fart pisstrory

Paolo Veronese, The Wedding Feast at Cana?

Which sculpture created by Michelangelo is inspired by earlier classical sculpture and was carved from a 14 foot block of marble known as the Giant?

David

Venetian master who specialized in pageantry, color, and classical architecture who was put on trial by the Holy Office of Inquisition

Paolo Veronese

The two leading cities of artistic development during the Renaissance in Cinquecento Italy was:

Venice and Rome

Painter, Sculptor, Architect, Inventor, and Anatomist. All around "Renaissance Man":

Leonardo Da Venci

Which Venetian painting by what artist depicts the artists interest in the landscape, along with elements of the lyrical and sensual typical of Venetian artists?

Giorgione Da Castelfranco, The Tempest

Pictorial system based on the observed fact that distant objects seem smaller than ones that are closer and the far edges of uniformly shaped objects appear shorter than the near edges?

Linear Perspective

Discuss Donatello and his sculpture of David including symbolism, iconography, and it's importance in art history.

Donatello: humanist, most of his work reflects his admiration of the Greek and Roman Classical ideal.

The figure appears to be admiring and contemplating himself, reflecting the humanist ideal.

David is the first free standing nude of the Renaissance.

Commissioned by the Medici family for their palace courtyard- cast in bronze.

The pose of David is the classical contrapposto pose of the Greeks.

David- adolescent standing on the head of Goliath. He's nude, holding the giant sword of Goliath in one hand and the stone from his sling in the other.

He wears a Sheppard's hat with a laurel ring which is an ancient symbol of victory.

David symbolizes:

the underdog and he portrays this sense of confidence.

Christ like figure which has defeated the Goliath. Goliath embodies a Satan type figure.

3.A symbol of the republican spirit of Florence, defeating any tyranny which may threaten the city. (Duke of Milan)

The homosexuality and narcissism is evident in this sculpture. It reflects Plato's view that tyrants condemn homosexuality, whereas democracies permit its expression.

It is accentuated by the large life like wing coming from Goliath's helmet and rising up the inside of David's leg as well as the manner in which David's toe appears to caress Goliaths mustache.

Perugino, Christ Delivering the Keys of the Kingdom to Saint Peter, Sistine Chapel, Vatican, Rome, Italy, 1481-1483, Fresco

Which Pope would commission the painting of the Sistine Chapel and would go on to commission some of the most important works of the Cinquecento:

Pope Julius II

Tintoretto, Last Supper

Giotto Di Bondone, Lamentation, Arena Chapel (Cappella Scrovegni), ca. 1305,

The leading painter at the turn of the century in Venice and the founder of the High Renaissance Venetian style of painting:

Giovanni Bellini c. 1430- 1516

What was the first example of a pure landscape to be painted in Western art since antiquity and who was the artist that painted it?

Ambrogio Lorenzetti, Peaceful Country, from the Effects of Good Government in the City and Country, Palazzo Public, Siena, Italy, 1338-1339

In Raphael's Madonna in the Meadow from 1505, what technique does the artist employ as an homage to Leonardo Da Vinci?

Sfumato (soft)

Painter and Sculptor. Believed sculpting was superior to all other forms of creation. Rejected mathematical measure and proportion in art:

Michelangelo

Deposition-center panel

Which artist was commissioned to paint a fresco cycle in The Brancacci Chapel in the church of Santa Maria del Carmine in Florence and would later go on to influence Michelangelo?

Masaccio, ca. 1401-1428

Student of Pontormo, Florentine painter of Cosimo I de'Medici:

Bronzino c. 1503-1572

Raphael, Madonna in the Meadow

Northern artists of the Renaissance were more innovative in painting than any other art form. Two Important Developments of Fifteenth Century Painters from the Netherlands were:

Oil Paint and Printmaking

Student of Titian, Venetian representative of the Mannerist style. Depictions of drama and deep perspectives:

Tintoretto c. 1518-1594

Jean Fouquet, Melun Diptych

Female painter who introduced the group portrait:

Sofonisba Anguissola c. 1532-1625

Which work of art was created as a demonstration piece meant to be seen from multiple viewpoints?

Abduction of the Sabine Women

Three important artists working during the Trecento/14th Century in Italy were:

Giotto, Duccio, and Ambrogio Lorenzetti

Robert Campin, Merode Altarpiece

The first great architect of the Renaissance and inventor of Linear Perspective:

Filippo Brunelleschi c. 1377-1446

Which of these 15th century painters was a favorite of the Medici family and who's paintings would center around classical mythology, visual poetry, and courtliness?

Sandro Botticelli, ca. 1444-1510

One of the most renowned sculptors of the 15th Century who created the sculpture Saint Mark for the niche on the south side of Or San Michele in Florence.

Donatello

Cimabue, Madonna Enthroned with Angels and Prophets, from Santa Trinita, Florence, ca. 1280- 1290

One of the most renowned painters of the 15th Century whose patrons were diverse and included the Medici family, Federico de Montefeltro in Urbino, civic works, and churches?

Piero Della Francesca

Bronzino, Venus, Cupid, Folly, and Time

Raphael, Marriage of the Virgin

Michelangelo, Pieta

Which of these artists would complete projects for wealthy families in Florence and also painted portraits such as Giovanna Tornabuoni, 1488, Oil and Tempera on Wood?

Domenico Ghirlandaio, ca. 1449-1494

Giulio Romano, Fall of the Giants from Mount Olympus

The most renowned architect of the Renaissance. Developed the High Renaissance form of the central plan church.

Donato Bramante

Which artist and architect designed the Palazzo del Te in Mantua?

Giulio Romano

Jacopo Da Pontormo, Entombment of Christ

Ambrogio Lorenzetti, Peaceful City, detail from the Effects of Good Government in the City and in the Country, east wall of the Sala della Pace in the Palazzo Pubblico, Siena, Italy

Three important sculptors working during the Quattrocento/15th century in Italy were:

Andrea Del Verrocchio, Donatello, Lorenzo Ghiberti

This fresco is the first painting to use Brunelleschi's new system of linear perspective

Masaccio's Holy Trinity, ca. 1424-1427

Raphael, Philosophy (School of Athens)

Which painting was the reason for a trial involving the Holy Office of Inquisition because the artist placed Christ amongst the commoners of Venice?

Christ in the House of Levi

First Mannerist painter to break with the High Renaissance tradition:

Jacopo Da Pontormo c.1494-1557

Which other work by which of Da Vinci's contemporary would also feature the High Renaissance concept of the perfection of the circle?

Raphael, Marriage of the Virgin

Which Venetian painting by what artist features a reclining nude painted in the characteristic rich warm color palette and glazes of that artist's body of work?

Titian, Venus of Urbino

Which work of art by Leonardo da Vinci exemplifies the High Renaissance notion of the ideal of the circle and its perfection

Vitruvian Man

Describe and discuss the imagery, symbolism and interpretation of Bronzino's Venus, Cupid, Folly, and Time. Do not forget to discuss the painter and the circumstances surrounding the production of this piece.

Commissioned by Cosimo as a gift for King Francis I of France.

Exhibits the Mannerists' fondness for learned allegories with erotic undertones.

An adolescent cupid fondling his mother Venus while exhibiting his rear to the audience. He is stepping on a dove with his right leg.

Venus holds cupids arrow in her right hand and an apple in her left.

Folly/Jest is to the right with rose petals.

Time is in the upper right hand corner drawing back a curtain to reveal the incest taking place.

On his back is an hour glass.

Fraud and oblivion is the woman in the upper left.

The face in the shadows is symbolic of envy and the half girl half animal as well as the masks to the bottom represent deceit.

The iconography alludes to the consequence of sin: that lust/love- accompanied by envy lovers will discover its folly in time.

A style of 14th and 15th century painting begun by Simone Martini, who fused the French Gothic manner with Sienese art. This style appealed to the aristocracy because of its brilliant color, lavish costumes, intricate ornamentation, and themes involving splendid processions of knights and ladies:

International Gothic

Michelangelo, The Last Judgement

Simone Martini and Lippo Memmi, Annunciation, from the altar of Saint Ansanus, Sienna Cathedral, Sienna, Italy, 1333

Who were the main supporters both financially and artistically of the Renaissance in Florence during the 15th century?

The Medicis

Three painters working in the Italo-Byzantine style in Thirteenth-Century Italy:

Bonaventura Berlinghieri, Cimabue, Giotto Di Bondone

Fra Filippo Lippi, Madonna and Child with Angels, ca. 1460- 1465, Tempera on Wood

Which artist painted the Ghent Altarpiece?

Jan Van Eyck

Which Northern European artist created the Merode Altarpiece?

Robert Campin

Donatello, Gattamelata, (equestrian statue of Erasamo da Narni), Piazza del Santo, Padua, Italy, ca. 1445-1453, Bronze

An association of merchants, craftspersons or scholars in Medieval and Renaissance Europe, which emerged and became prominent in the 12th century?

Guilds

Mannerist painter achieving fame in his teens:

Parmigianino c. 1503-1540

The Duecento/13th Century Italian period in art can be recognized by what characteristics:

The humanization of religious subject matter. Artists working in the Italo-Byzantine, Gothic French, and classical naturalistic styles.

Describe and discuss the imagery, symbolism and interpretation of Raphael's fresco School of Athens.

The setting of the School of Athens is inspired by ancient Roman architectural forms; large barrel vaults define the ceiling, and there is the implication of a dome between the first two vaults.

Stone statues of Apollo with his lyre (on the left) and Minerva with her the shield of Medusa (on the right) stand in niches at either end of the lunette. The figures are arranged in an elliptical arrangement with an opening in the middle which moves your eye around the ellipse.

Assembled in the vast architectural setting of the School of Athens are the leading philosophers of Greek antiquity. Here books and writing are a significant iconographic feature, which reflects the textual basis of the Classical revival.

The two central figures, located on either side of the vanishing point, are Plato and Aristotle. Plato, who resembles a known self-portrait of Leonardo, points upward to the realm of ideas, the same gesture as that made by Doubting Thomas in Leonardo's Last Supper.

Plato carries his Timaeus, the Dialogue in which he identifies the circle as signifying cosmic perfection.

To Plato's right, Aristotle carries the Ethics. He extends his arm toward the earthly world of the viewer, reflecting his emphasis on empiricism

To the left, on the level of the floor, Pythagoras illustrates his system of proportions to students.

Sprawled on the steps is Diogenes the Cynic, who proverbially roamed the streets of Athens looking for an honest man.

A group in the right foreground surrounds Euclid, a portrait of Bramante, drawing with his compass.

The Greek geographer Ptolemy, while the Persian Zoroaster raises up the starry globe.

Raphael's rival artist, Michelangelo, was a late addition to the Fresco. He wears stonecutter's boots and is depicted in the guise of Heraclitus.

What are three characteristics of Medieval and Early Renaissance paintings in Northern Europe?

Detail and Realism, Symbolism and religious iconography, Oil paint with fine details

Which artist is known as the Father of the Renaissance and what is his most important work?

Giotto Di Bondone, Arena Chapel, Padua, Italy 1305-1306

Donatello, David, from the Palazzo Medici, Florence, Italy, ca. 1440-1460, Bronze

The leading city of artistic development during the Renaissance in Quattrocento Italy was

Florence

Please identify this work of art and the artist.

Martin Schongauer, Saint Anthony Tormented by Demons

Teacher of Parmigianino, who's art features an eclectic style of illusionistic ceiling perspective painting?

Correggio