Print Media Test 2

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Last updated 2:11 AM on 4/27/26
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34 Terms

1
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7 Considerations of Production Planning

Purpose, Audience, Use, Other Processes, Scheduling, Quantities, Quality

2
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Basic Printing Quality

Standard materials and little quality control, primarily copy shops and quick printers

3
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Commercial Printing Quality

Standard materials, trained quality control | Color work | Sometimes have higher end digital presses. General commercial printing | Offset sheet and web | CMYK and spot capability

4
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Premium Printing Quality

High quality materials | Refined quality control | Color matching is very close | Few flaws | 4CP + capability

5
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Showcase Printing Quality

Best machinces and materials available | Exact reproduction of artwork | Mostly used for expensive things, museums, prints, and books

6
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When creating a schedule you should always think what

Backwards

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What is Specing

Submitting a specified proposal for printing work that a printer uses to price services on | do this with 2-5 different printers

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What’s on a Spec Sheet

Description of job, frequency of printing, materials to be furnished, Quantity, Trim size, Page count, Plate Changes, Paper stock, Inserts, Binging, Delivery/shipping, Storage, Special effects

9
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What is turnaround

How long it takes a project from start to delivery date

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What does “Q” stand for

Quantity of Prints

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What does “M” stand for

A quantity of prints in the 1,000

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What does “MM” stand for

A quantity of prints in the 1,000,000

13
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What is Price Break

When the printing cost per unit decrease based on an increase of quantity | the cost per unit drop significantly

14
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What is Over/Under

The tolerance for print runs under 10,000 | You could either get 10% over the quantity you asked for or you could get 10% under the quantity you wanted | because of prints made when setting up and stopping the printer

15
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What is the Cost Per Unit (CPU)

The cost per print

16
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What are 3 things that designers need to take into consideration when designing for print for a client or target audience

Audience, Quality, and Use

17
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What is Trapping

When there is color set to slightly overlap each other so white gaps don’t appear

18
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What is Surprinting

Where colors don’t trap but overlap

19
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What is Choke

Traps a surrounding light back-ground to a dark foreground object by expanding the edge of the lighter object so the two colors overlap

20
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What is Spread

Traps a light foreground object to a surrounding dark background by expanding the edge in the inner object so the two colors overlap

21
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How to Flight check (handing over files to printer)

Make sure that everything is in a folder on a disk and make sure at all file info is there and right | Print comp from disk | Print list of files on disk | Make sure the proofs clearly show (in red) any FPO or specific instructions | Send paper swatches and ink chips | Double check color mode, resolution & file type | Fill out prepress form with all this info

22
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What are the type pitfalls

Use fonts with a large family of options | Use actual font for variations of italic, cap, bold, not the styles in the type menu or measurements | Make sure that the printer has the font | Make sure the vendor has font in same foundry | Don’t trust smart quotes | If you dont have a postscript version of a font or want to avoid font problems covert to outlines | Ink spreads/gains when printing. Make sure the font wont fillin when knocked out | As a last resort a printer may be able to swell type when exposing the plate for printing

23
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What is a Soft Proof

Digital files like PDF and viewed on screen | I used for checking layout, content accuracy, text, and fonts | They are not accurate for color

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What is a Hard Proof

Physical, printed samples of the final project | They provide a tangible, more realistic view of colors, paper texture, ink, and finish

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What is a contract Proof

A high-quality printed proof calibrated to simulate final press color

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What is a Press Proof

A proof created during the actual print run on the press

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Set Off (Offsetting)

INk doesnt dry properly and transfers from top of sheet to the back of another

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Hickies

Dust, dirt on blanket prevents ink from printing creating halos

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Show Through

Printing from one side interfers with the other due to low transparency

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Poor Trapping

Incorrect trap, to large/too small, wrong type makes boundary area/overlap very noticeable

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Poor Registration

White pages between colors, or blurriness due to screens misregistered

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What needs to be handed over to a commercial printer

Mark-ups and color seperations | Color folding comp | Disk with In-design files, with images and fonts | Print window of disk contents Applications folder → Utilities → Grab

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What’s on a Disk Prep Checklist

Name all files, folders, and documents clearly | Only include files/documents that are needed to open the file | Always print a window of what is included on your disk | All images must be placed in the file at 100% of actual size to be used | Always include all images, fonts, etc on the disk | Include a detailed markup with your disk | A folding color comp should always accompany a print job | Mark-ups and seperations

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What are the steps necessary to create a special effect spot color in Indesign to properly set a file up for commercial printing

Make a new swatch color that stands out on design and make sure to change it into a spot color | put the special effect spot color on a new layer and make sure to uncheck the print box on new layer so that the color does not print when the file is