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Seneca’s characters in his plays ‘are not so much human beings as simplified exponents of
anger, jealousy, cruelty, fear, pride, and the no less dangerous love…’ – F H Sandbach
in his plays he ‘piles on the agony’ to
create ‘an atmosphere of horror’ – F H Sandbach
‘The largely optimistic depiction of the passions as something readily curable, in Seneca’s prose philosophical works
contrasts sharply with how he represents violent emotion in the tragedies.’ – Emily Wilson
‘The tragedies show us what happens to people who fail to control their passions: they are stoic morality plays depicting the
downfall of non-Stoics who become overwhelmed by anger, lust and fear.’ – Emily Wilson
Seneca ‘uses the tragic stage to play out the other side of the story, to imagine exactly what happens, in gory detail,
when all-powerful rulers operate without any thought for mercy towards their inferiors.’ – Emily Wilson
‘Perhaps Seneca’s devastating depiction of children’s deaths in tragedy was a way of dealing with some of the guilt he felt
at having helped to cover up the murder of young Britannicus.’ - Emily Wilson
‘the emotional toll borne by those who, through their own
bad choices, destroy their own lives’ - Emily Wilson
‘his tragic depictions of
ambition and revenge’ – Emily Wilson
Seneca’s Thyestes offers a ‘sadistic theatre of cruelty
evocative of Caligula’s reign.’ - Emily Wilson
‘the brilliant and
terrifying’ Thyestes – Emily Wilson
In Thyestes ‘desire is utterly destructive
and utterly inescapable’ – Emily Wilson
‘If the weak-willed, greedy, pompous Thyestes is one side of an unflattering self-portrait by Seneca, then
Atreus, the monstrous artist, driven by ambition and an insatiable lust for power, is another. – Emily Wilson
‘Besides the emperor’s Atreus-like cruelties, Seneca sees himself
as nothing but a Thyestes, or an attendant.’ – Emily Wilson