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When was the Emerging Era
1960-67
Characteristics of the Emerging Era
Opening and Closing Credits, Source Music, Transitions, Montages, Landscape panoramas, scenes of movement or action
Characteristics of Emerging Era Music
A mix of serious and lighthearted moments, frank treatment of sexuality, and creative narratives and images
Music in the New Era
Creates general moods,use smaller ensembles to save money
The Graduate
Shows off the talents of Simon and Garfunkel as they were main soundtrack, Other music provided by Dave Grusin and is diegetic coming from a stereo and other sources
When were the Crisis Years
1968-72
When was a new rating system introduced
November 1st 1968
G
General Audiences
M
Mature Audiences
R
Restricted Audiences Nobody under 17 without guidance
X
Films nobody under 17 could see
When did PG-13 replace M
1984
When did NC-17 replace X
1990
When did The Shining release
1980
When did A Clockwork Orange release
1971
When did Full Metal Jacket release
1987
When did Eyes Wide Shut release
1999
When did 2001: A Space Odyssey release
1968
What is Space Odyssey based on
The Sentinel by Arthur Clarke
Who was originally composing Space Odyssey
Alex North
Who did Kubrick take music from
Richard Strauss, Johann Strauss Jr, and Gyorgy Ligeti
What Richard Strauss piece did Kubrick use
Also Sprach Zarathustra
What Johann Strauss Jr. piece did Kubrick use
Blue Danube Waltz
What Gyorgy Ligeti pieces did Kubrick use
Atmospheres, Lux Aeterna, Requiem
When did The Godfather release
1972
Who wrote the original The Godfather
Mario Puzo
Who Scored The Godfather
Nino Rota and Carmine Coppola
When was John Williams born
1932
How long has John Williams been in Hollywood
over 30 yeas
What did John Williams first start scoring
Disaster movies
What was John WIlliams first big Score
Poseidon Adventure
When did Poseiden Adventure release
1972
What style did Williams encompass
Avant-garde and minimalism
Who did Spielberg reccomend Williams to in 1974
George Lucas
What did Williams score in 1977
Star Wars
How many Oscar nominations does John Williams have
40
How many Oscars does John Williams have
5
Some films John WIlliams Scored
Jaws (1975) Star Wars (1977) Superman (1978) The Empire Strikes Back (1980) Raiders of the Lost Ark (1981) Home Alone (1990) Hook (1991) Schindler’s List (1993) Jurassic Park (1993) Saving Private Ryan (1998) Harry Potter Sorcerer’s Stone (2001) Attack of the Clones (2002)
When was the Postmodern era
1977-1984
What were characteristics of postmodernism
Dismissal of the need for change and originality, embracing of all artistic styles including popular arts, recognizing the importance of emotional appeal was linked with Neo-Romanticism-humor. The idea of Superheros that triumph over evil
What makes Star Wars accessible
The reinvention and combination of several different genres including western, medieval, action, romance, martial arts and romantic comedy
Why did studios depend on sequels
If the original film succeeds it can make money, but if the novelty runs out it can be a ris to put into production
What xomposers music was used in Kramer vs. Kramer (1979)
Vivaldi and Purcell
What composer’s music was used in Amadeus
Mozart
What decades did hollywood use past music in films
the 1970s and 80s
What periods were inspirations for hollywood
Baroque and Classical
What kinds of music were used to achieve a film’s aesthetic
romantic and avant garde
What 20th century avant-garde works were borrowed in the Exorcist (1973)
Kryxtof Penderecki’s Strign Quartet No 1 (1960) Polymorphioia (1961) Kanon for Orchestra and Tape (1962) The Devils of Loudun (1968), George Crumb’s Black Angels (1970), Anton Webern’s Five Pieces for Orchestra (1911-13)
How is music used in the Exorcist
The pieces aren’t entirely quoted rather excerpts are used to accompany movement, dialogue and advance the images seen on screen
What does The Shining’s score consist of
avant garde excerpts and original music by Wendy Carlos made on a synthesizer, this was also used in A Clockwork Orange (1971)
Who selected the rep for The Shining
Kubrick
Who was the Music Editor for The Shining
Gordon Stainforth
Where was the music for The Shining borrowed from
the 20th century, Bartok’s Music for Strings, Percussion and Celesta (1936), Ligeti’s Lontano (1967) Pendericki’s De Natura Sonoris No. 1 Polymorphia, Utrenja and Kanon
What kind of music was Hollywood using 1990
Symphonic scores
What kind of films were an untapped resource
Animation
What movie debuted in 1989 and changed Hollywood
The Little Mermaid
What were characteristics of the Disney formula
Fairy-tale love storyu, strong female protagonist, comic sidekicks for antag and protag, well known actors, and engaging songs
who is responsible for Disney’s 2nd renaissance
Alan Menken
Some of Alan Menken’s scored films
Beauty and the Beast (1991) Aladin (1992), Pocahontas (1995), The Hunchback of Notre Dame (1996) Hercules (1997), Enchanted (2007) and Tangeled (2010)
What did Hanz Zimmer start as
A rock musician in London
What score gave Hanz Zimmer attention
RainMan (1988)
What are some films that Hanz Zimmer scored
Driving Miss Daisy (1989), The Lion King (1994), Gladiator (2000), Pearl Harbor (2001) The Da Vinci Code (2006), The Dark Knight (2008) and Inception (2010)
Who scored The Lion King (1994)
Hanz Zimmer with Elton John
What song from Lion King wond Oscar for best original song
Can You Feel the Love Tonight
What award did Hanz Zimmer win for his Lion King score
Best Score/Soundtrack
Who directed The Lord of the Rings
Peter Jackson
Who wrote The Lord of the Rings
J.R.R Tolkien
What does the story of LOTR resemble
Wagner’s Der Ring des Nibelungen, 19th century romantic opera
Who scored LOTR
Howard Shore
Where did Shore get his start in music
As Musical director for SNL in the 70’s, his score in Tom Hank’s big included a jazz improv of Heart and Soul
How any oscars did Howard Shore win
3 1 for Fellowship and 2 for Return of the King
What does Fellowship of the Ring’s score mirror
John Williams Starwars scores
What differentiates Shore and Williams
shore’s use of voices in solos and choirs
What are Shore’s choral cues reminiscient of
Carl Orff’s Carmina Burana