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Grandiose
A type/categorization of composition
These works draw on extra-musical factors for coherence
Text or program provides story or ideas
Music adds emotional conviction
More movements, more instruments, longer time spans, etc.
Often blended poetry, philosophical or religious ideas, and drama
Ex) program music, opera
Miniature
A type/categorization of composition
These works bypass the spontaneity vs. form problem
The work ends before listener wonders where it’s going
Shorter, fewer instruments
Ex) Lieder
Chamber music
Ensemble music for small groups, with one player per part
Standard ensembles include: strong quartets, piano trios, brass quintets
The lied
“Song” in German
Piano accompaniment
Romantic poetry
Imitate mood
Not intended for concert hall
Performers seem to share emotional insights with the listener
From the Romantic period
Ex) The moon rises silently
(Romantic) opera
A musical drama
Ties into Romantic themes
Transcendence of artistic barriers
Music as the most profound art
Message and meaning are taken seriously
Not just for entertainment anymore
Subjects from respected literature
Program music
Non-vocal music written in association with a literary source or visual arts
A blending of music and literature, or music and visual arts
Can tell a story
Can paint a mood, personality, or concept
From the Romantic period
Electronic music
Recording equipment reproduces sounds
Electronic sound generators create sounds from scratch
Advent of magnetic tape created new possibilities
Computer music
1955: first computer-composed work
Late 1950s: first computer sound synthesis
1983: MIDI revolution
Today: sequencer software, interactive computer music
From Postmodernism and later
Chance music (aleatoric music)
Music in which certain elements are not specified by the composer but are left up to chance