AP Lit. Vocab

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80 Terms

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alliteration

repetition of consonant sounds in a sentence

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anaphora

repetition of the same word or phrase in successive lines/sentences

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apostrophe

addressing of a usually absent person or personified thing

ex. “Death, be not proud”

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assonance

repetition of vowel sounds without repeating consonants

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caesura

short pause within a line of poetry

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conceit

a long/extended metaphor, odd comparison of two very different concepts/things

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consonance

repetition of final consonant sounds following different vowel sounds

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couplet

two successive lines of rhyming verse, usually same meter

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end stopped line

line that concludes with a punctuation mark

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end rhyme

rhyme that occurs at the end of two lines in verse

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enjambment

poetic sentences that span more than one line without punctuation

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figurative language

umbrella term: similes, metaphors, onomatopoeia, hyperbole, euphemism, personification, etc.

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hyperbole

exaggeration

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imagery

sensory details that evokes a feeling or idea of the topic being described

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juxtaposition

placing two things side by side for a contrasting effect

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metaphor

two unlike things are compared implicitly

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onomatopoeia

use of words that sound like what they mean/signify (sound effects)

ex. hiss, sizzle

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personification

giving a nonhuman subject human qualities

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rhythm

beat and pace of a poem

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rhyme

repetition of syllables, typically at the end of a verse line

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shift/turn/volta

turn of thought, tone, or argument in a poem

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simile

direct, explicit comparison of things using the words like or as

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speaker

voice of a poem

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stanza

grouped set of lines in a poem

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synecdoche

figure of speech where a part of something stands for a whole

ex. worker being referred to as a “hired hand”

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connotation

feeling or idea that a word suggests

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denotation

literal meaning of a word

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iambic pentameter

metrical line of 5 iambs (unstressed-stressed) / 10 syllables line

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elision

omission of a syllable or vowel, sometimes to maintain meter

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metonymy

related term is substituted for the thing itself

ex. “the crown” to mean royalty

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euphemism

more polite/mild word used to refer to something more intense

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ambiguity

having more than one clear meaning

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paradox

statement that seems contradictory but on a deeper level could be true

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ephemeral

lasting for a short time, often to describe fleeting beauty or moments

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adulation

excessive praise or flattery

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censure

strong disapproval or criticism

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droll

amusing in an odd or whimsical way

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peremptory

insisting on immediate attention or obedience; commanding

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allay

to relieve or lesson (pain, fear, suspicion, etc.)

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capacious

spacious; able to hold much

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didactic

intended to teach, often with a moral message

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ignominious

deserving or causing public disgrace or shame

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prostrate

lying flat on the ground, exhaustion

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propitious

favorable, giving or indicating a good chance of success

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inexorable

impossible to stop or persuade; relentless

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insipid

lacking flavor or interest; dull

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nefarious

wicked, evil, or morally wrong

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physiognomy

facial features, used to infer character or personality

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tedium

the state of being tedious or boring

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akin

related by blood or having similar qualities

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cajole

to persuade with flattery or gentle urging

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encumber

to burden or weigh down

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fickle

changing frequently (especially in loyalty, interests, or affection)

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indolent

lazy; avoiding activity or effort

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muse (noun)

source of inspiration (of a person)

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muse (verb)

to think deeply or meditate

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presumptuous

overstepping boundaries; overly bold or confident

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subversive

intended to undermine or overthrow authority or tradition

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vacuous

lacking thought or intelligence; empty-headed

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capricious

impulsive, unpredictable, subject to whims

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disparity

a great difference or inequality

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impetus

a force or stimulus that causes something to happen or move

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vacillate

to waver between opinions or actions, indecisive

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infinitesimal

extremely small, barely measurable

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incredulous

unwilling or unable to believe something, skeptical

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sonnet

  • 14 lines

  • traditionally in iambic pentameter

  • structured rhyme schemes

  • themes of love, time, beauty, mortality, inner conflict

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English/Shakespearean Sonnet

  • 3 quatrains, 1 couplet

  • ABAB CDCD EFEF GG

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Italian/Petrarchan Sonnet

  • 1 octave, 1 sestet

  • ABBAABBA CDECDE

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Spenserian Sonnet

  • 3 interlocking quatrains, 1 couplet

  • ABAB BCBC CDCD EE

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Sonnet Analysis Tips:

  1. identify structure + rhyme scheme + meter

  2. mark the shift/volta - note shift in tone + thought

  3. poetic devices

  4. interpret message/theme

  5. note the endings

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British Romantic Poetry

  • everyday language

  • 2 aesthetics: beauty, sublimity → sense of awe and being overwhelmed with terror or wonder

  • lyric poem ~ “lyrical I”

  • self-critical + conscious

  • references between nature and self

  • inspiration from past

  • new social ideas ~ suffrage, atheism, etc.

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verbal irony

when a speaker says one thing but means the opposite

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dramatic irony

when the audience knows something the characters do not, creating tension or humor

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situational irony

when what actually happens is the opposite or what is expected

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allegory

story or image with a second, deeper meaning

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antithesis

contrast of ideas expressed in a balanced structure

ex. “it was the best of times, it was the worst of times…”

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asyndeton

omission of conjunctions

ex. “I came, I saw, I conquered”

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polysyndeton

deliberate use of many conjunctions

ex. “he ran and laughed and jumped and played”

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chiasmus

reversal in the order of words or concepts

ex. “ask not what your country can do for you—ask what you can do for your country”

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litotes

understatement using double negatives

ex. “not bad” meaning “good”