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Era
Late 50s/early 60s Pop
Genre
Girl Group Pop
Form
AABA
Music by:
Carole King
Lyrics by:
Gerry Goffin
Performed by:
The Shirelles
Instrumentation (Timbre)
Lead vocals
backing vocals
Violin
Cello
Double bass
Electric guitar
Bass guitar
Drum set
Orchestration (Timbre)
String section represents gentler, more feminine alternative to the sexually charged e-guitar that might have been used to represent aggressive masculinity
Solo singer is supported by other members in act of sisterly solidarity at crucial moments
Compositional Devices
Imitation - Between lead vocals and violin in Verse 1 “tomorrow”
Call and Response - Verse 2 between lead vocals and violin
Pedal - Backing vocals in Verse 3

Define the Expressive Element
Roll - quickly play the notes of the chord rolling from the lowest pitch to the highest

Define the Expressive Element
No Chord
Form/Structure
AABA
A = Verse
B = Bridge
Key (Pitch)
C Major
Melody (Pitch)
Lead vocalist singing melody
Revolves around C with stepwise and leap motion
Melody repeated with slight variation in each verse supported by the back up vocalists
Harmony (Pitch)
First 2 phrases repeat the same I-IV-V progression
3rd phrase intensifies harmony with non-diatonic E7 to highlight lyrics
Violin obligato (essential) and cello ostinato used to support melody
Tempo and Metre (Rhythm)
Crotchet = 140
4/4
Rhythm
Latin groove in bass - dotted crotchet → dotted crotchet → crotchet
“Heartbeat” rhythm on snare
Single e-guitar strum on downbeat every other bar
Syncopation
Texture
Homophonic
Sociopolitical / cultural influences
First #1 on Billboard’s Top 100 chart held by an all Afican American girl group (1961)
Release Year
1960
Musical Characteristics (Girl Group)
3-5 singers
often close friends/relatives
sang about topics relevent to teenage girls
Simple voices and music
AABA structure
Nonsense syllables eg doo-wop
Origin of Girl Group Pop
Rock and roll ended ~1960
Girl groups dominated 1960-1964 until Beatles