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Armature
a metal framework for a stained-glass window; a fixed inner framework supporting a sculpture made of a more flexible material.
Base
that on which something rests; the lowest part of a wall or column, considered as a separate architectural feature.
Capital
the decorated top of a column or pilaster, providing a transition from the shaft to the entablature.
Cella
the main inner room of a temple, often containing the cult image of a diety.
Column
a cylindrical support, usually with three parts—base, shart, and capital.
Convention
a custom, practice, or principle that is generally recognized and accepted.
Cuneiform
a form of writing, consisting of wedge-shaped characters, used in ancient Mesopotamia.
Facing
an outdoor covering or sheathing.
Glaze
in oil painting, a layer of translucent paint or varnish; in pottery, a material applied in a thin layer that, when fired, fuses with the surface to produce a glossy, nonporous effect.
Glyphic art:
the art of carving or engraving, especially on small objects such as seals or precious stones.
Heirarchical proportion:
the representation of more important figures as larger than less important ones.
Intaglio
a printmaking process in which lines are incised into the surface of a plate or print form.
Lamassu
in Assyrian art, figures and bulls or with wings and human heads.
Lapis lazuli
a semiprecious blue stone, used to prepare the blue pigment known as ultramarine.
Load-bearing construction
a system of construction in which solid forms are superimposed on one another to form a tapering structure.
Pillar
a large vertical architectural element, usually freestanding and load bearing.
Provenience
origin; the act of coming from a particular source.
Register
a range or row, especially one of a series.
Shaft
the vertical, cylindrical part of a column that supports the enablature.
Stele
an upright stone slab or pillar, usually carved or inscribed for commemorative purposes.
Ziggurat
a trapezoidal stepped structure representing a mountain in ancient Mesopotamia.