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Kelley: Hello, I was here for the audition? Im a little early. I hope you don’t mind—
What is your audition time?
Kelley: 1:57
AM or PM?
Kelley: Uh…PM. 1:57 PM.
You’re early.
Kelley: What time is it?
1:56 P.M, so please wait outside.
Kelley: I was just hoping to—-
Please, wait outside!
Kelley: Sure
Thank you. (waits) NEXT! Send in the next victim…uh…I mean actor, please! Next!
Kelley: Hi, I was the next—-
Just head out to the center of the stage, and please, don’t touch anything. (waits until Kelley is at center stage) That’s far enough.
Kelley: Hi, my name is—
No contact please.
Kelley: Sure.
Don’t step on the spike tape, please.
Kelley: But there isn’t any spike time.
Please don’t touch the tape.
Kelley: But, I —-
Don’t touch. Its for our current production.
Kelley: What current production? It’s a blank stage.
Its a Beckett piece.
Kelley: Ah. I love waiting for Godot. You know I once…
Off the tape!
Kelley: Im sorry. U just don’t see any tape.
Its there.
Kelley: Where?
In your mind
Kelley: Huh?
Please face straight out and address our director sitting in the back of the theater.
Kelley: Okay
Could you take a step stage right. Thats house right.
Kelley: Your right?
Your right.
Kelley: …I’ll be doing a monologue from a piece entitled the applesauce pig.
You have two minutes.
Kelley: Whats that?
You have one minute and fifty-five seconds.
Kelley: Im sorry wheres that coming from?
Over here.
Kelley: Over where?
Stage left. That’s house left.
Kelley: Is this a joke or something?
No. I don’t joke. You’re standing on a spike.
Kelley: Excuse me?
Your standing on spike tape.
Kelley: Who are you? Are you the same lady that—-
You have one minute
Kelley: One minute until what?
Please don’t stand on the spike.
Kelley: Sorry.
Fifty-five seconds.
Kelley: Just tell me who you are.
I’m the stage Manager.
Oh. Well its very nice to meet you. My name is Kelley, and—-
You have forty seconds.
Kelley: Forty seconds for what?
Your piece. We are running a bit behind schedule due to other