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Gregorian Chant
Monophonic, unaccompanied sacred Catholic song, Latin, non-metric
Early Polyphony (Organum)
2 or more independent melodic lines sung simultaneously, originally parallel motion, then became more complex
Chorales
Simple, hymn-like in Lutheran Church, German, strophic
Motets
Sacred choral compositions in Latin, polyphonic, scriptural text, imitative counterpoint
Palestrina and the Stile Antico
Palestrina was the master of Renaissance sacred polyphony, stile antico: smooth melodic lines, careful dissonance, clear text setting
Cantatas (a la Bach)
Multi-movement vocal compositions for choir, soloists, and instruments, sacred and poetry combo, for church services
Oratorios (a la Handel)
Large-scale sacred musical works with choir, soloists, and orchestra, like operas but unstaged, sacred, narrative elements and dramatic choruses