Spanish Poetic Terminology and Figures of Speech

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A comprehensive set of vocabulary flashcards defining Spanish poetic terms, rhyme schemes, structures, and rhetorical devices based on the lecture transcript.

Last updated 10:28 PM on 4/30/26
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58 Terms

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Verso

The unit of versification that forms stanzas; each "poetic line" is a verso.

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Verso agudo

A verse that ends in an "aguda" word, which carries the force on the last syllable (e.g., corazón, ciudad, volver, pan).

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Verso llano

A verse that ends in a "llana" word, which carries the force on the penultimate syllable (e.g., casa, ventana, escribe).

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Verso esdrújulo

A verse that ends in an "esdrújula" word, which carries the force on the antepenultimate syllable (e.g., pájaro, público, espectáculo, música).

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Heptasílabo

A verse of 7 metric syllables; a verse of "arte menor".

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Octosílabo

A verse of 8 metric syllables; a verse of "arte menor".

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Endecasílabo

A verse of 11 metric syllables of Italian origin; a verse of "arte mayor".

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Verso alejandrino

A verse of 14 metric syllables; used in medieval epic songs about Alejandro Magno; a verse of "arte mayor".

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Versos de arte menor

Verses consisting of 2-8 syllables, marked with lowercase letters.

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Versos de arte mayor

Verses consisting of 9 or more syllables, marked with uppercase letters.

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Hemistiquio

Half of a verse, separated by a pause.

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Encabalgamiento

The moment in which a verse "flows" directly into the next, almost without pause, usually because the syntax of the phrase requires it.

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Sinalefa

A phenomenon affecting syllabic count; when a word ends in a vowel and the next begins with a vowel, they count as a single syllable. It is very frequent and is the "rule".

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Hiato

The opposite of sinalefa and the exception to the rule; when a word ends in a vowel and the next begins with a vowel, they are pronounced as two syllables instead of one.

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Sinéresis

When two vowels that generally do not form a diphthong are joined within the interior of a word.

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Diéresis

The contrary of sinéresis; pronouncing two vowels that generally form a diphthong as separate syllables within a word.

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Rima

Total or partial acoustic identity between two or more verses for the phonemes located starting from the last stressed syllable.

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Rima consonante

Phonetic rhyme (of both vowels and consonants) between two or more verses, starting from the last stressed syllable.

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Rima asonante

Phonetic rhyme occurring only in the vowels starting from the last stressed vowel.

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Rima abrazada

A rhyme scheme of the type: abba, cddc, etc.

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Rima encadenada (o cruzada)

A rhyme scheme of the type: abab, or ABAB, etc.

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Rima gemela

A rhyme scheme occurring in couplets (pareados) of the type: aa, bb, cc, etc.

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Pareado

A stanza composed of two verses that rhyme.

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Terceto

A stanza composed of three verses with rhyme; "terceto encadenado" forms a sequence with others like ABA BCB CDC.

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Cuarteto

A stanza composed of four verses (of "arte mayor") with rhyme.

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Redondilla

A poem with stanzas of 4 verses each, octosyllabic, with consonant rhyme abba, cddc…

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Cuarteta

A stanza of verses of "arte menor" (often octosyllabic) with consonant rhyme abab, cdcd, etc.

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Lira

A poem with stanzas of 5 verses each, combining heptasílabos and endecasílabos with an aBabB rhyme scheme.

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Octava real

A poem featuring stanzas with the rhyme scheme ABABABCC.

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Soneto

A poem of 14 hendecasyllabic verses with two quartets and two tercets (4+4+3+3), generally following an ABBA ABBA CDC DCD rhyme.

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Letrilla

A brief poetic composition divided into symmetric stanzas, at the end of which a thought is repeated in verses called "estribillos".

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Romance

A poem with an indeterminate number of octosyllabic verses, featuring assonant rhyme in even verses and unrhymed odd verses; often opens "in medias res".

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Silva

A poem formed by hendecasyllabic (endecasílabos) and heptasyllabic (heptasílabos) verses in free succession.

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Tropos

The figurative (non-literal) use of words that changes their sense.

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Figuras retóricas

Language uses in literary works to create specific effects; they are expressive and decorative without changing the sense.

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Hipérbole

Exaggeration.

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Prosopopeya or personificación

Attribution of human qualities or acts to animals or inanimate objects.

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Apóstrofe

Addressing an absent person or a personified thing.

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Símil

Explicitly comparing one thing to another, such as through the use of "como".

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Antítesis

Counterposing a phrase or word to another with an opposite sense.

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Paradoja

A contradiction without a logical resolution.

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Sinestesia

A transfer between the senses.

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Clímax

A series of words or ideas in an ascending or descending progression.

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Perífrasis or circunlocución

Expressing through a "roundabout" of words what could be said with fewer words or just one.

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Epíteto

An adjective placed before the noun that expresses a quality of a person or thing.

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Asíndeton

Omitting conjunctions (e.g., Veni, vidi, vici: vine, vi, vencí).

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Polisíndeton

Using more conjunctions than necessary (e.g., A y B y C…).

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Anáfora

Repetition of words at the beginning of a verse or within similar phrases.

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Aliteración

Repetition of sounds within a verse or phrase.

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Onomatopeya

Language that imitates real sounds.

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Hipérbaton

Changing the normal order of words.

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Metonimia

Designating one thing by the name of another due to an association that is not similarity (e.g., cause and effect, artist for work, place for an event).

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Sinécdoque

Using a part to represent the whole.

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Metáfora

Designating one thing with the name of another due to an association based on similarity.

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Alegoría

An extended metaphor.

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Parábola

Narrative of an invented event from which a moral teaching is drawn.

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Símbolo

An image or word used to represent a moral or intellectual concept.

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Ironía

Giving to understand the opposite of what is expressed.