PSYC102: Topic 4 - Sensation & Perception

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82 Terms

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Sensation

The reception of stimulation from the environment.

  • The detection of physical energy by our sense organs which then relay info to the brain

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Perception

Interpretation of the raw sensory information; often an automatic process

  • Pattern Recognition and Categorization

  • Link sensory info to existing knowledge

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Sensation & Perception work through

  • Raw Data

  • Attention

  • Expectations & Previous Knowledge

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Transduction

The process of converting an external stimulus into electrical activity within neurons

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Sense Receptors

Special cells for converting external stimuli into neural activity

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Sensory Adaptation

Activation is greatest when a stimulus is first detected, adapt after some time

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Psychophysics

The study of how we perceive sensory stimuli based on their physical characteristics

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Absolute threshold

The lowest level of a stimulus needed to be detected by the nervous system 50% of the time

  • Biological functions are not consistent from one time to the next

  • E.g., faint tone of the same intensity → only heard some of the time

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Just Noticeable Difference (JND)

The smallest change in the intensity of a stimulus that we can detect

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Weber’s Law

There is a constant proportional relationship between the JND and the original stimulus intensity

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Light

Electromagnetic radiation

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<p>Wavelengths</p>

Wavelengths

We only perceive a narrow range of them,

  • different _____ = different colors

  • Peak to peak

<p>We only perceive a narrow range of them, </p><ul><li><p>different _____ = different colors</p></li><li><p>Peak to peak</p></li></ul><p></p>
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Sclera

White of the eye

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Iris

Coloured part of the eye that contains muscles that control the pupil, controlling how much light enters our eyes

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Pupil

Circular hole through which light enters the eye

  • Pupillary Reflex: Closing as a reflex response to light or objects

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Cornea

Curved, transparent layer covering the iris and pupil. Its shape bends light to focus the incoming visual image at the back of the eye.

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Lens

Part of the eye that changes curvature to keep images in focus

  • Accommodation: changing shape of the ___ to focus on objects near or far

    • Flat=Distant

    • Fat=Near

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Retina

Membrane at the back of the eye responsible for converting light into neural activity

  • Fovea: Central portion of the ____, responsible for sharpness of vision

  • Like a movie screen onto which light from the world is projected

  • Contains 2 types of receptor cells; rods and cones

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Rods

Vision at low levels of light, very sensitive

  • Long, narrow, enable us to see basic shapes and forms

  • Dark adaptation: Time in dark before ____ regain maximum light sensitivity

  • 110 million in each of your eyes

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Cones

Vision at higher levels of light, sensitive to light and fine detail

  • Reading

  • Give us our colour vision

  • 4.5-7 million in each eye

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Photopigments

Chemicals that change following exposure to light.

  • Different types of receptor cells contain ____________

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Optic nerve

Transmits visual information from the retina to the brain

  • The place where it connects to the retina is a blind spot

<p>Transmits visual information from the retina to the brain</p><ul><li><p>The place where it connects to the retina is a blind spot</p></li></ul><p></p>
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Ganglion cells

Cells in the retinal circuit that receive neural impulses and transmit information out of the eye

  • Axons from optic nerve

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Photoreceptors

Different ones have different wavelengths, they have pigments that are sensitive to receiving the light energy

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Left Visual Field

  • Hits the right half of each eye

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Right Visual Field

  • Hits the left half of each eye

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Trichromatic Theory

Colour vision on 3 primary colours, 3 types of cones with differing photosensitivity

  • Colourblindness: Inability to see some of all of the colours

<p>Colour vision on 3 primary colours, 3 types of cones with differing photosensitivity</p><ul><li><p>Colourblindness: Inability to see some of all of the colours</p></li></ul><p></p>
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Opponent Process Theory

We perceive colour using opposite cells

  • Photoreceptors are linked together in pairs of opposite colours, activation of one prohibits perception of the other

<p>We perceive colour using opposite cells</p><ul><li><p>Photoreceptors are linked together in pairs of opposite colours, activation of one prohibits perception of the other</p></li></ul><p></p>
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Center-surround cells

Fires when light is presented to a small circular area in a specific location of the retina

<p>Fires when light is presented to a small circular area in a specific location of the retina</p>
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Feature Detection Cells

Detect lines and edges

  • Simple Cells: Detect lines and edges in very specific locations and orientations

  • Complex Cells: Detect lines and edges in less restricted locations (broader)

<p>Detect lines and edges</p><ul><li><p><em>Simple Cells:</em> Detect lines and edges in very specific locations and orientations</p></li><li><p><em>Complex Cells:</em> Detect lines and edges in less restricted locations (broader)</p></li></ul><p></p>
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Bottom-up/Data-Driven Processing

Analysis and integration of basic features into a perceptual unit.

  • Hierarchical Organization

    • Form perceptual units through a process of increasingly complex connections between simple units

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Parallel Processing

The ability to attend to many sense modalities simultaneously

  • E.g., perception of many different features of a lion (e.g., shape, orientation, colour)

  • Advantages:

    • Fast processing

    • Allows for top-down processing

      • Each type of processing can be influenced by the others

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Top-Down Processing

  • When context and higher-level knowledge influence lower level processes

  • Use existing knowledge to allow us to understand the world more readily

<ul><li><p>When context and higher-level knowledge influence lower level processes</p></li><li><p>Use existing knowledge to allow us to understand the world more readily</p></li></ul><p></p>
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Gestalt Principles

Give us insight into the ways we perceive form. -

  • Focused on the whole rather than the individual parts

  • Pattern and object recognition is a problem-solving process

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Gestalt; Principle of Simplicity

When we have sensory input our perceptual system usually tries to create a percept that is: simple, orderly, and as stable as possible

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Gestalt; Law of Proximity

Objects that are physically close to each other tend to be perceived as unified wholes or groups

<p>Objects that are physically close to each other tend to be perceived as unified wholes or groups</p>
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Gestalt; Law of Similarity

Similar visual elements form a whole

  • Shape, colour, etc.

<p>Similar visual elements form a whole</p><ul><li><p>Shape, colour, etc.</p></li></ul><p></p>
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Gestalt; The Law of Closure

Objects are perceived as whole, even if they are not complete

<p>Objects are perceived as whole, even if they are not complete</p>
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Gestalt; Law of Good Continuation/Continuity

We tend to perceive objects as forming smooth continuous patterns

<p>We tend to perceive objects as forming smooth continuous patterns</p>
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Gestalt; Law of Symmetry

Object that are formed around a center point form a group or whole

<p>Object that are formed around a center point form a group or whole</p>
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Gestalt; Law of Figure-Ground Segregation

Tendency to structure the visual field into two parts: a figure and a background

  • Bistable percepts: stimuli can be perceived in one of two different ways (but not at the same time)

<p>Tendency to structure the visual field into two parts: a figure and a background</p><ul><li><p><em>Bistable percepts:</em> stimuli can be perceived in one of two different ways (but not at the same time)</p></li></ul><p></p>
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Motion

  • Brain judges it by rapidly comparing visual frames,

  • Visual info from one frame is compared to what is processed next

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Phi Phenomenon

Perception of motion when stationary objects are flashed in quick succession

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Depth Perception

Ability to see spatial relations in three-dimentsions and judge distance

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Monocular Depth Cues (one eye)

  • Pictorial Cues

    • Relative size, texture, interposition, height, light, linear perspective

  • Depth Through Motion: Motion Parallax: Nearby objects will tend to move faster than objects in the distance

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Binocular Depth Cues (both eyes)

Brain makes comparisons between eyes

  • Binocular disparity: each eye transmits slightly different information to the brain

  • Binocular convergence: eyes turn inward to differing degrees when we focus on near objects

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Perceptual Constancy

We perceive the properties of objects to be constant even through the stimuli around us change when the viewing circumstances change

  • Applies to size, shape, colour

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Unconscious Inference

We combine information from the stimulus with other cues from the environment to derive perception

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Size Constancy

Our ability to perceive objects as the same size no matter how far away they are from us

<p>Our ability to perceive objects as the same size no matter how far away they are from us</p>
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Shape Constancy

Our ability to perceive shapes as constant even as objects move or we move in relation to them

  • Give us a sense of coherence in the world

<p>Our ability to perceive shapes as constant even as objects move or we move in relation to them</p><ul><li><p>Give us a sense of coherence in the world</p></li></ul><p></p>
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Colour Constancy

We perceive colours as (relatively) constant across lighting conditions, even though the actual image differs

  • Use cues based on context/background

<p>We perceive colours as (relatively) constant across lighting conditions, even though the actual image differs</p><ul><li><p>Use cues based on context/background</p></li></ul><p></p>
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Agnosia

A failure or deficit in recognizing objects

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Prosopagnosia

Deficit in recognizing faces

  • “The Man who Mistook His Wife for a Hat”

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Apperceptive Agnosia

Deficit in recognizing patterns

  • Cant synthesize the parts of a stimulus into a whole

<p>Deficit in recognizing patterns</p><ul><li><p>Cant synthesize the parts of a stimulus into a whole</p></li></ul><p></p>
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Associative Agnosia

Deficit in associating meaning and a pattern

<p>Deficit in associating meaning and a pattern</p>
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Sound

Mechanical energy in the form of vibrations traveling through a medium (gas, liquid, solid) transmitted in waves

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Frequency

The number of cycles a wave complete in a given time (corresponds to pitch)

  • Hz

  • Pitch Range: 20-20,000 Hz

    • Higher the cycles/second higher the frequency of the sound

<p>The number of cycles a wave complete in a given time (corresponds to pitch)</p><ul><li><p>Hz</p></li><li><p><strong>Pitch </strong>Range: 20-20,000 Hz</p><ul><li><p>Higher the cycles/second higher the frequency of the sound</p></li></ul></li></ul><p></p>
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Amplitude

Height of the sound wave

  • dB

  • Loudness range: 0-160 dB

<p>Height of the sound wave</p><ul><li><p>dB</p></li><li><p><strong>Loudness</strong> range: 0-160 dB</p></li></ul><p></p>
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Outer ear; Pinna

Channels sound

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Outer ear; Auditory Canal

Channels sound to eardrum

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Outer ear; Eardrum

Thin membrane that vibrates according to the frequency of the sound

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Middle Ear

  • Hammer, anvil, and stirrup: Vibrate at frequency of the sound; transfer the vibrations to the inner ear

  • Contains ossicle bones; transmit vibrations and magnify them

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Inner ear; Oval Window

Receives amplified sound from ossicles, which cause vibrations in the fluid of the cochlea

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Inner ear; Cochlea

Fluid filled inner cavity receives vibrations

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Cochlea; Basilar Membrane

Reacts to the vibrations in the fluid

  • Not a uniform structure, narrow and stiff near the base

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Cochlea; Organ of Corti

Contains hair cells that are stimulated by different vibrations and perform the process of transduction

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Place Theory/Coding

Different frequencies stimulate different locations on Basilar Membrane

  • Narrow at base, wide at apex

  • Waves selectively vibrate the membrane

  • Higher pitch sounds do not travel as far as lower pitch sounds

  • 5000-20000 Hz

<p>Different frequencies stimulate different locations on <strong>Basilar Membrane</strong></p><ul><li><p>Narrow at base, wide at apex</p></li><li><p>Waves selectively vibrate the membrane</p></li><li><p>Higher pitch sounds do not travel as far as lower pitch sounds</p></li><li><p><em>5000-20000 Hz</em></p></li></ul><p></p>
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Frequency Theory/Principle

Tones with different frequencies cause neurons to fire at different rates

  • Explains low frequency range for pitch perceptions

    • Can only fire so many times per second

    • Like individual archers

  • 100-500 Hz

  • Rates of neurons firing

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Volley Theory

Sets of neurons fire just out of sync with each other to code for frequency above the rate at which neurons can fire

  • Groups of archers

  • 500-5000 Hz

  • Both frequency and place

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Interaural level (intensity) difference

Difference in sound intensity arriving at each ear

  • Acoustic shadow: reduction in sound for the far ear

  • Best for high freq. sounds

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Interaural time difference

Sounds arrive at each ear at different times due to different spatial locations

  • More effective for low frequencies

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Olfaction

Our sense of smell

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Gustation

Our smell of taste

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Odors

Airborne chemicals that interact with receptors in the lining of our nasal passages

  • Our nose detects between 2,000 and 4,000

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Taste bud

Sense receptor in the tongue that responds to:

  • Sweet, Salty, Sour, Bitter, Umami

In bumps on the tongue called papillae

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Olfactory Neurons

Contain a single type of olfactory receptor, which recognizes an odorant on the basis of its shape

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Pheromones

Odorless chemical that serves as aa social signal to members of one’s species

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Somatosensory

Sensory of touch, pressure, temperature, and injury

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How we sense somatosensory stimuli

  • Free Nerve Endings

    • Can be polymodal

    • Are often nociceptors

  • Other specialized nerve endings

    • Slow and fast-adapting

    • Many types: can be very specialized

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Withdrawal Reflex

Pull away prior to conscious decision

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Proprioception

Our sense of body position

  • Proprioceptors sense muscle stretch and force

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Vestibular sense

Our sense of equilibrium or balance

  • Semicircular canals in the inner ear are filled with fluid

  • Information is sent to parts of the brainstem that control eye muscles

<p>Our sense of equilibrium or balance</p><ul><li><p>Semicircular canals in the inner ear are filled with fluid</p></li><li><p>Information is sent to parts of the brainstem that control eye muscles</p></li></ul><p></p>