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pictoral depth cues
cues to distance/depth used by artists to depict 3D depth in 2D pictures
monocular depth cue
a depth cue that is available even when the world is viewed with one eye alone
binocular depth cue
a depth cue that relies on information from both eyes
stereopsis
a vivid perception of the three-dimensionality of the world that is not available with monocular vision
probability summation
increased detection probably based on the statistical advantage of having two (or more) detectors rather than one
binocular summation
combination of signals from both eyes in ways that make performance on many tasks better than with either eye alone
oculomotor depth cues
cues that are based on feedback from the oculomotor muscles controlling the shape of the lens and the position of the eyes
accommodation
the process by which the eye changes its focus (lens changes its shape)
convergence
the ability of the two eyes to turn inward, often used to focus on nearer objects
divergence
the ability of the two eyes to turn outward, often used to focus on farther objects
static monocular depth cues
cues that provide information about depth on the basis of position, size, and effects of lighting of objects in the retinal image, size
occlusion
a cue to relative depth order in which one object partially obstructs the view of another object
nonmetrical depth cue
provides info about the depth order (relative depth) but not depth magnitude (e.g., his nose is in front of his face)
metrical depth cue
provides quantitative info about distance in the 3rd dimension
relative height/proximity to horizon
objects touching the ground (higher = farther) and objects in the sky (lower = farther)
size-distance relation
the farther away an object is from the observer, the smaller is its retinal image
relative size
a comparison of size between items without knowing the absolute size of either one
projective geometry
describes how the world is projected onto a surface
familiar size
a cue based on knowledge of the typical size of objects
relative metrical depth cue
can specify that object A is 2x as far as object B without providing information about the absolute distance to either A or B
absolute metrical depth cue
provides quantifiable information about distance in the 3rd dimension (e.g., nose sticks out 4cm in front of his face)
texture gradient
a depth cue based on the geometric fact that items of the same size form smaller, closer spaced images the farther away they get
aerial (or atmospheric) perspective
a depth cue based on the implicit understanding that light is scattered by the atmosphere
linear perspective
lines that are parallel in the 3D world will appear to converge in a 2D image as they extend into the distance
vanishing point
the apparent point at which parallel lines receding in depth converge
anamorphosis
use of the rules of linear perspective to create a 2D image so distorted that it looks correct only when viewed from a specific angle or with a mirror that counters the distortion
dynamic monocular depth cues
cues that provide information about depth on the basis of motion
triangulation cues
triangle formed by the 2 eyes and the point on which they fixate in the 3D world. The angles of that triangle are related to the location of the fixated point in depth
motion parallax
images closer to the observer move faster across the visual field than images farther away
optic flow
the changing angular position of points in a perspective image that we experience as we move through the world
deletion
the gradual hiding (occlusion) of an object as it passes behind another one
accretion
the gradual revealing (“de-occlusion”) of an object as it emerges from behind another one
binocular disparity
the differences between the two retinal images of the same scene
corresponding points
a point on the left retina and a point on the right retina that would coincide if the two retinas were superimposed (e.g., the foveas of the two eyes)
non-corresponding points
a point on the left retina and a point on the right retina that would not coincide if the two retinas were superimposed (e.g., the fovea of one eye and a point 4mm to the right of the fovea in the other eye)
absolute disparity
the difference in the angular distance of the images of an object from the foveas of the 2 eyes
relative disparity
the difference in the absolute disparities of 2 objects
diplopia
double vision, if visible in both eyes, stimuli falling outside of panum’s fusional area will appear diplopic
panum’s fusional area
the region in space in front of and behind the horopter within which binocular single vision is possible
horopter
the location of objects whose images lie on the corresponding points in the two retinas
crossed disparity
the sign of disparity created by objects in front of the plane of the horopter
uncrossed disparity
the sign of disparity created by objects behind the plane of the horopter
correspondence problem
in binocular vision, the problem of figuring out which bit of the image in the left eye should be matched with which bit in the right eye
stereoscope
a device for presenting one image to one eye and another image to the other eye
random dot stereogram (RDS)
a stereogram made of a large number of randomly placed dots
free fusion
the technique of converging (crossing) or diverging (uncrossing) the eyes in order to view a stereogram without a stereoscope
uniqueness constraint
the observation that a feature in the world is represented exactly once in each retinal image
continuity constraint
the observation that, except at the edges of objects, neighbouring points in the world lie at similar distances from the viewer
strabismus
a misalignment of the two eyes such that a single object in space is imaged on the fovea of one eye, and on the nonfoveal area of the other (turned) eye
amblyopia
a developmental disorder characterized by reduced spatial vision in an otherwise healthy eye (lazy eye)
suppression
inhibition of an unwanted image; occurs frequently in people with strabismus
esotropia
strabismus in which one eye deviates inward
exotropia
strabismus in which one eye deviates outward
stereoblindness
an inability to make use of binocular disparity as a depth cue
binocular rivalry
competition between the two eyes for control of visual perception, which is evident when completely different stimuli are presented to the two eyes
size constancy
the perception of an object as having a constant size even though our sensation of the object changes
shape constancy
the relative constancy of the perceived shape of an object despite variations in its orientation