Send a link to your students to track their progress
37 Terms
1
New cards
Human Audibility Curve
the graphic representation of auditory sensitivity across frequencies
2
New cards
Psychophysical Methods
the methods applied in order to find auditory sensitivity
3
New cards
Temporal Integration (Summation)
the change in sensitivity with duration- our sensitivity improves as the duration of a stimulus is lengthened from the shortest duration that produces a perception of tonality; i.e 10 ms for a wide range of pure tones, to about 300 ms
4
New cards
Define threshold and identify the variables that affect minimum auditory sensitivity
threshold is the lowest signal intensity at which the signal can be identified 50% of the time variables: ?
5
New cards
Describe the effect of stimulus duration on auditory testing
the absolute threshold reaches its lowest point as a duration of sound is extended - stays at the lowest point if duration is extended out any further
6
New cards
Identify the three primary psychophysical methods used determine threshold
1) method of limits- the changing of one parameter of the auditory stimulus (intensity in this case), by the person performing the test, with the person being tested asked to indicate in some way when he or she detects the stimulus 2) method of adjustment- the subject adjusts the parameters (the intensity level in this case) to the point where it is barely audible 3) method of constant stimuli- uses a technique called the "two-alternative-forced-choice procedure" where the listener makes a choice from two options, yes or no
7
New cards
Temporal Integration
auditory system's ability to make use of and integrate signal information over time
8
New cards
Temporal Patterning
the auditory system's ability to discern pattern differences in auditory signals\
9
New cards
Temporal Resolution
the ability to detect rapid changes in an auditory signal over time
temporal integration is the idea that as a sound gets longer, the absolute threshold will go down, temporal resolution refers to how sensitive you are to the way a sound varies over time, temporal patterning determines how you recognize patterns in auditory signals
11
New cards
Equal Loudness Contours
what results on a graph if we were to present 1 kHz pure tone at one sound pressure level, then ask listeners to determine a level at which other frequencies of pure tones sound equally loud, then repeat this process with other SPLs of our 1 kHz
12
New cards
Loudness
the subjective perception of the intensity of a sound
13
New cards
Magnitude Estimation
a technique standardly applied in psychophysics to measure judgements of sensory stimuli
14
New cards
Magnitude Production
a scale which requires participants to adjust a stimulus to match the magnitude which they are shown on a piece of card and which coreepsonds to the scale
15
New cards
Mel Scale
an interval scale that quantifies the difference in pitch; 2000 mels is equivalent to a pitch that is twice that of 1000 mels
16
New cards
Phon
the level in dB of the standard 1 kHz tone against which the subjective loudness of other frequencies is matched
17
New cards
Pitch
the psychological perception of the physical property of frequency
18
New cards
Sone
a unit of measurement used for a loudness scale
19
New cards
Describe the perceptual concepts of loudness and pitch and relate them to the physical measurements of intensity and frequency
loudness and intensity are directly related; pitch and frequency are directly related
20
New cards
Identify the differences between a phon and a sone as units of measurement
phon: phon scale is an example of an ordinal scale in that it shows an order of magnitude but makes no attempt to quantity the actual difference in magnitude sone: sone scale is an example of an interval scale in that we can determine that a sound of 4 sones is half as loud as a sound of 8 sones; the actual difference in magnitude can be specified
21
New cards
Staircase Method
a modern and more efficient variation on the method of limits: descending methods of limit runs start well above a listener threshold and ascending runs start well below it. So a lot of time is spent testing at intensities that are a long way from the true threshold, which is inefficient
22
New cards
Weighting
an adjustment applied to sound measurement to reflect how a noise is perceived by the human ear.
23
New cards
Backward Masking
when the signal is presented and terminated just before the presentation of the masker.
24
New cards
Band-pass Filter
the combination of high-pass and low-pass filters, it allows frequencies between two points to pass through
25
New cards
Critical Band
range of frequencies surrounding a given stimulus frequency that contribute to the masking of that frequency. when a ton is just masked by a noise, energy falling within the critical band equals that of the tone.
26
New cards
Forward Masking
the masker is presented and terminated just before the signal is presented.
27
New cards
High-pass Filter
allows only frequencies above a certain frequency to pass through.
28
New cards
Low-pass Filter
allows only frequencies below a certain point to pass through.
29
New cards
Narrowband Noise
a noise that is restricted in its frequency range: to produce a narrowband noise, we employ an electric or digital filter, which allows only the desired frequencies to pass through it.
30
New cards
Wideband Noise
an auditory stimulus with equal amplitude of all frequency components. it produces a more generalized masking pattern than narrow bands of noise for broader-band stimuli.
31
New cards
Masking
a process in which the threshold one of sound is raised by the presentation of another sound- involves the introduction of a sound to an ear (the masker) to preclude a person from hearing another sound (the signal) in the ear
32
New cards
Describe the concept of the upward spread of masking when pure tones mask other pure tones
when a masking sound gets turned up, its masking effect with spread into the higher frequencies more rapidly than it will the lower frequencies
33
New cards
Identify the concept of critical band and its application to masking
critical bands protect the ears from masking from any frequencies outside the filter's band pass
34
New cards
Identify a low-pass, high-pass, and band-pass filter and explain the function of each filter type
low-pass filters allows lower frequencies to pass through, high-pass filters allow high frequencies to pass through. the band-pass lets a band of frequencies pass through and attenuates frerquencies below and above that band. All of these are considered critical bands
35
New cards
Just Noticeable Difference (JND)
another name for difference threshold
36
New cards
Weber's Law (Weber-Fechner Law)
For every sensation, the just barely detectable amount of change in a stimulus (JND) will be some constant fraction of the stimuli thats already present
37
New cards
Explain the difference between absolute thresholds and difference limens
absolute threshold is the minimum amount of stimulation required to trigger a reaction or produce a sensation; difference limen is the smallest difference between two stimuli than can be accurately detected