ARTH 1162 Exam 1 - Monuments Images + Terms

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74 Terms

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The Vitruvian Triad

  • Commoditas — function / accommodation (what the building is for)

  • Firmitas — structural strength / stability (how the building stands up)

  • Venustas — beauty that delights (aesthetic appeal of the building; v. subjective)

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plans, sections, façades and elevations

  • plan / floorplan — footprint of building

  • elevation —view of superstructure rising over plan

  • section — transverse slice / cross-section of building

  • façade — front of building

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trabiated construction

  • post (like supporting members/columns) that keep the lintel (horizontal platform/segment) up

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  • arcuated construction

  • arches and vaults

    • kinds of vaults

      • barrel vaults (has a lot of gravitational downward thrust)

      • groin vault (grav. weight distributed @ corners)

      • rib vault (seen in gothic architecture, v. pointed)

      • fan vault

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masonry (regularly dress stone)

remove live rock, cut into smooth blocks to make walls, columns, etc

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Ziggurat of Ur-Nammu

Sumer (@ Southern Mesopotamia) | Ur, c. 2000 BCE

  • ziggurat — religious structure; massive rectangular shaped staged tower from ancient Mesopotamia

<p><strong>Sumer</strong> (@ Southern Mesopotamia) | <strong>Ur</strong>, <strong>c. 2000 BCE</strong></p><ul><li><p><strong>ziggurat —&nbsp;</strong>religious structure; massive rectangular shaped staged tower from ancient Mesopotamia</p></li></ul><p></p>
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Khorsabad (Dur Sharrukin) — Citadel + Palace of Sargon II

(Assyria @ Northern Mesopotamia) | c. 700 BCE

  • crenellations — teeth-like structures on top of towers (where people shoot arrows)

  • buttresses — carry weight away from building; projecting structural support

  • casemates — defensive, double-walled fortification system that included chambers (in the case of the palace of Sargon II)

  • ziggurat — religious structure; massive rectangular shaped staged tower from ancient Mesopotamia

  • lamassu —— colossal statues of human-headed winged bulls that guarded the gates of the citadel of Sargon II; body of bull / lion, wings of eagle and head of human

<p>(<strong>Assyria</strong> @ <strong>Northern</strong> Mesopotamia) | c. <strong>700 BCE</strong></p><ul><li><p><strong>crenellations</strong> — teeth-like structures on top of towers (where people shoot arrows)</p></li><li><p><strong>buttresses</strong> — carry weight away from building; projecting structural support</p></li><li><p><strong>casemates</strong> — defensive, double-walled fortification system that included chambers (in the case of the palace of Sargon II)</p></li><li><p><strong>ziggurat —&nbsp;</strong>religious structure; massive rectangular shaped staged tower from ancient Mesopotamia</p></li><li><p><strong>lamassu —</strong>— colossal statues of human-headed winged bulls that guarded the gates of the citadel of Sargon II; body of bull / lion, wings of eagle and head of human</p></li></ul><p></p>
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Ishtar Gate

@ Babylon | c. 575 BC | built by King Nebuchadnezar II

  • Lions — symbolize goddess Ishtar

  • crenellations

  • glazed bricks lined w/ animals walking in procession (bulls, dragons, lions → goddess Ishtar; goddess of fertility, love, war)

<p>@ <strong>Babylon</strong> | c. <strong>575 BC</strong> | built by <strong>King Nebuchadnezar II</strong></p><ul><li><p><strong>Lions</strong> — symbolize goddess Ishtar</p></li><li><p><strong>crenellations</strong></p></li><li><p><strong>glazed bricks lined w/ animals walking in procession </strong>(bulls, dragons, lions → goddess Ishtar; goddess of fertility, love, war)</p></li></ul><p></p>
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Persepolis (“Persian City”)

royal palace begun by Darius in 515 BC

  • apadana (throne room) w/ hypostyle hall

  • fortified military appearance

  • lamassu

  • royal architecture (powerful, overwhelming scale); v. volatile time (who had power was always changing)

<p>royal palace begun by <strong>Darius i</strong>n 515 BC</p><ul><li><p><strong>apadana</strong> (throne room) w/ <strong>hypostyle hall</strong></p></li><li><p><strong>fortified military appearance</strong></p></li><li><p><strong>lamassu</strong></p></li><li><p><strong>royal architecture </strong>(powerful, overwhelming scale);  v. volatile time (who had power was always changing)</p></li></ul><p></p>
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Giza Pyramids + Great Pyramid of Cheops

near Cairo | c. 2000 BCE

  • red limestone interior, polished higher grade limestone

  • pharaoh buried in granite sarcophagus alongside their worldly possessions, pets; pyramid was built around the tomb bc it was so narrow inside

    • prone to tomb raiders

  • pyramid shape = ramp/stairway to heaven

  • religious/social implications

    • gives civilians sense of loyalty, belonging; maintain social cohesion by creating drafts for people to called to help build the pyramids, helped create a sense of consistency and accountability for building

<p>near <strong>Cairo</strong> | c. <strong>2000 BCE</strong></p><ul><li><p>red limestone interior, polished higher grade limestone</p></li><li><p>pharaoh buried in granite sarcophagus alongside their worldly possessions, pets; pyramid was built around the tomb bc it was so narrow inside</p><ul><li><p>prone to tomb raiders</p></li></ul></li><li><p>pyramid shape = <strong>ramp/stairway to heaven</strong></p></li><li><p>religious/social implications</p><ul><li><p>gives civilians <strong>sense of loyalty, belonging</strong>; maintain social cohesion by creating drafts for people to called to help build the pyramids, helped create a sense of consistency and accountability for building</p></li></ul></li></ul><p></p>
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Sphinx

near Cairo | c. 2500 BCE

  • shows face of one of the pharaohs buried there (wearing the headdress thing)

  • granite interior, also used diorite

  • didn’t have wheels at this time so needed many people to build

<p>near <strong>Cairo</strong> | c<strong>. 2500 BCE</strong></p><ul><li><p>shows face of one of the pharaohs buried there (wearing the headdress thing)</p></li><li><p>granite interior, also used diorite</p></li><li><p>didn’t have wheels at this time so needed many people to build</p></li></ul><p></p>
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Temple of Amon-Re

Karnak | begun c. 2000 BCE and built over next 2000 years

  • hypostyle hall — 134 columns covered with hieroglyphic inscriptions

  • trabiated

  • pylon gates (tilted inwards)

<p><strong>Karnak</strong> | begun c. <strong>2000 BCE </strong>and built over next 2000 years</p><ul><li><p><strong>hypostyle hall —&nbsp;</strong>134 columns covered with hieroglyphic inscriptions</p></li><li><p><strong>trabiated</strong></p></li><li><p><strong>pylon gates </strong>(tilted inwards)</p></li></ul><p></p>
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Temple of Amenhotep III

Temple of Amon-Re @ Karnak linked via mile long avenue lined with sphinxes to Temple of Amenhotep III @ Luxor (pylon c. 1250 BCE)

  • hypostyle hall

  • pylon gate (tilted inwards)

  • obelisks built w/ granite → sundial with hieroglyphics carved into it

<p><strong>Temple of Amon-Re</strong> @ <strong>Karnak</strong> linked via mile long <strong>avenue lined with sphinxes </strong>to <strong>Temple of Amenhotep III</strong> @ <strong>Luxor</strong> (pylon <strong>c. 1250 BCE)</strong></p><ul><li><p>hypostyle hall</p></li><li><p>pylon gate (tilted inwards)</p></li></ul><ul><li><p>obelisks built w/ granite → sundial with hieroglyphics carved into it</p></li></ul><p></p>
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Abu Simbel Rock-cut tomb of Ramses II

(c. 1250 BCE) cf. Ptolemaic temples (Temple of Horus, Edfu, 237-57 BCE)) @ west bank of the Nile

  • masonry mimics construction of mudbricks (like from ziggurat @ mesopotamia)

  • pylon gate (tilted inwards) — monumental gateway @ entrance

<p><strong>(c. 1250 BCE) cf. Ptolemaic temples (Temple of Horus, Edfu, 237-57 BCE)) @ west bank of the Nile</strong></p><ul><li><p>masonry mimics construction of mudbricks (like from ziggurat @ mesopotamia)</p></li><li><p>pylon gate (tilted inwards) — monumental gateway @ entrance</p></li></ul><p></p>
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Mycenae Citadel + Lion Gate

Mycenae, c. 1250 BCE

  • Lion Gate — 2 lions with a column in the middle above an arch/vault (looks like a triangle above the gate); cyclopean masonry

  • Treasury of Atreus or Tomb of Agamemnon, c. 1300 BCE

    • has a ‘portal’ similar to Edfu (Mycenaens more open to foreign influence); also tilted inwards

  • Cyclopean masonry — stone fitted together that looks like it was done by a giant bc the blocks are so big)

  • Corbel Vault — “moving inward”; stones stacked horizontally to create an arch

  • Tholos — round structure with circular wall and domed ceiling/roof; tombs for Mycenaens

  • Dromos — a long, narrow corridor or passageway that leads to the entrance of a tomb or monumental structure

<p><strong>Mycenae, c. 1250 BCE</strong></p><ul><li><p><strong>Lion Gate</strong> — 2 lions with a column in the middle above an arch/vault (looks like a triangle above the gate); cyclopean masonry</p></li></ul><ul><li><p><strong>Treasury of Atreus or Tomb of Agamemnon</strong>, <strong>c. 1300 BCE</strong></p><ul><li><p>has a ‘portal’ similar to Edfu (Mycenaens more open to foreign influence); also tilted inwards</p></li></ul></li><li><p><strong>Cyclopean masonry</strong> — stone fitted together that looks like it was done by a giant bc the blocks are so big)</p></li><li><p><strong>Corbel Vault </strong>— “moving inward”; stones stacked horizontally to create an arch</p></li><li><p><strong>Tholos</strong> — round structure with circular wall and domed ceiling/roof; tombs for Mycenaens</p></li><li><p><strong>Dromos </strong>— a long, narrow corridor or passageway that leads to the entrance of a tomb or monumental structure</p></li></ul><p></p>
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Temple of Hera II

Paestum | mid 5th Cent. BCE

  • doric order (no bases)

  • trabiated

  • anthropocentric — would be able to see sacrifices and athletic events at the same time bc of the gaps in the temples between the columns); communal architecture, focus on humans

  • house ‘cult image’ of Greek God

<p><strong>Paestum</strong> | <strong>mid 5th Cent. BCE</strong></p><ul><li><p><strong>doric order</strong> (no bases)</p></li><li><p><strong>trabiated</strong></p></li><li><p><strong>anthropocentric</strong> — would be able to see sacrifices and athletic events at the same time bc of the gaps in the temples between the columns); communal architecture, focus on humans</p></li><li><p><strong>house ‘cult image’ </strong>of Greek God</p></li></ul><p></p>
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Athenian Acropolis

  • greek architecture inspo — external emphasis, trabiated

  • theater

  • greek / classical order (eg. ionic…)

<ul><li><p>greek architecture inspo — external emphasis, trabiated</p></li><li><p>theater</p></li><li><p>greek / classical order (eg. ionic…)</p></li></ul><p></p>
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Parthenon

  • 447-438 BCE | Architect Iktinus | Sculpture by Phideas Erechtheion, 421-405 BCE Caryatid porch

    • Caryatids — a stone carving of a draped female figure, used as a column to support the entablature of a Greek / Greek-style building.

<ul><li><p><strong>447-438 BCE</strong> | Architect <strong>Iktinus</strong> | Sculpture by <strong>Phideas Erechtheion</strong>, <strong>421-405 BCE </strong>— <strong>Caryatid porch</strong></p><ul><li><p><strong>Caryatids</strong> — a stone carving of a&nbsp;draped&nbsp;female figure, used as a&nbsp;column to support the&nbsp;entablature&nbsp;of a Greek / Greek-style building.</p></li></ul></li></ul><p></p>
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Erectheion

@ Athenian Acropolis, 421-405 BCE

  • Ionic-style temple

<p><strong>@ Athenian Acropolis, 421-405 BCE</strong></p><ul><li><p>Ionic-style temple</p></li></ul><p></p>
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Temple of Apollo Epicurius

Bassae, 429-400 BCE | Architect: Iktinus

  • Corinthian order with acanthus capital in the middle, ionic order columns on the sides

  • communal architecture

<p><strong>Bassae</strong>, <strong>429-400 BCE </strong>| Architect: <strong>Iktinus</strong></p><ul><li><p><strong>Corinthian order </strong>with acanthus capital in the middle, ionic order columns on the sides</p></li><li><p>communal architecture</p></li></ul><p></p>
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Choragic Monument of Lysicrates

Athens, 334 BCE

  • Corinthian order with ionic frieze, architrave

<p><strong>Athens, 334 BCE</strong></p><ul><li><p><strong>Corinthian order</strong> with <strong>ionic frieze, architrave</strong></p></li></ul><p></p>
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Mausoleum of Halicarnassus

350 BCE | Architect: Pythius

  • built for Mausolus and wife/sister Artemisia

  • royal architecture

<p><strong>350 BCE </strong>| Architect: <strong>Pythius</strong></p><ul><li><p> built for <strong>Mausolus and wife/sister Artemisia</strong></p></li><li><p><strong>royal architecture</strong></p></li></ul><p></p>
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Bouleuterion

Miletus, c. 170 BCE

  • engaged columns

<p><strong>Miletus</strong>, c. <strong>170 BCE</strong></p><ul><li><p><strong>engaged columns</strong></p></li></ul><p></p>
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Priene

near Miletus, 300-400 BCE

  • orthogonal town plan (grid-like)

<p>near <strong>Miletus</strong>, <strong>300-400 BCE</strong></p><ul><li><p><strong>orthogonal town plan (grid-like)</strong></p></li></ul><p></p>
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Theater at Epidaurus

c.300 BCE | Architect: Polykleitos

  • compare to roman theaters of pompey and marcellus

    • epidaurus uses natural disposition of landscape

    • made of stone, no concrete; using materials from surrounding environ.

<p>c.<strong>300 BCE | </strong>Architect:<strong> Polykleitos</strong></p><ul><li><p>compare to <strong>roman</strong> <strong>theaters&nbsp;of pompey and marcellus</strong></p><ul><li><p>epidaurus uses <strong>natural disposition of landscape</strong></p></li><li><p>made of <strong>stone</strong>, <strong>no concrete</strong>; using materials from surrounding environ.</p></li></ul></li></ul><p></p>
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Acropolis of Pergamon

Asia Minor, mid-3rd-mid 2nd Cent. BCE

  • developed by King Attalus and later on

    King Eumenes II

  • King Eumenes II built Altar of Zeus in honor of his father Altar of Zeus (now in Pergamon Museum, Berlin), c. 170 BCE

<p><strong>Asia Minor</strong>, <strong>mid-3rd-mid 2nd Cent. BCE </strong></p><ul><li><p>developed by <strong>King Attalus</strong> and later on</p><p><strong>King Eumenes II</strong></p></li><li><p>King Eumenes II built <strong>Altar of Zeus </strong>in honor of his father <strong>Altar of Zeus</strong> (now in Pergamon Museum, Berlin), c. 170 BCE</p></li></ul><p></p>
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Altar of Zeus

Asia Minor, c. 170 BCE

  • King Eumenes II built Altar of Zeus in honor of his father Altar of Zeus (now in Pergamon Museum, Berlin)

<p><strong>Asia Minor, c. 170 BCE</strong></p><ul><li><p><strong>King Eumenes II</strong> built <strong>Altar of Zeus </strong>in honor of his father <strong>Altar of Zeus</strong> (now in Pergamon Museum, Berlin)</p></li></ul><p></p>
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Stoa (roofed colonnade) of Attalos II

Agora, mid 2nd Cent. BCE

  • 2 orders (doric and ionic) used in 1 building (relaxing of Classical rules)

<p><strong>Agora, mid 2nd Cent. BCE</strong></p><ul><li><p><strong>2 orders</strong> (<strong>doric</strong> and <strong>ionic</strong>) used in 1 building (relaxing of Classical rules)</p></li></ul><p></p>
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Temple of Fortuna Virilis/Portunus on Forum Boarium

Rome, early 1st Cent. BCE

  • Ionic order

  • engaged columns on side but free-standing columns @ front (front-emphasis in roman architecture)

  • elevated on high podium

<p><strong>Rome, early 1st Cent. BCE</strong></p><ul><li><p><strong>Ionic order</strong></p></li><li><p><strong>engaged columns</strong> on side but<strong> free-standing columns</strong> @ front (<strong>front-emphasis</strong> in roman architecture)</p></li><li><p><strong>elevated</strong> on high <strong>podium</strong> </p></li></ul><p></p>
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Round "Temple of Vesta" on Forum Boarium

Rome, late 2nd Cent. BCE

<p><strong>Rome, late 2nd Cent. BCE</strong></p>
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Porticus Aemilia

ca. 179 BCE

<p><strong>ca. 179 BCE</strong></p>
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Pont du Gard (Aqueduct)

Nimes, France | late 1st Cent. BCE

  • arcuated; barrel vault

<p><strong>Nimes, France | late 1st Cent. BCE</strong></p><ul><li><p>arcuated; barrel vault</p></li></ul><p></p>
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Aqueduct of Segovia

Segovia, Spain | 1st / early 2nd Cent. BCE

  • arcuated; barrel vault

<p><strong>Segovia, Spain </strong>| <strong>1st / early 2nd Cent. BCE</strong></p><ul><li><p>arcuated; barrel vault</p></li></ul><p></p>
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Sanctuary of Fortuna Primigenia (roman goddess Fortuna; god of luck and fate)

Praeneste (modern Palestrina, Italy), possibly late 2nd Cent BCE

  • pilgrimage site — travel there to increase chances of getting what you want

  • oracle @ top (like a psychic)

  • built to last (bombed and still remained)

  • hemicycle / exedra — semicircle

  • v. symmetrical (axiality of roman archi)

  • tholos @ top (round building w/ domed roof)

  • arcuated architecture made w/ concrete BUT w/ greek skin (marble plaster painted, tholos, theatre temple, columns there for deco. bc arches/vaults supporting everything)

  • egyptomania — has mosaic of the Nile

<p><strong>Praeneste (modern Palestrina, Italy), possibly late 2nd Cent BCE</strong></p><ul><li><p><strong>pilgrimage</strong> site — travel there to increase chances of getting what you want</p></li><li><p>oracle @ top (like a psychic)</p></li><li><p>built to last (bombed and still remained)</p></li><li><p><strong>hemicycle / exedra </strong>— semicircle</p></li><li><p>v. <strong>symmetrical</strong> (axiality of roman archi)</p></li><li><p><strong>tholos</strong> @ top (round building w/ domed roof)</p></li><li><p><strong>arcuated architecture</strong> made w/ concrete BUT w/ <strong>greek skin</strong> (marble plaster painted, tholos, theatre temple, columns there for deco. bc arches/vaults supporting everything)</p></li><li><p>egyptomania — has mosaic of the Nile</p></li></ul><p></p>
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Theaters of Pompey and Marcellus

both @ Rome, Pompey — 55 BCE, Marcellus — 13-11 BCE

  • Pompey — roman general

    • built 1st monumental marble theater after victory

    • @ middle of the city (controversial) → added a temple

    • engaged columns

    • peristyle courtyard — open courtyard surrounded by columns

  • compare to Greek theater of Epidaurus

    • made of concrete

    • arcuated (uses arches and vaults)

    • self-supporting built on flat ground

<p>both @ <strong>Rome, Pompey — 55 BCE, Marcellus — 13-11 BCE</strong></p><ul><li><p>Pompey — roman general</p><ul><li><p>built 1st monumental marble theater after victory</p></li><li><p>@ middle of the city (controversial) → added a temple</p></li><li><p><strong>engaged</strong> columns</p></li><li><p><strong>peristyle</strong> courtyard — open courtyard surrounded by columns</p></li></ul></li><li><p>compare to <strong>Greek theater of Epidaurus</strong></p><ul><li><p>made of <strong>concrete</strong></p></li><li><p><strong>arcuated</strong> (uses arches and vaults)</p></li><li><p>self-supporting built on flat ground</p></li></ul></li></ul><p></p>
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Forum of Augustus

Rome, Italy | 2 CE

  • Temple of Mars Ultor (Mars the Avenger)

    • Greek order Corinthian w/ entablature, pediment, cornice w/ free-standing statues inside

    • collonades ; trabiated, v. conservative (Augustus bringing “golden age” by bringing back old trad. values)

    • combi. w/ roman features (raised podium, frontal emphasis, axiality/symmetry)

  • hemicycle

  • fountains (w/ perfume to make forum smell nicer)

  • statues along collonades and hemicycles (Juli, Augustus, Fortuna, Venus, etc.

    • *Caesar’s statue is naked = divinized

  • equestrian status of Augustus

<p><strong>Rome, Italy | 2 CE</strong></p><ul><li><p><strong>Temple of Mars Ultor (Mars the Avenger)</strong></p><ul><li><p><strong>Greek order </strong>— <strong>Corinthian</strong> w/ entablature, pediment, cornice w/ free-standing statues inside</p></li><li><p><strong>collonades ; trabiated, </strong>v. conservative (Augustus bringing “golden age” by bringing back old trad. values)</p></li><li><p>combi. w/ roman features (<strong>raised podium, frontal emphasis, axiality/symmetry</strong>)</p></li></ul></li><li><p><strong>hemicycle</strong></p></li><li><p>fountains (w/ perfume to make forum smell nicer)</p></li><li><p>statues along collonades and hemicycles (Juli, Augustus, Fortuna, Venus, etc. </p><ul><li><p>*Caesar’s statue is naked = divinized</p></li></ul></li><li><p>equestrian status of Augustus</p></li></ul><p></p>
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Roman Forum

  • Basilica Julia

    • rebuilt and named after Julius Caesar

    • rectangular-shaped building filled w/ columns

    • central aisle (knave) is wider

    • secular — law court, stock exchange, place to do impt. business

  • Basilica Aemilia

    • also rebuilt by Caesar

    • filled w/ diff color marble

    • marble columns — Corinthian order 

    • knave is wider

      • roof of knave is higher than @ side aisles — clerestory windows

<ul><li><p>Basilica Julia </p><ul><li><p>rebuilt and named after Julius Caesar</p></li></ul><ul><li><p>rectangular-shaped building filled w/ columns</p></li><li><p>central aisle (knave) is wider</p></li><li><p>secular — law court, stock exchange, place to do impt. business</p></li></ul></li><li><p>Basilica Aemilia</p><ul><li><p>also rebuilt by Caesar</p></li><li><p>filled w/ diff color marble</p></li><li><p>marble columns — Corinthian order&nbsp;</p></li><li><p>knave is wider</p><ul><li><p>roof of knave is higher than @ side aisles — clerestory windows</p></li></ul></li></ul></li></ul><p></p>
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Arch of Titus

@ Roman Forum, after 81 CE

  • triumphant arch — commemorate divinized Titus; victory of roman armies vs jews in judaea revolting against roman rule (oh..!)

  • composite capital engaged columns w/ Ionic volutes featuring Corinthian leaves; Ionic / Corinthian entablature)

  • victory figs holding military standards (poles with insignia) @ entrance of arch

  • coffers in vault

<p><strong>@ Roman Forum, after 81 CE</strong></p><ul><li><p><strong>triumphant arch </strong>— commemorate divinized Titus; victory of roman armies vs jews in judaea revolting against roman rule (oh..!)</p></li></ul><ul><li><p><strong>composite capital </strong>— <strong>engaged</strong> columns w/ <strong>Ionic</strong> volutes featuring <strong>Corinthian</strong> leaves; Ionic / Corinthian entablature)</p></li><li><p>victory figs holding military standards (poles with insignia) @ entrance of arch</p></li><li><p>coffers in vault</p></li></ul><p></p>
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Arch of Tiberius

Orange, France | 26 CE

  • triumphant arch — celebrate victory over recovering roman standards

  • reliefs (has more sculptures than usual for romans)

  • 3 arches

  • Corinthian engaged columns

  • rome’s arcuated construction + greek order and proportions

<p><strong>Orange, France | 26 CE</strong></p><ul><li><p><strong>triumphant arch</strong> — celebrate victory over recovering roman standards</p></li><li><p>reliefs (has more sculptures than usual for romans)</p></li><li><p><strong>3 arches</strong></p></li><li><p><strong>Corinthian engaged columns</strong></p></li><li><p>rome’s arcuated construction + greek order and proportions</p></li></ul><p></p>
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Forum of Trajan

Rome, Italy | 113 CE | Architect: Apollodorus of Damascus (from Greek East)

  • much larger than other forums

  • incorporated hemicycles like in other forums

  • Basilica Ulpia

    • rectangle-shaped

    • coffers

    • 2 storey colonnade

    • clerestory windows

    • hemicycle

  • Trajan’s column — commemorates Trajan’s military victory in Dacian wars

<p><strong>Rome, Italy | 113 CE | </strong>Architect<strong>: Apollodorus of Damascus </strong>(from Greek East)</p><ul><li><p>much larger than other forums</p></li><li><p>incorporated hemicycles like in other forums</p></li><li><p><strong>Basilica Ulpia</strong></p><ul><li><p>rectangle-shaped</p></li><li><p>coffers</p></li><li><p>2 storey colonnade</p></li><li><p>clerestory windows</p></li><li><p>hemicycle</p></li></ul></li><li><p><strong>Trajan’s column</strong> — commemorates Trajan’s military victory in Dacian wars</p></li></ul><p></p>
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House of the Vettii

Pompeii, early 1st Cent. AD

  • atrium — central pt w/ opening in roof to collect water

  • peristyle (row of columns that goes all the way around) garden — filled w/ historical subjects

  • tryphe” — Hellenistic luxury; luxurious looking wall paintings in house give illusion of being lavish

<p><strong>Pompeii, early 1st Cent. AD</strong></p><ul><li><p><strong>atrium</strong> — central pt w/ opening in roof to collect water</p></li><li><p><strong>peristyle</strong> (row of columns that goes all the way around) <strong>garden</strong> — filled w/ historical subjects</p></li><li><p>“<strong>tryphe</strong>” — Hellenistic luxury; luxurious looking wall paintings in house give illusion of being lavish</p></li></ul><p></p>
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Emperor Nero's Domus Aurea (Golden House)

Rome, 64-68 CE | Architects: Severus and Celer

  • used pozzuolana (natural volcanic hydraulic cement found near Bay of Naples) to build maritime villa in the middle of the damn city

    • usually used for underwater construction; ancient roman concrete → Nero exploring using it in big, grand building

  • overhead lighting through oculus (circular opening in dome)

  • emphasis on interior space (roman)

    • wall paintings

    • marble

  • big ass statue of Nero (20x bigger than life)

<p><strong>Rome, 64-68 CE | </strong>Architects<strong>: Severus and Celer</strong></p><ul><li><p>used <strong>pozzuolana</strong> (natural volcanic hydraulic cement found near Bay of Naples) to build maritime villa in the middle of the damn city</p><ul><li><p>usually used for underwater construction; ancient roman concrete → Nero exploring using it in big, grand building</p></li></ul></li></ul><ul><li><p><strong>overhead lighting through oculus</strong> (circular opening in dome)</p></li><li><p>emphasis on interior space (roman)</p><ul><li><p>wall paintings</p></li><li><p>marble</p></li></ul></li><li><p>big ass statue of Nero (20x bigger than life)</p></li></ul><p></p>
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Flavian Amphitheater (Colosseum)

Rome, 70-80 AD

  • Emperor Vespasian tore down Golden House and replaced with Flavian Amphiteater lol (bc he’s for the ppl)

  • roman w/ greek skin

    • arcuated construction

    • made w/ marble

<p><strong>Rome, 70-80 AD</strong></p><ul><li><p>Emperor Vespasian tore down Golden House and replaced with Flavian Amphiteater lol (bc he’s for the ppl)</p></li><li><p>roman w/ greek skin</p><ul><li><p>arcuated construction</p></li><li><p>made w/ marble</p></li></ul></li></ul><p></p>
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Trajan's Market

@ Forum of Trajan, Rome | AD 100-112

  • by the side of one of the hemicycles of Forum of Trajan

  • multi-storey buildings; shopping mall

<p><strong>@ Forum of Trajan, Rome | </strong><span style="background-color: transparent;"><strong>AD 100-112</strong></span></p><ul><li><p>by the <strong>side of one of the hemicycles</strong> of Forum of Trajan</p></li><li><p>multi-storey buildings; shopping mall</p></li></ul><p></p>
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Hadrian's Villa at Tivoli (not in exam ? i think)

Tivoli, Italy | AD 120

  • canopus 

    • has free-standing columns w/ arches on top as a ‘joke’ catering to ppl who know architecture well

    • end of canopus — pumpkin vaults

  • dining hall

  • baths

  • maritime theatre

<p><strong>Tivoli, Italy | AD 120</strong></p><ul><li><p>canopus&nbsp;</p><ul><li><p>has free-standing columns w/ arches on top as a&nbsp;‘joke’ catering to ppl who know architecture well</p></li><li><p>end of canopus — pumpkin vaults</p></li></ul></li><li><p>dining hall</p></li><li><p>baths</p></li><li><p>maritime theatre</p></li></ul><p></p>
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Pantheon 

Rome, Italy | 118-128 AD | built by Emperor Hadrian

  • marble Corinthian capitals, granite columns

  • element of surprise — going from columns @ entrance → giant dome w/ interior emphasis

  • oculus (circular opening) @ roof of dome

  • built on travertine base; materials get lighter as we go up

<p><strong>Rome, Italy | 118-128 AD | built by Emperor Hadrian</strong></p><ul><li><p><strong>marble Corinthian capitals, granite columns</strong></p></li></ul><ul><li><p>element of surprise — going from columns @ entrance → giant dome w/ interior emphasis</p></li><li><p><strong>oculus</strong> (circular opening) @ roof of dome</p></li><li><p>built on travertine base; materials get lighter as we go up</p></li></ul><p></p>
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Baths of Caracalla 

Rome, AD 216-216

  • brick and concrete

  • has shopping area, place to exercise (NAKED!!!)

<p><strong>Rome, AD 216-216</strong></p><ul><li><p>brick and concrete</p></li><li><p>has shopping area, place to exercise (NAKED!!!)</p></li></ul><p></p>
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Baths of Diocletian

Rome, 298-306 CE

  • roman features

    • axiality / symmetry

    • interior emphasis

    • hemicycle / exedra

  • place for cultivated entertainment and exercise (shops, refreshments, concert hall etc.)

  • caldarium, frigidarium, temperatureum (pools of varying temps.)

  • groin vaults, windows act as vents (clerestory windows)

  • columns made of monolithic granite from Egypt

  • coffers pattern on ceilings; covered w/ plaster and stucco

<p><strong>Rome, 298-306 CE</strong></p><ul><li><p>roman features</p><ul><li><p>axiality / symmetry</p></li><li><p>interior emphasis</p></li><li><p>hemicycle / exedra</p></li></ul></li><li><p>place for cultivated entertainment and exercise (shops, refreshments, concert hall etc.)</p></li><li><p>caldarium, frigidarium, temperatureum (pools of varying temps.)</p></li><li><p>groin vaults, windows act as vents (clerestory windows)</p></li><li><p>columns made of monolithic granite from Egypt</p></li><li><p>coffers pattern on ceilings; covered w/ plaster and stucco</p></li></ul><p></p>
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Dioceltian's Palace at Split (not in exam 1)

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Basilica of Maxentius (not in exam 1)

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Arch of Constantine (not in exam 1)

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Santa Costanza (not in exam 1)

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Old St. Peter's Basilica (not in exam 1)

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St. Maria Maggiore Basilica (not in exam 1)

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San Vitale (not in exam 1)

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Hagia Sophia (not in exam 1)

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Greek architecture

  • exterior emphasis (mass)

  • trabiated (post and lintel)

  • use natural disposition in landscape

  • greek orders

    • doric

    • ionic

    • corinthian

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Roman architecture

  • interior emphasis (space)

  • arcuated (arch and vault)

  • Etruscan (frontal emphasis, raised on podium) + Hellenistic (orders and proportion) influences

  • masonry combi. w/ concrete

    • use of concrete — triumphing over adversities of nature

  • axiality and symmetry

  • order (trabiated form) applied to arcuated structure

  • ambivalent attitude to Greek culture (lowkey admired it and took inspo but acted like they viewed them as weak, effeminate, frivolous)

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Hellenistic architecture

  • combines a lot of features from Greek and Egyptian architecture

  • communal architecture (temples)

  • mixing of orders — relaxation of canonical use

  • orthagonal town planning — grid like

  • ethos → pathos (sadness that comes from extreme exp; suffering)

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Late classical architecture

  • royal architecture (tombs and palaces) — eg. Parthenon, Mausoleum of Halicarnassus

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Roman town houses and villas

Pompeii

  • Roman town houses (“domus”)

    • eg. @ St of Abundance

      • lined w/ multi-storey buildings (bars, shops, etc.)

      • brick-faced concrete covered w/ plaster and decor

  • Roman villas (aka vacation houses)

    • @ countryside or seaside (maritime)

      • pastoral poetry — vision of life in countryside that wasn’t accurate to reality (villa urbana vs villa rustica)

      • ppl built villas based on these rich ppl views of countryside → roman villas

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  • Civil Wars between Octavian and Ceasar’s enemies, and later between Octavian and Marc Anthony

  • Battle of Actium 31 BCE

  • Octavian become “Imperator” — Emperor Augustus 27 BCE, rules until 14 CE

  • Octavian (Caesar’s great nephew) — forms alliance w/ Marc Anthony post-Caesar assassination

    • start civil wars against enemies

    • Octavian avenges Caesar; kills assassins in 42 BC

  • Octavian and Marc Anthony basically divorce

    • Marc gets tgt w/ CLEOPATRA @ Egypt (who btw had a love affair w/ Caesar)

    • Battle of Actium (31 BCE) → Octavian defeats Marc + Cleopatra; ends civil war

  • Octavian becomes “Imperator” aka Emperor Augustus (27 BCE; rule until 14 CE)

    • Rome becomes monarchy (roman republic → roman empire)

    • builds Forum of Augustus (+ Temple of Mars Ultor)

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Julius Caesar

  • assassinated 44 BCE

  • common ppl loved him for enacting reforms serving their interests (eg. restoring buildings like basilicas @ Roman Forum)

  • but feared and hated by ruling elite / ppl w/ power

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entasis, stylobate, cella (naos) and peripteral colonnades

  • entasis — column diameter widest @ bottom, then taper as it reaches the top; corrects optical illusion of concavity from straight columns

    • anthropocentric view — reflects the weight distribution of how humans would carry weight (heavier @ bottom)

  • stylobate — upper steps to the temple

  • cella (naos) — inner chamber of temple

  • peripteral colonnades — 1 row of columns around naos

<ul><li><p><strong>entasis</strong> — column diameter widest @ bottom, then taper as it reaches the top; corrects optical illusion of concavity from straight columns</p><ul><li><p>anthropocentric view — reflects the weight distribution of how humans would carry weight (heavier @ bottom)</p></li></ul></li><li><p><strong>stylobate</strong> — upper steps to the temple</p></li><li><p><strong>cella (naos) </strong>— inner chamber of temple</p></li><li><p><strong>peripteral colonnades</strong> — 1 row of columns around naos</p></li></ul><p></p>
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dipteral (double; 2 rows of columns around naos) colonnade orders

  • Doric

    • the simplest of the classical Greek architectural styles

      • unadorned columns with no base

      • fluted column shaft

  • Ionic

    • capitals with volutes (spiral scroll-like ornaments)

    • fluted columns, but deeper; meet @ smooth joint (fillet)

    • large base

  • Corinthian

    • Most ornate of the orders

      • a base

      • fluted column shaft

      • capital is elaborate and decorated with acanthus leaf carvings 

<ul><li><p><strong>Doric</strong></p><ul><li><p>the simplest of the classical Greek architectural styles</p><ul><li><p>unadorned columns with no base</p></li><li><p>fluted column shaft</p></li></ul></li></ul></li><li><p><strong>Ionic</strong></p><ul><li><p>capitals with volutes (spiral scroll-like ornaments)</p></li><li><p>fluted columns, but deeper; meet @ smooth joint (fillet)</p></li><li><p>large base</p></li></ul></li><li><p><strong>Corinthian</strong></p><ul><li><p>Most ornate of the orders</p><ul><li><p>a base</p></li><li><p>fluted column shaft</p></li><li><p>capital is elaborate and decorated with acanthus leaf carvings&nbsp;</p></li></ul></li></ul></li></ul><p></p>
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entablatures

  • frieze — made up of triglyphs and metopes

  • architrave — blank part

  • cornice — frame

<ul><li><p><strong>frieze</strong> — made up of triglyphs and metopes</p></li><li><p><strong>architrave</strong> — blank part</p></li><li><p><strong>cornice</strong> — frame</p></li></ul><p></p>
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pediment

  • pediment — triangle that features free standing, over-life-sized marble sculptures; basically a void since there’s no symbolism to them, just happen when built

    • painted/colored (polychrome) — red, blue, yellow

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triglyphs and metope

  • triglyphs — vertical rectangles with grooves in them; kinda filler

  • metope — squares that can be decorated with painting or reliefs (molds in terracotta or carved into limestone / marble)

<ul><li><p><strong>triglyphs</strong> — vertical rectangles with grooves in them; kinda filler</p></li><li><p><strong>metope</strong> — squares that can be decorated with painting or reliefs (molds in terracotta or carved into limestone / marble)</p></li></ul><p></p>
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Hellenistic Civ. after Macedonian conquest of Philip of Macedon and Alexander the Great

  • Philip of Macedon (conquests of Greek world 359-336 BCE)

    • bro wanted to be Greek so bad (he’s actually Macedonian; couldn’t speak Greek)

  • Alexander the Great (died 323 BCE)

    • Philip’s son

      REMEMBER 35(9), 33(6), 32(3) 9 6 3!!

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Battle of Issus

333 BCE

  • battle between Alexander the Great (Macedonians) and Darius III of the Achaemenid Empire (Persians); part of Alexander’s conquest of Asia

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From Polis to Cosmopolis

  • post-Alexander the Great’s death — Classical Greek period (polis) → Hellenistic period (cosmopolis)

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Persian Wars

  • 490 BCE (Battle of Marathon)

  • 480 BCE (Battles of Thermopolae and Salamis)

  • 479 BCE (Battle of Plataea)

    490 marinara — marathon
    480 thermometers and salami — thermopolae and salamis
    479 plates — plataea

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Delian League

Athenian hegemony (dominance of one grp above others) in Greece

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  • Athens

    • Pericles (Strategos)

leader of the Athens

  • there was a democracy tho — council of 500