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in fundamentals of poetry packet TEST 01/31/24
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meter
pattern of stressed (accented) and unstressed (unaccented) syllables established in a line of poetry
foot
unit of meter (can have two or more syllables)
generally consists of 1 stressed and 1 or more unstressed syllable
a line can have 1 or 2 or 3 feet
poetic lines are classified according to the number of feet in a line
iamb
2 syllable
unstressed, stressed
most comon in english
trochee
2 syllable
stressed, unstressed
anapest
3 syllables
unstressed, unstressed, stressed
spondee
2 syllables
both stressed
often in compound words
dactyl
3 syllables
stress, unstressed, unstressed
pyrrhic
2 syllables
both unstressed
monometer
1 foot
dimeter
2 foot
trimeter
3 foot
tetrameter
4 foot
pentameter
5 foot
hexameter
6 foot
heptameter
7 foot
octometer
8 foot
rhymed verse
verse with end rhyme and usually with a regular meter
blank verse
lines of iambic pentameter without end rhyme
free verse
lines that don’t have regular meter and don’t contain rhyme
rhyme
similarity of likeness of sound existing betw 2 words
slant rhyme
imperfect or incomplete correspondence of end syllable sounds
common in emily dickinson
end rhyme
consists of the similarity occuring at the end of two or more lines of verse
internal rhyme
consists of the similarity rhyme occuring between two or more words in the same line of verse
masculine rhyme
when 1 syllable of a word rhymes with another word
feminine rhyme
last 2 syllables of a word rhyme wiht another word
triple rhyme
the last 3 syllables rhyme of a word or line rhyme
rhyme scheme
pattern or sequence in which the rhyme occurs
alliteration
repetition of initial letter or sound in two or more words in a line of verse
onomatopoeia
use of word to represent or imitate natural sounds
assonance
similarity or repetition of a vowel sound in two or more words
consonance
repetition of consonant sounds within a line of verse
refrain
repetition of one or more phrases or lines at intervals in a poem, usually at end of a stanza
often takes the form of chorus
repetition
reiterating of a word or phrase within a poem
figure of speech
expression in which the words are used in a nonliteral sense to present a figure, picture, or image
simile
direct or explicit comparison between two usually unrelated things indicating a likeness or similarity between some attribute found in both things (uses like or as)
metaphor
implied comparison between 2 usually unrelated things indicating a likeness or analogy between attributes found in both things
personification
giving human characteristics to inanimate objects, ideas, or animals
synecdoche
technique of mentioning a part of smth to represent the whole
metonymy
substitution of a word naming an object for another word closely associated with it
symbol
word or image that signifies smth other than what it literally represents
allegory
narrative or description having a second meaning beneath the surface one
overstatement
exagerration for the sake of emphasis and is not to be taken literally
understatement
consists of saying less than one means, or of saying waht one means with less force than the occassion warrants
antithesis
balancing or contrasting of one term against another
apostrophe
addressing of someone or smth usually not present, as though present
dramatic irony
device by which the author implies a different meaning from that intended by the speaker in a literaly worik
irony of situation
situation in which there is an incongruity between actual circumstances and those that would seem appropriate or between what is anticipated and what actually comes to pass
verbal irony
figure of speech in which what is meant is the opposite of what is said
paradox
statement or situation containing apparently contradictory or incompatible elements
oxymoron
figure of speech that combines 2 contradictory wors placed side by side
stanza
division of a poem based on thought or form
couplet
2 line stanza
triplet
3 line stanza
quatrain
4 line stanza
sestet
6 line stanza
septet
7 line stanza
octave
8 line stanza
heroic couplet
consists of two successive rhyming verses that contain a complete thought within the 2 lines
also called closed couplet
usually iambic pentameter lines
terza rima
3 line stanza form with an interlaced or interwoven rhyme scheme
usually iambic pentameter
rhyme scheme - a-b-a, b-c-b, c-d-c, d-e-d
limerick
5 line nonsense poem with anapestic meter
rhyme scheme - a-a-b-b-a
ballad stanza
consists of 4 lines with a rhyme scheme of a-b-c-b
rime royal
stanza consisting of 7 lines in iambic pentameter rhyming a-b-a-b-b-c-c
ottava rima
consists of 8 iambic pentameter lines with a rhyme scheme of a-b-a-b-a-b-c-c
spenserian stanza
9 line stanza consisting of 8 iambic pentameter lines followed by an alexandrine (a line of iambic hexamter)
rhyme shceme - a-b-a-b-b-c-b-c-c
sonnet
14 line stanza form consisting of iambic pentameter lines
villanelle
consists of 5 tercets (3 lines rhyming tgt) and a quatrain in which the first and third lines of the opening tercet recur alternately at the end of the other tercets and together as the last 2 lines of the quatrain
elegy
usually a poem that mourns the death of an individual, the absence of something deeply loved, or the transience of mankind
lyric
most widely used type of poem so diverse in its format that a rigid definition is impossible
ode
exalted, complex rapturous lyric poem written about a dignified, lofty subject
italian sonnet
division within an octave set (8) and a sestet set (6)
english/shakespearean sonnet
3 quatrains and concluding couplet