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Figurative Language
language that is meant to be taken imaginatively rather than literally. Examples include devices such as simile, metaphor, personification, hyperbole, and others
Analogy
a comparison that uses something familiar to explain something unfamiliar. Similes and metaphors are types of analogies.
Aphorism
a short statement that expresses a general truth or moral principal. (“It is better to keep your mouth closed and let people think you are a fool than to open it and remove all doubt.” -Mark Twain)
Apostrophe
speaking directly or calling out to an imaginary, dead, or absent person OR speaking to a place, a thing, or a personified abstraction (for example, death). It is often used as a dramatic opening or to relate a powerful emotion or thought.
Cliché
an expression used so often it has become stale; often an overused simile or metaphor. (EX: As sharp as a tack, blind as a bat). Basically, if you’ve heard a simile or metaphor before, it’s a cliché.
Conceit
a REALLY long, extended metaphor between two very dissimilar objects
Hyperbole
a figure of speech using deliberate overstatement to make a point
Litotes
an ironical understatement in which an affirmative is expressed by the negative of its contrary; it will take the form of a double negative (EX: “Good” would become “It’s not bad”; “He’s handsome” would become “he’s not unattractive.”)
Metaphor
a direct comparison between two unlike things made without using “like”, “as” or “than” (EX: All the world’s a stage/ And all the men and women merely players - Shakespeare)
Metonymy
When the name of one object is substituted for another closely associated with it.
Mixed Metaphor
A metaphor that combines two (or more) incompatible images (EX: “These people are the glue that hold together the gears of our society.” ~ Homer Simpson)
Oxymoron
a figure of speech that presents an apparent contradiction that is actually true (EX: living dead, jumbo shrimp, dry ice, virtual reality)
Paradox
a figure of speech that presents an apparent contradiction that is actually true (EX: The pen is mightier than the sword.)
Pathetic Fallacy
a type of personification giving human emotions to nature (EX: “The sea was angry that day.”)
Personification
Giving human OR lifelike characteristics to any inhuman or inanimate thing
Simile
a direct comparison between two dissimilar things using “like”, “as” or “than” (EX: My love is like a red, red rose)
Synesthesia
mingling two senses in a metaphor (EX: “The lilacs have a purple smell”)ynedcoS
Synecdoche
the use of part of something to represent the whole thing
understatement
a statement where less is said than is actually meant (ex: “It’’s just a flesh wound” -Black Knight, after having both of his arms cut off)a
Extended metaphor
a metaphor developed at great length, occurring frequently in or throughout a work
Allusion
a reference to literature, history, events, mythology, art, individuals or places that the reader is expected to recognize. These references evoke emotions, establish character and mood, assist in the setting and convey information not directly explained by the authorA
Atmosphere
the emotional situation created by the entirety of a literacy work, established through setting and details (a synonym for MOOD)
Crisis (Climax)
the point of greatest emotional intensity or suspense in a plot
Narrator
one who tells a story. it is not necessarily the author
Point of view
the position from which a situation is observe
First Person
the narrator is a character in the story and tells the story using “I”
Third Person
The narrator relates events through third person pronouns (he, she, it). The narrator is outside the story.
Omniscient
the narrator is all knowing about all of the characters
Limited Omniscience
the narrator knows all about the emotions, thoughts and actions of one character, and only the actions of the rest
Second Person
The narrator tells the story to another character using “you”; the story is being told through the addressee’s point of view
Mood
the reader’s emotional response to the writing
Juxtaposition
placing two things aide by side for comparison / contrast
motif
an image, word, phrase, action, idea, object or situation that appears repeatedly throughout various works or within the same work (this may also be referred to as an archetype or trope)
setting
the time and location of a narrative
theme
the general idea or insight about life that a writer wishes to express in a literacy work
diction
word choice
concrete words
words denoting objects that can be perceived by the senses (actual tangible things)
abstract words
words denoting intangible concepts like ideas or qualities (love, hate, beauty)
formal diction
language characterized by intellectual vocabulary
informal diction
language closest to everyday conversation (includes colloquialisms, slang, etc)
colloquialism
the use of slang or informal diction in speech and writing
connotation
the nonliteral, implied meanings of a word
denotation
the strict dictionary definition of a word
literal language
words used in their ordinary meanings
monosyllabic
words of one syllable
polysyllabic
words of more than one variable
dialect
A way of speaking that is characteristic of a particular region or group of people. Dialect is often spelled the way the word is pronounced in a certain region or by a person, as opposed to how the word is actually spelled.
epithet
an adjective or phrase applied to a person to emphasize a personal characteristic or quality
euphemism
greek for “use of good words”; using an indirect statement instead of a direct one in order to avoid being blunt
ambiguity
multiple meanings, either intentional or unintentional, of a word, phrase, sentence or passage
idiom
phrases/expressions that aren’t meant to be taken literally
imagery
words or phrases that appeal to one or more of the five senses. Imagery appeals to sight, taste, smell
invective
insulting, abusive, or highly critical language
jargon
the specific language of a group, trade, or occupation (it tends to be complex and difficult to understand)
malapropism
the humorous use of a word that is taken out of context or “mistakenly” used in place of another word
tone
the author’s emotional attitude toward the subject matter. tone determines the words the author will use
onomatopeia
sound words
portmanteau word
in terms, of diction, these are formed by blending sounds from two or more distinct words and combining their meaning (EX: “cosplay” from costume and play)
pun
a play on the multiple meanings of a words or two words that sound alike but have different meanings
sarcasm
bitter, caustic, language meant to hurt or ridicule someone or something. it may use irony, but not all irony is sarcastic
slang
very informal, nonstandard word that goes in and out of style rapidly
ballad
a poem in verse that tells a story
blank verse
an unrhymed form of poetry that normally consists of ten syllables in which every other syllable, beginning with the second, is stressed. Since blank verse is often used in very long poems, it may depart from the strict pattern from time to time.
caesura
an audible pause or sudden break in a line of poetry. indicated by the symbol: //
canto
a main division of a long poem
couplet
two lines of verse the same length that usually rhyme
end rhyme
the rhyming of words that appear at the ends of two or more lines of poetry
end stopped line
a line ending at a grammatical break such as a dash or closing parenthesis or with punctuation such as a colon, a semicolon, or a period
enjambment (or enjambed line)
the running over of a sentence or thought from one line of poetry to another
foot
the smallest repeated pattern of stressed and unstressed syllables in a poetic line.
iambic: an unstressed followed by a stressed syllable. EX: repeat
trochaic: a stressed followed by and unstressed syllable. EX: older
spondaic: two stressed syllables. EX: heartbreak
free verse
poetry that does not have a regular meter or rhyme scheme
Heroic Couplet (Closed Couplet)
two successive rhyming lines that contain a complete thought
internal rhyme
when the rhyming words occur in the same line of poetry. (EX: “you break my eyes with a look that buys sweet cake.”
lyric
a short verse that is intended to express the emotions of the author; quite often these lyrics are set to music
meter
pattern of repetition of stressed and unstressed syllables in a line of poetry
refrain
repetition of a line or phrase at regular intervals, especially at the end of each stanza. A song’s refrain may be called the chorus
repetition
repeating of a word or phrase within a poem or a prose piece to create a sense of rhythm.
rhyme
similarity or likeness of sound existing between two words
rhymed verse
verse with end rhyme that usually has regular meter
rhythm
ordered, or free occurrences of sound in poetry. Ordered or regular rhythm is called meter. Free occurrence of sound is called free verse.
sonnet
poem consisting of fourteen lines of iambic pentameter
stanza
division of poetry named for the number of lines it contains
verse
metric line of poetry
sound devices
audio effects that include alliteration, cacophony, euphony, onomatopoeia, etc. these are used to call attention to the sound of language
alliteration
a specific type of consonance sound device focusing on the repetition of consonant sounds at the beginning of or within words.
anaphora
repetition of a word or phrase at the beginning of successive phrases or sentences.
assonance
close repetition of vowel sounds in words that are close to each other
cacophony
harsh, clashing, discordant, dissonant, unpleasant sounding language
consonance
reputation of consonant sounds in the middles of ends of words
euphony
sweet sounding, musical language
sibilance
specific type of alliteration characterized by, or producing a hissing sound
coordination
grammatical equivalence between parts of a sentence, often through a coordinating conjunction such as and, or but
cumulative / loose sentence
author states the main idea immediately and then adds many examples and details. writing with loose sentences makes the style seem more informal and conversational. the opposite of a periodic sentence.
exclamatory sentence
sentence that expresses strong emotion through the use of an exclamation point at the end or the sentence
imperative sentence
sentence that gives a command or makes a request. the subject “you” is usually used or implied in this type of sentence
inversion / anastrophe
reversing the normal order of parts of a sentence
parallelism
repetition of a chosen grammatical form within a sentence.
periodic sentence
sentence that builds a climatic statement in the final main clause.
polysyndeton
presence of more conjunctions than normal
rhetorical question
question asked that does not expect a reply