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Development
the process of process of originating and improving scripted material to serve as a blueprint for a TV pilot, series, or feature film.
Phase 1 of development
formulate concept or premise, develop the idea/characters/how the series will operate. Try to have answers ready for any questions, prepare the “pitch”, set up the pitches at production companies, studios, networks, or streaming services
Phase 2 development
Deliver pilot outline (after notes), approval of the outline by the buyer, write the script and get notes again, submit final script
Phase 3 development
Evaluation by entire team of development executives, if approved goes to upper management, decision to continue or stop series, if upper management does not go forward the possibility of getting the script back and moving the project to another
Developing with or for talent
has a holding deal with the platform/indie studio, attaching them before going out to pitch with or without a script
How much are studios spending on pilots?
less than before
Developing with streaming platform
bigger ideas, more expressive ideas, characters will attract A level talent, written bibles to articulate the arc of the story and characters across all seasons, more reliant on IP, focus is on serialized shows
Serialized shows
takes knowledge of previous episodes to understand the next
Procedural shows
do not need prior knowledge to understand episodes
Single cam examples
the office
Multi cam example
big bang theory
Single lead/talent driven example
Seinfeld
Anthology
every single week the characters and stories are different (Twilight Zone)
Franchise
Medical, Law, Detective; what is the show that drives the story
Mythology
based on legends and worlds
A, B, and C story
the different stories within and episode to fit all the actors in
Voice or point of view
refers to the writer
Legs
means the show will run for a long time
Regulars
actors in a TV series that get paid for every episode even if they are not written in the episode; needs permission to work at other studios
Recurring
shows up in episodes, but not every episode. Gets paid 7 out of 13 episodes even if they are not in all of them; needs permission to work with other studios
What was a big challenge in their career starting out and how did they overcome it?
Realizing while they had a good job it was not their passion; working during hard times, but it will pay off (2008 writers strike)
How do you communicate feedback or take notes as a writer?
give a compliment sandwich, explain the network/studio’s audience, do not make it personal, understand that at some point you should be stepping back (if you are not that means something is wrong)
This is Us and Orange is the New Black
Early on Netflix was creative friendly, execs worried the multiple timelines would be hard to follow, these types of shows led to execs feeling every show needs to have something original and special
Difference between development on streaming vs broadcast
people can pitch to either, episodic and procedural tend to go to broadcast while streaming takes serialized, show falls to where its needed
Tips for pitching as a writer
be willing to revise your idea a thousand times, writers/producers always having to pitch to continue the show, be open to the idea that the thing you are pitching is bad and you need to move on