch'

tension

29
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According to Barker, harmonic analysis absolutely requires what?

A system of measurements to express pitch relationships quantitatively

30
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Attempted to identify musical units by using the ear. Working toward a quasi-linear conception of pitch by thinking of the relationships between pitches as gaps.

Unidentified Music Theorists in Plato's Republic

31
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Represented relationships between pitches as ratios of numbers. Measured audible 'concords.'

The Pythagoreans

32
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Pythagorean Ratio for Perfect Fourth

4:3

33
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Pythagorean Ratio for Octave

2:1

34
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Pythagorean Ratio for Perfect Fifth

3:2

35
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The monochord (or 'kanon' in Greek) is first recorded after when?

The late fourth century

36
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When Archytas discusses how higher and lower notes are produced, what instrument does he mention?

auloi

37
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Roman writers tell us that Pythagoras 'demonstrated the ratios of the concords' on various instruments, which all produced the expected results. (True/False)

False - several do not yield the required results

38
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Archytas claims that high-pitched notes move more (quickly/slowly)

quickly

39
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Archytas claims that low-pitched notes move more (quickly/slowly)

slowly

40
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Pythagorean ratios give direct descriptions of our musical perceptions as we perceive it. (True/False)

False

41
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Aristoxenus claims the Pythagorean approach to musical ratios is irrelevant to music and harmonic science because the ratios are not directly perceptible to our hearing. (True/False)

True

42
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What author transferred Greek mathematical harmonic theory into Latin, bringing it into the Medieval tradition?

Boethius

43
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Which of Boethius's writings does Barker cite as being "especially revered" in the Middle Ages?

'Consolations of Philosophy'

44
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What three individuals did Ptolemy specifically name as writers on harmonics prior to himself?

Didymus, Archytas, and Aristoxenus

45
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Somewhere in the middle: reason and perception are equally important, but with different roles. Properly reasoned conclusions cannot conflict with evidence of the senses, and a theorist must accept any conclusions reached by reason from a perceptual starting point.

Aristoxenians

46
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Primarily used reason. Perception was only a 'spark' to kindle the fires of reason. If conclusions conflict with evidence of the senses, then the senses must be mistaken.

Pythagoreans

47
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Focused on perception, minimal use of reason. These train musicians and judge students' efforts entirely by ear.

Instrumentalists/Voice-trainers

48
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By the end of the fourth century, what were the two primary schools of thought most writers on harmonics aligned with?

Aristoxenian and Pythagorean/mathematical

49
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Give the date for this author: Aristides Quintillianus

3rd century AD

50
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Give the date for this author: Nichomachus

~100 AD

51
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Give the date for this author: Gaudentius

3rd-4th century AD

52
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Who wrote 'Introduction to Harmonics'?

Nicomachus

53
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Who wrote 'Elementa harmonica'

Aristoxenus

54
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Who wrote 'De Musica'

Aristides Quintillianus

55
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Which four authors are especially useful to modern scholars because they faithfully preserve much of the work of Aristoxenus?

Cleonides, Bacchius, Gaudentius, and Aristides Quintillianus

56
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The primary surviving Aristoxenian texts largely seem to have been written for what purpose?

as textbooks

57
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Ptolemy's goal is to show that all systems that ________ recognizes as musically well-formed conform to _________ principals

the ear; mathematical

58
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Although most of Ptolemy's 'Harmonics' deals with audible melodies, Book 3 also deals with corresponding patterns of relations in which two areas?

the heavens and the human soul

59
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While his writings are similar to the contemporary Platonists, Nichomachus's work present themselves as explorations of ancient Aristoxenian traditions (True/False)

False - Nichomachus was a Pythagorean, and saw Plato as a record of Pythagorean thought.

60
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According to Barker, whose work in its Boethian version did most to give medieval Europe its picture of Greek harmonic theory?

Nichomachus

61
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Nichomacus and other writers who followed Plato primarily worked with which genera or scale?

diatonic

62
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Nichomachus was not seriously concerned with the actual attunements of musical practice. (True/False)

True

63
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Boethius represents the study of music through reason as superior to the arts of performers and composers. (True/False)

True

64
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Two notes are physically consonant when the frequency ratio is a ratio of (low/high) integers.

Low

65
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The difference in tuning between “F-sharp” and “G-flat” when each scale has been generated by the Pythagorean system is known as the _________________.

Pythagorean comma

66
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R. Bonsanquet’s nineteenth-century harmonium divided an octave equally into how many notes?

53

67
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What is the basic premise of Equal Temperament?

Each note is generated by a single basic interval

68
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Just intonation uses the simple ratio of _____________ for the major third, while equal temperament’s ratio of ____________________ is noticeably (sharp/flat) to an ear that is used to the extreme consonance of the just major third.

1.25; 1.259921…; sharp

69
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Which intervals are adjusted in Just Intonation relative to Pythagorean Tuning in order to be more consonant (have simpler frequency ratios)?

Thirds and Sixths

70
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A scale tuned in Just Intonation after Zarlino has two different whole tones (major and minor), the difference between these two frequency ratios is 81/80 or 1.0125. This difference is called what?

syntonic comma

71
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What problem arises when you attempt to transpose a Just Intonation scale up by a fifth?

The scale includes 2 new notes

72
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One notable proponent of Just Intonation from venice was named _______________________. He published ______________________ in the year ____, which included a mathematical description of a Just Intonation scale.

Giuseppe Zarlino; Institutioni harmoniche; 1558

73
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What is the size of a Pythagorean Comma?

312/219 or 1.01364

74
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Simon Stevin’s suggestion to equally divide the octave into 12 semitones was quickly adopted and was the standard in Western music by his death in 1620. (True/False)

False - By the 1700s the idea of Equal Temperament was relatively new, and not widely practiced until later in that century.

75
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One practical result of Just Intonation is that fixed-pitch instruments needed new pitches for each successive key. In 1636, Martin Mersenne described a keyboard with how many keys to play in Just Intonation?

31

76
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The oldest system of scale construction is described as the ____________.

Pythagorean Scale

77
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(Match the Pythagorean ratios to their intervals) 9/8

Whole Tone

78
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(Match the Pythagorean ratios to their intervals) 2/1

Octave

79
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(Match the Pythagorean ratios to their intervals) 243/128

Major Seventh

80
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(Match the Pythagorean ratios to their intervals) 256/243

Semitone

81
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(Match the Pythagorean ratios to their intervals) 27/16

Major Sixth

82
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(Match the Pythagorean ratios to their intervals) 4/3

Perfect Fourth

83
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(Match the Pythagorean ratios to their intervals) 3/2

Perfect Fifth

84
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(Match the Pythagorean ratios to their intervals) 81/64

Major Third

85
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Bower defines Western Music Theory as the tradition that attempts to reflect systematically about given ___________________ and apply these reflections to the _________________ and __________________ of musical repertoires.

musical phenomena; analysis; composition

86
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What North African writer was instrumental in establishing the number of liberal arts at seven, as well as the canon of arts for the later Middle Ages?

Martianus Capella

87
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(Match the list of liberal arts with its author) Grammar, Dialectic, Rhetoric, Geometry, Arithmetic, Astronomy, Harmony

Martianus (5th Century CE)

88
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(Match the list of liberal arts with its author) Grammar, Rhetoric, Dialectic, Arithmetic, Geometry, Music, Astronomy, Medicine

Isidore (7th Century CE)

89
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(Match the list of liberal arts with its author) Arithmetic, Music, Geometry, Astronomy

Boethius (6th Century CE)

90
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(Match the list of liberal arts with its author) Grammar, Rhetoric, Dialectic, Arithmetic, Music, Geometry, Astronomy

Cassiodorus (6th Century CE)

91
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(Match the list of liberal arts with its author) Grammar, Dialectic, Rhetoric, Geometry, Arithmetic, Astrology, Music, Medicine, Architecture

Varro (1st Century BCE)

92
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In The Marriage of Philology and Mercury, Martianus Capella began a tradition of viewing the arts as intellectual disciplines that enabled the human mind to rise to the level of divine intellect. (True/False)

True

93
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In his musical treatise, aptly titled ______________________, Augustine follows the _________________ tradition of ancient Greek musical thought.

De musica (On Music); Pythagorean

94
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While Augustine focused on poetic and celestial ratios rather than strictly musical, he still left a lasting imprint on Western musical thought. What was his primary role in the preservation of musical theory?

He justified secular learning as important to Christian values

95
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Who was the most prolific and influential scholar in the Platonic tradition of the early Middle Ages?

Boethius

96
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(Boethius divided quantity into two genera): ____________ was discrete quantity, begins with a single, indivisible unit, and can ____________________________.

multitude; increase infinitely

97
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(Boethius divided quantity into two genera): ____________________is a continuous quantity, represented by a line or shape, and can be ____________________________.

magnitude; infinitely divided

98
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(Match the disciplines of the quadrivium to their definitions) considered immobile magnitudes

geometry

99
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(Match the disciplines of the quadrivium to their definitions) investigated magnitudes in motion

astronomy

100
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(Match the disciplines of the quadrivium to their definitions) examined number in ratios and proportions

music