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Is Andrew Barker (the author of Harmonics in Classical Greece) a musicologist or a classicist?
Classicist
What does barker claim is the "most obstructive difficulty" to studying Greek harmonics?
Few surviving early texts; Its history must be reconstructed from others authors' writings; Evidence we have on the subject cannot always be taken at face value.
Study of the patterns formed by lengths of syllables in verse, whether it is set to "music" or not
Metrics
Study of the patterns within which a singer or instrument's sequence of long and short syllables and/or notes are divided and grouped into repeated rhythmical structures; roughly analogous to the 'bars' of modern music
Rhythmics
The study of the structures underlying melody; identification and analysis of the varieties of scales and systems of attunements that could be reckoned as musical
Harmonics
Which is the most important of the three Greek musical sciences?
Harmonics
Which Greek author includes rhythmics as a substantial discipline?
Aristoxenus
Theoretical writers of the fourth century unanimously agree that there is an objective and discernible line of demarcation, independent of human whim, decision, or ingenuity, between musically well-ordered relations and transformations on the one hand, and on the other the indeterminate chaos of the non-musical. (True/False)
True
Barker suggests that harmonics had little or nothing to do with the realities of Greek musical practice. (True/False)
False. While this is a common assumption, Barker argues the opposite.
The Greater and Lesser Perfect systems comprise a regular scheme which formed the background to Aristoxenian analysis. (True/False)
True
Within the perfect systems, what gives each note its identity?
Its relations to other notes in the system
Two tetrachords are separated by one tone (major second)
disjunction
Group of four notes, of which the outermost are a perfect fourth apart
tetrachord
The highest note of the lower tetrachord is also the lowest note of the tetrachord above
conjunction
In the Greek perfect systems, the second word of a note name identifies what?
Its tetrachord
How many octaves are in the Greater Perfect System?
2
The "proslambanomenos" is the highest note in the Greater Perfect System (True/False)
False - it is the LOWEST note in the Greater Perfect System
In the Aristoxenian tradition, what are the names of the three genera created by shifting the notes inside of the tetrachords?
Enharmonic, Diatonic, Chromatic
What is the range of the Lesser Perfect System?
An octave plus a fourth
In the Greater Perfect System, the tetrachord above the meson is (conjunct/disjunct)?
Disjunct
In the Greater Perfect System, the tetrachord above the meson is called the?
diezeugmenon
In the Lesser Perfect System, the tetrachord above the meson is (conjunct/disjunct)?
conjunct
In the Lesser Perfect System, the tetrachord above the meson is called the?
synemmenon
Ancient Greek writers tended to use what term for "high"?
oxys (sharp)
Ancient Greek writers tended to use what term for "low"?
barys (heavy)
One difficulty with ancient Greek terminology is that 'sharp' and 'heavy' are not direct contraries, meaning they cannot be directly compared. (True/False)
True
The Greek word for 'pitch'
tasis
The meaning of the Greek word for 'pitch'
tension
According to Barker, harmonic analysis absolutely requires what?
A system of measurements to express pitch relationships quantitatively
Attempted to identify musical units by using the ear. Working toward a quasi-linear conception of pitch by thinking of the relationships between pitches as gaps.
Unidentified Music Theorists in Plato's Republic
Represented relationships between pitches as ratios of numbers. Measured audible 'concords.'
The Pythagoreans
Pythagorean Ratio for Perfect Fourth
4:3
Pythagorean Ratio for Octave
2:1
Pythagorean Ratio for Perfect Fifth
3:2
The monochord (or 'kanon' in Greek) is first recorded after when?
The late fourth century
When Archytas discusses how higher and lower notes are produced, what instrument does he mention?
auloi
Roman writers tell us that Pythagoras 'demonstrated the ratios of the concords' on various instruments, which all produced the expected results. (True/False)
False - several do not yield the required results
Archytas claims that high-pitched notes move more (quickly/slowly)
quickly
Archytas claims that low-pitched notes move more (quickly/slowly)
slowly
Pythagorean ratios give direct descriptions of our musical perceptions as we perceive it. (True/False)
False
Aristoxenus claims the Pythagorean approach to musical ratios is irrelevant to music and harmonic science because the ratios are not directly perceptible to our hearing. (True/False)
True
What author transferred Greek mathematical harmonic theory into Latin, bringing it into the Medieval tradition?
Boethius
Which of Boethius's writings does Barker cite as being "especially revered" in the Middle Ages?
'Consolations of Philosophy'
What three individuals did Ptolemy specifically name as writers on harmonics prior to himself?
Didymus, Archytas, and Aristoxenus
Somewhere in the middle: reason and perception are equally important, but with different roles. Properly reasoned conclusions cannot conflict with evidence of the senses, and a theorist must accept any conclusions reached by reason from a perceptual starting point.
Aristoxenians
Primarily used reason. Perception was only a 'spark' to kindle the fires of reason. If conclusions conflict with evidence of the senses, then the senses must be mistaken.
Pythagoreans
Focused on perception, minimal use of reason. These train musicians and judge students' efforts entirely by ear.
Instrumentalists/Voice-trainers
By the end of the fourth century, what were the two primary schools of thought most writers on harmonics aligned with?
Aristoxenian and Pythagorean/mathematical
Give the date for this author: Aristides Quintillianus
3rd century AD
Give the date for this author: Nichomachus
~100 AD
Give the date for this author: Gaudentius
3rd-4th century AD
Who wrote 'Introduction to Harmonics'?
Nicomachus
Who wrote 'Elementa harmonica'
Aristoxenus
Who wrote 'De Musica'
Aristides Quintillianus
Which four authors are especially useful to modern scholars because they faithfully preserve much of the work of Aristoxenus?
Cleonides, Bacchius, Gaudentius, and Aristides Quintillianus
The primary surviving Aristoxenian texts largely seem to have been written for what purpose?
as textbooks
Ptolemy's goal is to show that all systems that ________ recognizes as musically well-formed conform to _________ principals
the ear; mathematical
Although most of Ptolemy's 'Harmonics' deals with audible melodies, Book 3 also deals with corresponding patterns of relations in which two areas?
the heavens and the human soul
While his writings are similar to the contemporary Platonists, Nichomachus's work present themselves as explorations of ancient Aristoxenian traditions (True/False)
False - Nichomachus was a Pythagorean, and saw Plato as a record of Pythagorean thought.
According to Barker, whose work in its Boethian version did most to give medieval Europe its picture of Greek harmonic theory?
Nichomachus
Nichomacus and other writers who followed Plato primarily worked with which genera or scale?
diatonic
Nichomachus was not seriously concerned with the actual attunements of musical practice. (True/False)
True
Boethius represents the study of music through reason as superior to the arts of performers and composers. (True/False)
True
Two notes are physically consonant when the frequency ratio is a ratio of (low/high) integers.
Low
The difference in tuning between “F-sharp” and “G-flat” when each scale has been generated by the Pythagorean system is known as the _________________.
Pythagorean comma
R. Bonsanquet’s nineteenth-century harmonium divided an octave equally into how many notes?
53
What is the basic premise of Equal Temperament?
Each note is generated by a single basic interval
Just intonation uses the simple ratio of _____________ for the major third, while equal temperament’s ratio of ____________________ is noticeably (sharp/flat) to an ear that is used to the extreme consonance of the just major third.
1.25; 1.259921…; sharp
Which intervals are adjusted in Just Intonation relative to Pythagorean Tuning in order to be more consonant (have simpler frequency ratios)?
Thirds and Sixths
A scale tuned in Just Intonation after Zarlino has two different whole tones (major and minor), the difference between these two frequency ratios is 81/80 or 1.0125. This difference is called what?
syntonic comma
What problem arises when you attempt to transpose a Just Intonation scale up by a fifth?
The scale includes 2 new notes
One notable proponent of Just Intonation from venice was named _______________________. He published ______________________ in the year ____, which included a mathematical description of a Just Intonation scale.
Giuseppe Zarlino; Institutioni harmoniche; 1558
What is the size of a Pythagorean Comma?
312/219 or 1.01364
Simon Stevin’s suggestion to equally divide the octave into 12 semitones was quickly adopted and was the standard in Western music by his death in 1620. (True/False)
False - By the 1700s the idea of Equal Temperament was relatively new, and not widely practiced until later in that century.
One practical result of Just Intonation is that fixed-pitch instruments needed new pitches for each successive key. In 1636, Martin Mersenne described a keyboard with how many keys to play in Just Intonation?
31
The oldest system of scale construction is described as the ____________.
Pythagorean Scale
(Match the Pythagorean ratios to their intervals) 9/8
Whole Tone
(Match the Pythagorean ratios to their intervals) 2/1
Octave
(Match the Pythagorean ratios to their intervals) 243/128
Major Seventh
(Match the Pythagorean ratios to their intervals) 256/243
Semitone
(Match the Pythagorean ratios to their intervals) 27/16
Major Sixth
(Match the Pythagorean ratios to their intervals) 4/3
Perfect Fourth
(Match the Pythagorean ratios to their intervals) 3/2
Perfect Fifth
(Match the Pythagorean ratios to their intervals) 81/64
Major Third
Bower defines Western Music Theory as the tradition that attempts to reflect systematically about given ___________________ and apply these reflections to the _________________ and __________________ of musical repertoires.
musical phenomena; analysis; composition
What North African writer was instrumental in establishing the number of liberal arts at seven, as well as the canon of arts for the later Middle Ages?
Martianus Capella
(Match the list of liberal arts with its author) Grammar, Dialectic, Rhetoric, Geometry, Arithmetic, Astronomy, Harmony
Martianus (5th Century CE)
(Match the list of liberal arts with its author) Grammar, Rhetoric, Dialectic, Arithmetic, Geometry, Music, Astronomy, Medicine
Isidore (7th Century CE)
(Match the list of liberal arts with its author) Arithmetic, Music, Geometry, Astronomy
Boethius (6th Century CE)
(Match the list of liberal arts with its author) Grammar, Rhetoric, Dialectic, Arithmetic, Music, Geometry, Astronomy
Cassiodorus (6th Century CE)
(Match the list of liberal arts with its author) Grammar, Dialectic, Rhetoric, Geometry, Arithmetic, Astrology, Music, Medicine, Architecture
Varro (1st Century BCE)
In The Marriage of Philology and Mercury, Martianus Capella began a tradition of viewing the arts as intellectual disciplines that enabled the human mind to rise to the level of divine intellect. (True/False)
True
In his musical treatise, aptly titled ______________________, Augustine follows the _________________ tradition of ancient Greek musical thought.
De musica (On Music); Pythagorean
While Augustine focused on poetic and celestial ratios rather than strictly musical, he still left a lasting imprint on Western musical thought. What was his primary role in the preservation of musical theory?
He justified secular learning as important to Christian values
Who was the most prolific and influential scholar in the Platonic tradition of the early Middle Ages?
Boethius
(Boethius divided quantity into two genera): ____________ was discrete quantity, begins with a single, indivisible unit, and can ____________________________.
multitude; increase infinitely
(Boethius divided quantity into two genera): ____________________is a continuous quantity, represented by a line or shape, and can be ____________________________.
magnitude; infinitely divided
(Match the disciplines of the quadrivium to their definitions) considered immobile magnitudes
geometry
(Match the disciplines of the quadrivium to their definitions) investigated magnitudes in motion
astronomy
(Match the disciplines of the quadrivium to their definitions) examined number in ratios and proportions
music