Music Appreciation Exam 5 -- Romantic Era

0.0(0)
learnLearn
examPractice Test
spaced repetitionSpaced Repetition
heart puzzleMatch
flashcardsFlashcards
Card Sorting

1/53

encourage image

There's no tags or description

Looks like no tags are added yet.

Study Analytics
Name
Mastery
Learn
Test
Matching
Spaced

No study sessions yet.

54 Terms

1
New cards

Lied

A German-texted solo song with piano accompaniment.

2
New cards

Song cycle

A group of Lieder unified by a narrative thread of common theme.

3
New cards

Through-composed

A song form where the music changes throughout instead of repeating sections.

4
New cards

Program music

Instrumental music with literary or pictorial associations

5
New cards

Character piece

A short piano work that projects a mood or atmosphere

6
New cards

Rubato

A technique of flexible tempo in which performers speed up and slow down for expressive purposes.

7
New cards

Popular music

Music that is widely accessible and commercially successful.

8
New cards

Idée fixe

A recurring theme representing a specific idea or person, used in Berlioz’s Symphonie fantastique.

9
New cards

Dies irae

A famous medieval chant used in many works to symbolize death or judgment.

10
New cards

Orchestration

The technique of assigning instruments to different parts of a composition.

11
New cards

Cultivated music traditon

Classical or “high art” music brought to America by European immigrants.

12
New cards

Bel canto

A style of Italian opera emphasizing beautiful, lyrical vocal lines.

13
New cards

Singspiel

A German opera with spoken dialogue and comedic elements.

14
New cards

Leitmotif

A recurring musical theme associated with a character, idea, or emotion, used in Wagner’s operas.

15
New cards

Gesamtkunstwek

Wagner’s concept of a “total artwork,” blending music, drama, and visual elements.

16
New cards

Beginning and ending years of the Romantic period

1820-1900

17
New cards

What helped shape the new social order of the 19th century?

The Industrial Revolution and the French Revolution, which transferred power to the middle class.

18
New cards

Where was concert life centered in the 19th century?

Public concert halls

19
New cards

How did the orchestras of the 19th century change?

They became larger, more instruments were added, and dymanics were expanded.

20
New cards

Characteristics of Romantic style music

Expressive melodies, expanded forms, chromatic harmony, increased dynamics, and more programmatic elements.

21
New cards

Pianist who developed the modern style of piano playing

Frédéric Chopin

22
New cards

Who was Frederic Chopin and why is he important?

A Polish composer and virtuoso pianist who originated the modern piano style and wrote expressive works like nocturnes, polonaises, and mazurkas.

23
New cards

Did nationalism create an interest in folklore and folk music?

Yes, composers incorporated folk melodies and themes into their music.

24
New cards

Two composers of the 19th-century Lieder

Franz Schubert and Robert Schumann

25
New cards

Was the piano recital created in the Romantic era?

Yes, performers like Liszt helped popularize the solo piano recital.

26
New cards

How did the instrumentation of the orchestra change from Classical to Romantic?

More instruments were added, including expanded brass and woodwinds, and the string section grew in size.

27
New cards

Which instrument’s popularity assisted sheet music publication and provided a socially acceptable performance outlet for women?

The piano

28
New cards

Who was Fanny Mendelssohn Hensel? Clara Wieck Schumann?

Fanny Mendelssohn Hensel was a composer and pianist who wrote The Year, a piano cycle. Clara Wieck Schumann was a virtuoso pianist, composer, and the wife of Robert Schumann.

29
New cards

Early 19th-century American musical culture

European immigrants brought classical traditions, but American music also had a strong vernacular tradition with popular songs, dances, and parlor music.

30
New cards

Types of tunes Stephen Foster was known for

Minstrel songs and parlor songs like Oh! Susanna and Camptown Races.

31
New cards

Parlor songs are a blend of what two traditions?

European art music and America folk/popular music.

32
New cards

Types of musicians who could play parlor songs

Amateurs, particularly middle-class women in their homes.

33
New cards

How many number of movements does Symphonie Fantastique have?

Five distinct movements.

34
New cards

What story does Symphonie Fantastique tell and who is it connected to?

It tells the story of Berlioz’s obsession with an actress, Harriet Smithson, and follows a dream-like journey from passion to a nightmarish finale. (Shakespeare)

35
New cards

What instruments were used in Symphonie Fantastique for the first time?

Piccolo, 2 ophicleides, and 2 harps

36
New cards

Influences on the artistic world

Nationalism, exoticism, and new artistic movements like Impressionism and Symbolism.

37
New cards

Most important figure in the artistic world in the later 19th century

Richard Wagner

38
New cards

Characteristics of serious opera

Intense emotions, elaborate orchestration, and grand productions.

39
New cards

Names and characteristics of comic opera

Singspiel (German, with spoken dialogue), Opera comique (French, with spoken dialogue), and Operetta (lighter, humorous operas)

40
New cards

Reception of The Ring Cycle

Controversial but ultimately influential, seen as a powerful work of German nationalism

41
New cards

Elements found in Wagner’s operas

Leitmotifs, Gasmtkunstwerk, expanded orchestration, and mythological themes.

42
New cards

Why were Wagner’s operas considered nationalistic?

They were based on Germanic myths and had themes of German idendity.

43
New cards

Term describing Wagner’s harmonic language?

Chromaticism

44
New cards

Who is Rossini and why are his operas important?

An Italian opera composer known for The Barber of Seville and William Tell, which helped establish bel canto opera.

45
New cards

Instrumentation of Brahms’ Symphony No. 3

The symphony is scored for two flutes, two oboes, two clarinets in Bb and A, two bassoons, a contrabassoon, two horns in C, two horns in F, two trumpets in F, three trombones, timpani, and strings.

46
New cards

Woodwind instruments invented in the 1840s that never found a permanent place in the orchestra?

The saxophone.

47
New cards

Franz Schubert Elfking

Lied

48
New cards

Frederic Chopin Etude, Op. 10, No. 12 (“Revolutionary”)

Solo Piano Music (Etude)

49
New cards

Fanny Hensel September: At the River from The Year

Character Piece (Solo Piano)

50
New cards

Hector Berloiz Symphonie fantastique, IV & V

Program Symphony

51
New cards

Stephen Foster Jeanie with the Light Brown Hair

Parlor Song

52
New cards

Joannes Brahms Symphony No. 3 in F Major, III

Symphony

53
New cards

Giuseppe Verdi Rigoletto, Act III excerpts

Opera

54
New cards

Richard Wagner Die Walkure, Act III Opening and Finale

Music Drama