Fine Art - Quiz 1/Midterm

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54 Terms

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Portrait of Giovanni Arnolfini and His Wife/The Arnolfini Portrait

1434 by Jan van Eyck

<p>1434 by Jan van Eyck</p>
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Lion Gate and Cyclopean Walls

1500-1300BC

<p>1500-1300BC</p>
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polis

city, autonomous city-state; ie Athens, Sparta, Ilion/Troy, Corinth

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minoan-mycenaen

age of palaces

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geometric period

geometric ornament

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archaic period

kore and kouros

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post-and-lintel system

system of construction in which two posts support a lintel

<p>system of construction in which two posts support a lintel</p>
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kouros

archaic statue of a nude young man

<p>archaic statue of a nude young man</p>
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archaic smile

representation of the human mouth with slightly upturned corners, characteristic of early Greek sculpture produced before the fifth century BC

<p>representation of the human mouth with slightly upturned corners, characteristic of early Greek sculpture produced before the fifth century BC</p>
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Kroisos Kouros

c.540-515 BC. Athens

<p>c.540-515 BC. Athens</p>
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the Classical

"relating to ancient Greek or Latin literature, art, or culture"

"representing an exemplary standard"

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<p>classical orders</p>

classical orders

entablature and column

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order

in Classical architecture a style represented by a characteristic design of the column and its entablature

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column

a vertical, weight-carrying architectural member, circular in cross-section and consisting of a base (sometimes omitted), a shaft, and a capital

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<p>entablature</p>

entablature

the part of a building above the columns and below the roof or upper story; the entablature has three parts: architrave, frieze, cornice

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<p>doric order</p>

doric order

no base

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<p>ionic order</p>

ionic order

volutes capital

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<p>corinthian order</p>

corinthian order

acanthus capital

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Parthenon

Building consecrated 438; pediment sculpture 432 by Callicrates, Ictinus, Phidias

<p>Building consecrated 438; pediment sculpture 432 by Callicrates, Ictinus, Phidias</p>
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pediment

a wide, low-pitched gable at the top of the façade of a building; the pediment is formed by the sloping roof and the horizontal cornice

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Doryphoros

Second half of 5th c. BC Roman Copy; after Policlitus

<p>Second half of 5th c. BC Roman Copy; after Policlitus</p>
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contrapposto

... the Italian word used to describe the way in which the different parts of the human body are counterpoised - balanced against each other An ability to represent this natural tendency was seen as part of the artist's skill in recording human anatomy in action, a skill much prized during the Renaissance when interest in anatomy and in the nude increased, especially in Italy

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Grapes of Zexius

"The contemporaries and rivals of Zeuxis were ... and Parrhasius. This last, it is said, entered into a pictorial contest with Zeuxis, who represented some grapes, painted so naturally that the birds flew towards the spot where the picture was exhibited." Pliny: Natural History, B

<p>"The contemporaries and rivals of Zeuxis were ... and Parrhasius. This last, it is said, entered into a pictorial contest with Zeuxis, who represented some grapes, painted so naturally that the birds flew towards the spot where the picture was exhibited." Pliny: Natural History, B</p>
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Capitoline Wolf

c.500 BC or older [she-wolf Etruscan; babies later additions]

<p>c.500 BC or older [she-wolf Etruscan; babies later additions]</p>
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Reconstruction of the Forum Romanum with Capitoline Hill and the Temple of Jupiter Optimus Maximus

image 

<p>image&nbsp;</p>
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engaged column

column attached to or sunken into a wall

<p>column attached to or sunken into a wall</p>
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The Pantheon

118-125. Rome

<p>118-125. Rome</p>
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dome

a hemispheric vault

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coffer

a sunken panel, often ornamental, in a soffit, a vault, or a ceiling

<p>a sunken panel, often ornamental, in a soffit, a vault, or a ceiling</p>
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Augustus of Primaporta

14 AD

<p>14 AD</p>
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Equestrian Monument of Marcus Aurelius

c.180 AD

<p>c.180 AD</p>
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Arch of Titus

81 BC. Forum Romanum

<p>81 BC. Forum Romanum</p>
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Domus Aurea/The Golden House of Nero

years after 64 AD

<p>years after 64 AD</p>
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grotesque

a style of decorative painting consisting of the interweaving of human and animal forms with architecture, flowers and foliage the style originated in ancient Rome and was rediscovered in the early Renaissance

<p>a style of decorative painting consisting of the interweaving of human and animal forms with architecture, flowers and foliage the style originated in ancient Rome and was rediscovered in the early Renaissance</p>
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amphitheatre

a roman conception resembling two Greek theaters put together; the Roman amphitheater features a continuous elliptical cavea around a central arena

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The Flavian Amphitheatre or The Colosseum

c.72-80

<p>c.72-80</p>
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round arch

a semi-circular arch

<p>a semi-circular arch</p>
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aqueduct

an artificial channel for conveying water, typically in the form of a bridge across a valley or other gap

<p>an artificial channel for conveying water, typically in the form of a bridge across a valley or other gap</p>
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christianity

Christianity is today the world's most widespread religion, with more than a billion members, mainly divided between the Roman Catholic, Protestant, and Eastern Orthodox Churches. It originated among the Jewish followers of Jesus of Nazareth, who believed that he was the promised Messiah (or ‘Christ’), but the Christian Church soon became an independent organization, largely through the missionary efforts of St Paul.

Most Christians believe in one God in three Persons (the Father, the Son, and the Holy Spirit) and that Jesus is the Son of God who rose from the dead after being crucified; a Christian hopes to attain eternal life after death through faith in Jesus Christ and tries to live by his teachings as recorded in the New Testament.

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catacombs

an underground cemetery consisting of a subterranean gallery with recesses for tombs, as constructed by the ancient Romans

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basilica

a rectangular building plan consisting of a nave terminating in an apse, with aisles on one or more sides separated from the nave by a screen of columns; the central nave is often higher than the side aisles, allowing for the insertion of windows known as clerestory windows

building type with its origins in the large public meeting halls and law courts of Republican and Imperial Rome; later adopted for the earliest Christian churches

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what are the parts of a basilica?

rectangular

nave

aisles

apse

screen of columns

clerestory windows 

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block capital

simple cube-like capital with bottom corners tapered

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who were the 4 evangelists and their symbol

matthew = human/child/angel

mark = lion

luke  = ox

john = eagle

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characteristics of romanesque architecture

monumental, heavy/massive, clear structure

round arch, columns with block/historiated capitals, stepped portals, floral and geometric ornament,

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what were innotvative of the speyer?

stone vault, groin vault

<p>stone vault, groin vault </p>
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whats a crypt

underground chamber for relics or tombs

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what are decorated capitals

has decorations, lots of detail

<p>has decorations, lots of detail</p>
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historiated or figured capital

a capital which is decorated with figures of animals, birds, or humans, used either alone or combined with foliage

the figures need not have any meaning, although they may be symbolic or part of a narrative sequence; historiated capitals were most commonly used in the Romanesque from the late eleventh to mid-twelfth centuries

<p>a capital which is decorated with figures of animals, birds, or humans, used either alone or combined with foliage</p><p>the figures need not have any meaning, although they may be symbolic or part of a narrative sequence; historiated capitals were most commonly used in the Romanesque from the late eleventh to mid-twelfth centuries</p>
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portal

entrance/threshold, separates the real.ordinary world from the sacred world 

<p>entrance/threshold, separates the real.ordinary world from the sacred world&nbsp;</p>
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parts of a portal

archivolts

tympanum

lintel

trumeau

jambs

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hierarchical perspective

a technique in which the artist uses unnatural proportions or scale to depict the relative importance of the figures in the artwork

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