The art of effective or persuasive speaking or writing, especially the use of figures of speech and other compositional techniques.
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Rhetorical Appeals
The methods used to persuade an audience, including ethos, pathos, and logos.
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Central Idea
What the speaker or writer wants listeners to do or think, the main idea of the speech or written work.
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Claim
A statement that asserts a point, belief, or truth, often used to persuade or argue a position.
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Charged Language
Language that is emotionally loaded and likely to produce a strong emotional response.
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Parallelism
The rhetorical contrast of ideas by means of parallel arrangements of words, clauses, or sentences.
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Antithesis
The juxtaposition of contrasting ideas, often in parallel structure.
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Anaphora
The repetition of a word or phrase at the beginning of successive clauses or sentences.
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Analogy
A comparison between two seemingly unlike things that illustrates or clarifies a concept.
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Asyndeton
The omission of conjunctions between related clauses, creating a hurried rhythm or vehement effect.
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Chiasmus
A rhetorical device in which the order of terms in the first of two parallel clauses is reversed in the second.
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Irony
A figure of speech in which the intended meaning is the opposite of what is stated, often used for humorous or emphatic effect.
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Metonymy
A figure of speech consisting of the use of the name of one thing for that of another of which it is an attribute or with which it is associated.
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Rhetorical Question
A statement made in the form of a question with no expectation of an answer, used to provoke thought or make a point.
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Synecdoche
A figure of speech in which a part is used to represent the whole or the whole for a part.
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Zeugma
The use of a word to modify or govern two or more words usually in such a manner that it applies to each in a different sense or makes sense with only one.