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Jackson - chorus
through the chorus, Euripides can recap the myth
Hall - barbarism
medea’s barbarism is not important in the text, she is merely a frightening woman
hall - jason and medea’s barbarism
Jason was the most sensitive person to Medea’s ethnicity as he blames her flaws on her barbarism (“you thought, as you grew older, it didn’t look quite right to have a foreign wife”)
Hall - religion
Medea is bound by Greek religion
Hall - semi-divine
medea is not a witch, she is semi-divine and therefore can avoid divine punishment
Hall - Greek imperatives
Medea is the one in the play to uphold Greek values
hall - hypocrisy
Euripides exposes the hypocrisy of the barbarian rhetoric through jason
bongie - religion
the play is about religion
mossman - new things
Medea killing the children and the chariot were all new things invented by Euripides
morwood - the chorus
the chorus is wonderfully alive and responsive
Omitowoju - women
the play represents women in a very misogynistic way with them being the ultimate source of instability in society
Nugent - Athenian nightmare
medea is the Athenian male’s worst nightmare of what may happen with a non-Athenian wife
palmer - jason cannot understand
Jason is unable to understand Medea because he is distinctly human and therefore he can arouse pity, whilst Medea cannot
barlow - subversion
Medea is a play of subversion as Medea follows a masculine heroic tradition