JPN 103 - Midterm

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Last updated 2:55 AM on 4/30/26
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43 Terms

1
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Meiji Period (1868-1912)

  • meiji restoration

    • tokugawa shogunate overthrown, power was restored to emperor meiji, capital moved from kyoto to edo

    • renamed edo to tokyo

  • abolition of feudalism

    • 4-class system abolished; dismantled samurai privileges, domains replaced with prefectural system to unify country

  • military reform

    • new western-style national army and navy established, replaced samurai class with conscription

  • meiji constitution

    • established constitutional government w/ diet

    • emperor held supreme command and ultimate authority

  • imperial expansion

    • first sino-japanese war, 1894-95

    • russo-japanese war, 1904-05

    • established global power by winning the wars

  • international recognition

    • revised ā€˜unequal treaties’ signed earlier w/ western powers and annexed korea

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Taisho Period (1912-26)

  • rise of democracy, different political viewpoints

  • cosmopolitan culture

  • mass culture and media

  • from ā€˜civilization’ to ā€˜culture’

  • great kanto earthquake, 1923

  • pure literature vs. popular literature

    • emergence of literature for different groups and audiences

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Showa Period (1926-89)

  • encompasses prewar, wartime and postwar periods

  • emperor hirohito

  • huge changes in japanese history

  • 1920s-30s rise of miitarism

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modernity

  • definitions:

    • the quality or state of being or appearing to be modern

    • the modern era or world and especially the ideas and attitudes

  • examples:

    • in girl watcher: trains, female students, western-style clothes

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ā€œCivilization and Enlightenmentā€

  • in the meiji period

  • movement in meiji jp aimed at modernizing through westernization

  • transformed life through industrialization, adoption of western customs and political reform

    • creating ā€œrich country, strong militaryā€ to resist western colonization

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ā€œBetter the self, rise in the worldā€

  • to improve oneself in order to help the nation look better

    • improving mind and body

    • going to another country to study and coming back to native country to use learnings to improve it

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unification of spoken and written language

  • genbun itchi

  • early 19th-20th century movement in meiji era that replaced classical, formal writing w/ vernacular style based on colloquial speech

  • aimed to increase literacy and modernize jp by standardizing written jpn (fostering national unity)

    • make literacy more accessible to the public and not just the elite

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triumph of good, punishment of evil

  • traditionally represented through buddhist and shinto deities, such as cultural narratives where moral righteousness prevails

  • painting accountability in stories and illustrations

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Miyake Kaho (1868-1944)

  • first woman commercial writer → didn’t need money made from her published writings, but used it for her brother’s family

    • first woman to make money from it

  • came from aristocratic family

  • questioned whether the west or japan was the best in her stories

  • wrote ā€œWarbler in the Groveā€ (1888)

  • privileged

    • had connections and was able to get stories published

  • friend of higuchi ichiyo (1872-96)

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ā€œWarbler in the Groveā€

  • published in 1888

  • edited by tsubouchi shoyo, leading male writer of that day

    • translated shakespeare

  • strong influence of tsubouchi or shakespeare’s writing

    • character-type driven

    • clear good or bad characters

    • trying to be more odern

    • good prevails, evil is punished

      • common pre-meiji era trope; some chn literary traditions where there tends to be punishment to evil

      • moralistic

    • theater style

  • successful because…

    • publishing connections, westernization

    • plot

      • love-triangles, scandals, entertaining love-romance, romantic-love ideology

    • women’s choices

    • moralistic

    • depiction of ā€˜modern’ things, people, ideas, etc.

      • female writers, students; ideal modern female identity in jp; future of the nation

      • different languages

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Mori Ogai (1862-1922)

  • one of the most important writers of meiji jp

  • was an army general surgeon

  • fluent in german

    • studied in germany in 1890

  • wrote ā€œkompiraā€ in 1909

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ā€œKompiraā€

  • written in 1909

  • means the god of the seas and sickness; a shrine in the book

  • main shrine: kotohira shrine in kagawa prefecture in shikoku

  • exploration of the modern man’s condition

  • questions of modernity

  • loosely based on mori ogai’s own experiences of losing an infant son

  • strong belief that ghosts existed

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naturalism

  • literary term coined by emile zola

    • significant influence from french critics and scientific theories

  • 2 forms in jp in early years

    • flat description

    • discussion of sexuality and the ā€˜darker’ or taboo aspects of human exeperiences

  • in jp, later helps development of the i-novel

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i-novel (semi-autobiographical fiction)

  • narrator uses ā€œI'",ā€ referring to themselves in the story

  • semi-autobiographical fashion

    • get a peak into someone’s life and/or history

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Good Wife, Wise Mother

  • ryosai kenbo

  • represented traditional ideal for womanhood in east asia

  • serving the country or husband by being a wife and mother as their roles

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Social Darwinism

  • coined by herbert spencer (1820-1903)

    • used darwin’s ideas, applying it to societies & people

  • ā€œsurvival of the fittestā€ / ā€œnatural selectionā€

    • superior vs. inferior races, nations, etc.

  • in ā€œGirl Watcherā€

    • sugita thinks he’s too old for modernization, too old for the new modern era

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eugenics

  • improvement of the human race

    • sexual desire

    • other ā€˜negative’ factors

  • question of nature vs. nurture

  • influenced political, public health and social movements in jp

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Tayama Katai (1871-1930)

  • wrote ā€œThe Girl Watcherā€ → or actually, ā€œGirl Sicknessā€ in 1907

  • key figure in naturalism

    • helped establish the i-novel genre

    • focused on frank, autobiographical writing

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ā€œThe Girl Watcherā€

  • written in 1907

  • naturalist i-novel

  • middle-aged protagonist, who is a writer and obsession w/ watching young, affluent schoolgirls on trains

  • themes of voyeurism, urban modernization, and psychological decay

  • social darwinism

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Natsume Soseki (1867-1916)

  • 1903 - became a professor of english literature at uni of tokyo

    • extremely high status to be working or studying there

    • writing literature isn’t super high status; questionable artistic crowd

  • quits in 1907 → becomes employee of Asa Shinbun; publishing company

    • hired to write fiction and produced newspapers

  • anti-naturalism

    • not just rely on aspects of own life to write things

      • wanted to use imagination

    • against naturalism b/c it focused on darker taboos

      • didn’t believe that everything should be about sex

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Kokoro

  • written in 1914

  • kokoro → ā€œthe heart of thingsā€ / ā€œspiritā€

  • uses first-person narration

  • character sensei doesn’t trust other people

    • personality changes after close friend, K, passes away

    • mysterious

  • semi-autobiographical fashion

  • idea of love and the topic of it

    • love as modern experience

    • different forms of love between sensei and narrator

      • homo-sensual love

        • homosexual desire → narrator isn’t interested in marrying people, but being close to sensei

      • homosocial bond → sensei allows narrator to get close to him, even though he keeps others at a certain distance

  • idea of modern self and change

    • the meaning of life in the modern world

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first-person narration

  • usage of ā€œi/meā€ pronouns to tell the story

  • through the character’s eyes; showing thoughts and emotions

    • their perspective of the things around them

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third-person narration

  • external narrator, usage of ā€œhe", 'ā€œsheā€, ā€œtheyā€, etc. to tell the story

  • describes settings and events without using a character’s own perspective and thoughts

24
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primogeniture

  • only first born son in the main family line can succeed the household and become the head of the family

  • eldest son stays home to continue the line

  • if there are no sons and only daughters, then the eldest daughter marries another family’s son that is taken into their own family to succeed

    • daughters are usually married off into other families

      • who they are married off to is picked by family head

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ie (family; household) system

  • patriarchal family system; head of the household is the man

  • eldest son inherits; primogeniture

  • legal system established in meiji period

  • main family and branch family

    • other sons of the family who aren’t the eldest become a branch family of the main line

    • daughters are married elsewhere

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imperialism

  • expansion and seeking out to industrialize and emulate western powers

  • conquered neighboring asian countries to secure resources, territories, markets, and mainly to assert dominance

  • jp was compelled to modernize military and economic structure to avoid becoming a victim to western colonialism

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colonialism

expansionist policies that acted as industrializing in order to create an empire

  • jp justified its expansion as bringing modernization to neighboring countries and land while enforcing jpn culture

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Akutagawa Ryunosuke

29
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ā€œIn a Groveā€

30
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Tales of Times Now Past (c. 12th century) — assigned excerpt

31
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Edogawa Ranpo/Rampo

32
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ā€œThe Human Chairā€

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ero-guro-nansensu (erotique, grotesque, nonsense)

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pure literature

p

35
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popular literature

36
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ā€œThe Factory Shipā€

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Kobayashi Takiji

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Hayashi Fumiko

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The Diary of a Vagabond — assigned excerpt

40
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proletarian literature

mod

41
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modernism

  • artistic and/or literary movement

  • often associated w/ late 19th century or early 20th century in Europe/US, but also takes form elsewhere

  • often associated w/ stylistic fragmentation and experimental representation

  • questioning of representation itself and the condition of being ā€˜modern’

42
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joryuu bungaku (women’s style literature)

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josei bungaku (women’s literature)