1/3
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1.1
opening?
motive?
next?
othello?
exits?
ending?
in medias res - iago and roderigo argument
cassio promoted over iago - introducing iago as machiavellian tragic villain
plan to wake brabantio - tell him about desdemona and othello
not named and dehumanised - extended animalistic metaphors
brabantio leaves to check desdemona is gone - iago leaves knowing he cant be caught speaking against othello
brabantio re-enters - initial mention of witchcraft/magic
1.2
opening?
othello?
cassio?
fight?
ending?
iago and othello enter - iago warning about brabantio
calm and confident
cassio enters - othello summoned by the duke - iago tells cassio about the marriage
brabantio enters with roderigo and officers - othello tells them not to fight
brabantio accuses othello of magic/witchcraft - will go to the duke
1.3 (part 1)
war?
brabantio?
othello?
desdemona?
duke?
moving?
foreshadowing?
turkish fleet heading to cyprus
brabantio complains to the duke
othello remains respectful - asks to send for desdemona to speak for herself - was invited to brabantio’s house where he told desdemona his story
desdemona enters - feels she has a divided duty but favours othello
duke moves back to war matters - asks othello to go to cyprus
suggested that desdemona stay at home/with brabantio - she asks to go to cyprus
brabantio suggests that desdemona might one day deceive othello too
1.3 (part 2)
roderigo?
soliloquy?
roderigo suggests killing himself - iago long speech - should give him more money to woo desdemona
second part of iago’s motive - suspects othello of sleeping with emilia - hypersexualised racialised stereotype - forms plan to frame cassio and desdemona