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Structuralism
A body of study or theory that discusses how societies, cultural practices and artefacts (such as media texts) can be analysed as signifying systems or languages (how different media texts are presented to a consumer)
Semiotics
the study of signs and symbols and their use or interpretation
Connotation
the implied or associative meaning of a word
Denotation
the literal meaning of a word
Signifier
physical existence of the sign
Signified
The meaning we associate with the signifier
signification
the representation or conveying of meaning
Indexical Signs
this signified is caused by or suggestive of the signifier (hints at or suggests what it is)
iconic signs
signs where the signifier resembles the signified (looks like what it is)
symbolic signs
the correlation to a word and and/ or a mental concept of the thing - there is no direct representation of the world (the meaning of what it was learnt or established)
Syntagm
collection of signs in linear sequence
paradigm
items that are similar and through substitution change the meaning(when different events in media texts are changed around to create a different effect)
Ideology
A consistent set of beliefs by groups/individuals
Mise-en-scene
whatever is placed inside the frame or on the screen
Technical codes
all to do with the way a text is technically constructed - camera angles, framing, typography, lighting etc.
shot length
how far away the object in the shot is
two shot
a shot depicting two characters
close up shot
Shows a particular part of a subject with more detail.
Extreme Close-Up Shot
Shows a particular part of a subject with extreme detail
medium shot
A relatively close shot, revealing the human figure from the knees or waist up.
Wide Shot
Shows subject and location/environment in its entirety
Extreme Wide Shot
Used to show the subject and its environment from further back than a typical wide shot
eye level angle
A camera angle that creates the effect of the audience being on the same level as the subject.
high angle shot
When camera location is above normal eye-level compared to the subject, makes the subject appear small, weak, inferior, or scared
low angle shot
When camera location is below normal eye-level compared to the subject, makes the subject appear tall, powerful, dominating, or scary
dutch angle shot
A shot in which the camera is tilted from its normal horizontal and vertical positions so that it is no longer straight, giving the viewer the impression that the world in the frame is out of balance.
depth of field
the distance between the nearest and the furthest objects that give an image judged to be in focus in a camera.
deep focus shot
everything in shot is in focus- long depth of field
Shallow Focus Shot
only part of the shot is in focus- short depth of field
rack focus shot
Changes the plane of focus within the shot by way of a change in focus, rather than by way of a zoom.
Tilt shift lens
fake shallow focus- where a special lens/ digital post-production can selectively blur part of the image
telephoto lens
A long lens that compresses space
wide angle lens
gives a space more depth
fish eye lens
An ultra wide-angle lens that produces strong visual distortion intended to create a wide panoramic or hemispherical image.
Popular culture
cultural patterns that are widespread among a society's population
Revisionist approach
challenging the orthodox views about a historical event, introducing contrary evidence, or reinterpreting the motivations and decisions of the people involved.
State of the nation series
a series which depicts somebody's view of society and what they think of certain races, classes and genders.
Narrative
How the story of a media text is constructed and how it relays its information to an audience
Linear Narrative
a narrative that goes in chronological order.
Non-linear narrative
The story jumps around in time, possibly using flashbacks or flash-forwards.
Multi-strand narrative
A Narrative that weaves together several different story lines within its narrative
circular narrative
a story that begins in the same place it ends
Todorov's narrative theory
Starts at a state of peace and ends with a peaceful equilibrium
Masterplots
Stories we tell repeatedly in variety of forms that connect to our deepest values, wishes and fears.
Overcoming the Monster
The protagonist sets out to defeat an antagonistic force (often evil) which threatens the protagonist and/or protagonist's homeland- James Bond
Rags to riches
The poor protagonist acquires power, wealth, and/or a mate, loses it all and gains it back, growing as a person as a result- Cinderella, Aladdin
The quest
The protagonist and companions set out to acquire an important object or to get to a location. They face temptations and other obstacles along the way- Avengers Infinity war
Voyage and return
The protagonist goes to a strange land and, after overcoming the threats it poses to him or her, returns with experience- Alice in wonderland
Comedy
: Light and humorous character with a happy or cheerful ending; a dramatic work in which the central motif is the triumph over adverse circumstance, resulting in a successful or happy conclusion. Booker makes sure to stress that comedy is more than humour. It refers to a pattern where the conflict becomes more and more confusing, but is at last made plain in a single clarifying event. The majority of romance films fall into this category- Bridget Jones' diary
Tragedy
The protagonist's character flaw or great mistake which is their undoing. Their unfortunate end evokes pity at their folly and the fall of a fundamentally good character- Romeo and Juliet
Rebirth
An event forces the main character to change their ways and often become a better person- Beauty and the beast
Propp's Character Theory
The theory that all characters in conventional narrative structures could be divided into just eight different character types: hero, villain, helper, donor, dispatcher, princess, anti-hero.
binary opposition
a pair of related terms or concepts that are opposite in meaning