Edexcel IGCSE Poetry Anthology texts - La Belle Dame sans Merci

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Last updated 9:34 PM on 5/1/26
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29 Terms

1
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General notes about the text (La Belle Dame sans Merci)

- The beautiful lady without mercy - written based of an archtypal femme fatale

- About a medieval knight who fell in love with a fairy woman

- A story(poem) of unrequited love, illness, and the impossibility of being with whom one cares for when they are from different social statuses

2
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Themes of La Belle Dame Sans Merci

- Love, obsession, death

- Dangers of intense romantic love

- Imagination vs Reality

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O what can ail thee, knight-at-arms, [stanza 1]

- The poem starts off in the voice of an external narrator, not linked to the story of the knight

- The external speaker seems to be questioning the knight

4
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Alone and palely loitering [stanza 1]

-Lexical field of isolation - contrasts the usual image of a brave, strong, confident knight

-It almost describes the knight as lost, which again is contrasting as they always have some sort of task at hand and know exactly where they're heading to

5
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The sedge has withered from the lake,

And no birds sing [stanza 1]

- Pathetic fallacy

- It appears to be winter, and as an audience we feel pity for the knight being lost and having no shelter in this cold and harsh season

6
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O what can ail thee knight at arms (again) [stanza 2]

- repitition of this line

- the external speaker is persisiting to know more about this knight, as are we as the audience

7
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So haggard and so woe-begone? [stanza 2]

- Again, pathetic fallacy - the knight seems miserable, and drained of lfie much like the nature in winter as it withers away

- Repitition of the qualifier 'so', which emphasises just how miserable the knight is

8
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The squirrel's granary is full,

And the harvest's done [stanza 2]

- Further description of the winter

- Does the winter almost symbolise death?

9
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I see a lily on thy brow [stanza 3]

- The voice has know switched to the knight, explaining why he is here

- Metaphor

- While the lily could be a symbol of hope and beauty, it is also given on occurence of death, perhaps forshadowing the knight's fate

10
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With anguish moist and fever dew [stanza 3]

- this mysterious woman is described as very connected with nature, or ill/sick

- generally, stanza 3 suggests some sort of illness or death

-

11
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And on thy cheek a fading rose

Fast withereth too [stanza 3]

- Roses are flowers that are stunningly beautiful, but when dying, because unpleasant, a browny-black shade, and disintergrate

- It is referring to the knight's naturally rosy cheeks which are losing its colour (perhaps due to the weather + cold)

- It also suggests he was once full of life but since then it has faded away

12
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I met a lady in the meads,

Full beautiful - a faery's child, [stanza 4]

- here, it switches to the knight's perspective, as he starts to explain why he is in this state

- There is a caesura in the second line of the stanza, which encapsulates the shock the knight felt since she is so beautiful, and the enchantement

- The lady is also described as a faery's child - is she even human? Or is she purely mystical?

13
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Her hair was long, her foot was light,

And her eyes were wild. [stanza 4]

- it seems that the knight has fallen in love at first sight

- the knight continues to describe the mysterious lady throughout this stanza.

- Again, there is a break between the lines - the knight is taking his time to describe the lady and not rushing a description

- The word 'wild' does not seem to match with this otherwise ethereal description of the lady - it denotes a sense of passion, desire to be free, or perhaps dangerous and untamed

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I made a garland for her head,

And bracelets too, and fragrant zone; [stanza 5]

- This highlights the knights caring nature for the lady and perhaps adoration or entrapment

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She looked at me as she did love,

And made sweet moan [stanza 5]

- The knights seems to have won the lady's heart.

- The 'as' seems very ambiguous

- The 'sweet moan' suggests either satisfaction from the lady or protest and annoyance

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I set her on my pacing steed,

And nothing else saw all day long,

For sidelong would she bend, and sing

A faery's song [stanza 6]

- This lady has the same effect of a siren attracting the knight

- The knight seems very possessive, controlling and monitoring

17
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She found me roots of relish sweet,

And honey wild, and manna-dew, [stanza 7]

- The past 4 stanzas have started with 'I', but now they start with 'she'

- The lady could be providing food for the knight as a kind gesture, or equally she could be luring and poisoning him

- The mention of manna-dew connotes a supernatural quality - it references to the Bible when manna (food from the heavens is being fed to the Isralites

- Manna-dew also relates to fever-dew

18
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And sure in language strange she said

'I love thee true'. [stanza 7]

- The word 'strange' is ambiguous in this context; does she speak the same language as him? Or is the way she speaks generally peculiar?

- The first direct admittance of love from the mysterious lady - however, does she really love the knight or is she manipulating him?

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She took me to her elfin grot,

And there she wept and sighed full sore, [stanza 8]

- There is no explaination as to why she is crying

- However, the act of her crying shows that she still has some sort of human characteristic or element, even if she is described very ethereally

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And there I shut her wild wild eyes

With kisses four [stanza 8]

- It shows the knight has become even more enamored with the lady

- It repeats the word 'wild' from before, but this time twice, suggesting the lady still has a lustful, untamed aspect about her

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And there she lullèd me asleep

And there I dreamed - Ah! woe betide! - [stanza 9]

- This stanza marks the turning point of this alluring, dreamlike lady becoming a nightmare

- Has the knight really fallen asleep or is he under a spell?

- The caesura further highlights this change within the poem

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The latest dream I ever dreamt

On the cold hill side. [stanza 9]

- Foreboding

- The last dream he may have before he dies - sinister twist in the poem

23
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I saw pale kings, and princes too,

Pale warriors, death-pale were they all; [stanza 10]

- Pale is a symbol for death in this poem, draws a parallel to to 'palely loitering' - it is repeated three times in this passage, emphasising the presence of death

- many plosives

- This refers to the Book of revelation in New Testament; the pale horse and rider of the Bible symbolise death and bring destruction

24
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They cried - 'La Belle Dame sans Merci

Thee hath in thrall!' [stanza 10]

- The caesura represents the horrible realisation of the knight - knowing he is doomed

- Thrall - power

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I saw their starved lips in the gloam,

With horrid warning gapèd wide [stanza 11]

- The disturbing strong language of 'starved lips' and 'horrid' display the suffering these pale people are going through

- Every man that this lady has seduced has died - but the knight has realised this too late and is doomed

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And I awoke and found me here,

On the cold hill's side. [stanza 11]

- Repititon of the last line in stanza 9

- He is no longer dreaming and back to reality?

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And this is why I sojourn here,

Alone and palely loitering [stanza 12]

- sojourn - to stay temporarily in a particular place

- repitition of 'Alone and palely loitering' in stanza 1

- answers the question asked in stanza 1

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Though the sedge is withered from the like,

and no birds sing [stanza 12]

- He is repeating what has been said before, however, it is the knight saying it this time, not the external speaker

- 'no birds sing' - there is no hope, his fate is final and definite and the knight is out of energy

29
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structure and form of the poem

- Chanson balladée - type of rhyming verse set to music for dancing

- Because it is a ballad it has a typical rhyming structure of ABCB

- 12 quatrains (four line stanzas)

- First three lines of every stanza is in iambic tetrameter, fourth line only 4-5 syllables

- Cyclical structure of the poem

- Start and stop rhythm that relates to the poem's interest in the tensions between life and death