2026 06 04 ART HIS C131B - Exam Review

DOCUMENTA 5 POSTER AND BINDER-LIKE EXHIBITION CATALOGUE, 1972, DESIGNED BY L.A. ARTIST ED RUSCHA

RICHARD SERRA, CIRCUIT, 1972, AT D5

POSTMINIMALISM

An art movement that emerged in the 1960s and 1970s, characterized by its rejection of minimalism's strict forms in favor of a more expressive, material-oriented approach, often emphasizing imperfections and process. It remained deeply invested in physical materials and the body, preferring to loosen Minimalism's rigid, machine-made geometry through organic, process-oriented methods.

ART AND LANGUAGE

A collective of artists and theorists known for their exploration of art as a form of communication and investigation, often engaging in conceptual art and critical theory. This movement attacked Minimalism's reliance on physical objects by shifting art into the realm of philosophy, writing, and linguistics

ART AND LANGUAGE, DOCUMENTA INDEX, 1972

ALTERNATE MAP FOR DOCUMENTA POSTER, 1972

DAVID MEDALLA + JOHN DUGGER, PEOPLE’S PARTICIPATION PAVILION—UNDER CONSTRUCTION, 1972

COMPLETE W/ MEDALLA’S BUBBLE SCULPTURES, D5, 1972 (IN PEOPLE’S PARTICIPATION PAVILION)

MEDALLA AND DUGGER, PPP INTERIOR W/ TRIBUTE PAINTING TO VIETNAMESE COMMUNIST LEADER HÔ CHÍ MINH, 1972

PARTICIPANT INTERACTING WITH JOHN DUGGER’S CURVED SPACE TUBES, PART OF SINGING THE BODY ELECTRIC, 1972

DAVID MEDALLA, A STITCH IN TIME, 1968 (1972, 2003)

CONCEPTUAL ART INSTRUCTION: “STITCH ANYTHING YOU LIKE (POEMS, SONGS, DIAGRAMS, SLOGANS, ETC.) ON THE

SUSPENDED COTTON SHEETS”

SETH SIEGELAUB, ARTIST’S RESERVED RIGHTS TRANSFER AND SALE AGREEMENT, 1969

NEW YORK ARTISTS’ STATEMENT ON DOCUMENTA, 1972

ROBERT SMITHSON, “CULTURAL CONFINEMENT,” ARTFORUM, OCTOBER 1972

DANIEL BUREN, EXHIBITION OF AN EXHIBITION, A WORK IN SEVEN PARTS, D5, 1972

BEHIND PAINTINGS BY AMERICAN ROBERT BECHTLE; ON A ROOM DIVISION, 1972

DANIEL BUREN, EXHIBITION OF AN EXHIBITION, A WORK IN SEVEN PARTS, D5, 1972

MARTHA ROSLER, HOUSE BEAUTIFUL: BRINGING THE WAR HOME, CA. 1967–72

MARTHA ROSLER, HOUSE BEAUTIFUL: BRINGING THE WAR HOME (RED STRIPE KITCHEN), 1967-72

MARTHA ROSLER, FIRST LADY (PAT NIXON), CA. 1967–72

MARTHA ROSLER, HOUSE BEAUTIFUL: BRINGING THE WAR HOME, CA. 1967–72 (MAKE-UP/HANDS UP)

MARTHA ROSLER, HOUSE BEAUTIFUL: BRINGING THE WAR HOME, CA. 1967–72 TRON (AMPUTEE) IN SAN DIEGO WOMEN’S NEWSPAPER, 1970

MARTHA ROSLER, BODY BEAUTIFUL, CA. 1967–72 (CARGO CULT)

MARTHA ROSLER, BODY BEAUTIFUL, CA. 1967–72 (HOT MEAT)

MARY BETH EDELSON (1933–2022), SOME LIVING AMERICAN WOMEN ARTISTS, COLLAGE, 1972

JUDY CHICAGO (NÉE GEROWITZ, B. 1939), RAINBOW PICKETT, 1965/2021

JUDY CHICAGO (NÉE GEROWITZ, B. 1939), FEATHER ROOM CA. 1965, LOS ANGELES

JUDY CHICAGO AS BOXER, GALLERY ANNOUNCEMENT, 1970

JUDY CHICAGO, RED FLAG, PRINT, 1971

JUDY CHICAGO, IMMOLATION, 1972, IN CALIFORNIA DESERT

JUDY CHICAGO, QUEEN VICTORIA FROM THE SERIES GREAT LADIES, 1973

MIRIAM SHAPIRO, JUDY CHICAGO ON THE COVER OF WOMANHOUSE EXH. CAT. 1972 533 N. MARIPOSA AVE, EAST HOLLYWOOD

FAITH WILDING (B. 1943), CROCHETED ENVIRONMENT, 1972

JUDY CHICAGO, MENSTRUATION BATHROOM, 1972

SUSAN FRAZIER, VICKI HODGETT, NURTURANT KITCHEN, 1972

SANDRA ORGEL, LINEN CLOSET, 1972

KAREN LECOQ, LEA’S ROOM, 1972

FEMINIST ART PROGRAM, CUNT CHEERLEADERS, 1972

FAITH WILDING, WAITING, PERFORMANCE, 1972

WOMANHOUSE, DIR. JOHANNA DEMETRAKAS, 1974 (

FILM OF “CUNT CHEERLEADERS'“ AND “WAITING, PERFORMANCE”

SUZANNE LACY, JUDY CHICAGO, SANDRA ORGEL, AVIVA RAHMANI, ABLUTIONS, 1972, PERFORMANCE IN VENICE, CA, STUDIO; PLAYBACK OF FIRST-PERSON ACCOUNTS OF RAPE; BATHING IN EGGS, BLOOD, CLAY; BANDAGING, BINDING; ANIMAL ORGANS

BETYE SAAR, THE LIBERATION OF AUNT JEMIMA, 1972

LA-BASED BLACK ASSEMBLAGE ARTIST BETYE SAAR (B. 1926)

DISAFFECTED—W/ CIVIL RIGHTS MOVEMENT (SEEN AS MACHO, MALE) AND FEMINISM (SEEN AS MAINLY WHITE)

RUPERT GARCÍA, WAR AND CHILDREN, 1967

RUPERT GARCÍA, SISTER CORITA KENT, NEWS OF THE WEEK, 1969

MORY DOUGLAS, WARNING TO AMERICA, 1970

RICHARD HAMILTON, KENT STATE, 1970—BASED ON HIS PHOTOGRAPH OF AN BBC NEWS IMAGE OF SHOOTINGS AT KENT STATE—15 LAYERS OF SILKSCREEN COLOR; PRINTED IN AN EDITION OF 5000

THE INCREASED IMPORTANCE OF COLLEGE / UNIVERSITY GALLERIES FOR RADICAL ARTISTIC PRACTICES; COUNTERBALANCE TO COMMERCIAL GALLERIES + MUSEUMS, SEEN AS COMPROMISED, BACKWARD-LOOKING

MICHAEL ASHER (1943–2012), INSTALLATION AT POMONA COLLEGE ART CENTER, 1970

DAVID HAMMONS (B. 1943), AMERICA THE BEAUTIFUL, 1968

DAVID HAMMONS, CLOSE YOUR EYES AND SEE BLACK, 1969

DAVID HAMMONS, THE WINE LEADING THE WINE, 1969

BRUCE TALAMON, DAVID HAMMONS IN HIS SLAUSON AVENUE STUDIO, 1974

DAVID HAMMONS, INJUSTICE CASE, 1970

DAVID HAMMONS, SPADE (POWER FOR THE SPADE), 1969

DAVID HAMMONS, BIRD, 1973

DAVID HAMMONS, SPADE WITH CHAINS, 1973

ASCO, STATIONS OF THE CROSS PERFORMANCE ON WHITTIER BOULEVARD, EAST LA. PH. SEYMOUR ROSEN

W/ WILLIE HERRÓN III (B. 1951); HARRY GAMBOA JR. (B. 1951); GRONK (B. 1954); PATSSI VALDEZ (B. 1951)—A “RITUAL OF RESISTANCE” AGAINST “USELESS DEATHS” IN VIETNAM

ASCO, SPRAY PAINT LACMA, 1972 (PH. HARRY GAMBOA JR.)

ASCO, DECOY GANG WAR VICTIM, 1974, EAST LA (PH. HARRY GAMBOA JR.)

ASCO, FIRST SUPPER AFTER A MAJOR RIOT, 1974, WHITTIER BLVD (PH. GAMBOA)

RUDOLF SCHWARZKOGLER, THIRD ACTION, 1965–66 FROM “ACTIONS” IN VIENNA, AUSTRIA, 1960s

VALIE EXPORT, BODY SIGN ACTION, 1970 FROM “ACTIONS” IN VIENNA, AUSTRIA, 1960s

VALIE EXPORT (1940–2026), ACTION-PANTS: GENITAL PANIC, 1968

VALIE EXPORT, BODY CONFIGURATIONS, 1976, 1973

CHRIS BURDEN, FIVE DAY LOCKER PIECE, UC IRVINE, APRIL 26–30, 1971

CHRIS BURDEN, SHOOT, F- SPACE GALLERY, SANTA ANA, CALIFORNIA, 11/19/1971

CHRIS BURDEN, DEADMAN, LA CIENEGA AVE., LOS ANGELES, NOV. 12, 1972

CHRIS BURDEN, THROUGH THE NIGHT SOFTLY, MAIN ST. LOS ANGELES, SEPTEMBER 12, 1973

CHRIS BURDEN, TV HIJACK, CHANNEL 3 CABLEVISION STUDIO, IRVINE, CALIFORNIA, FEB. 9, 1972

CHRIS BURDEN, VELVET WATER, SCHOOL OF THE ART INSTITUTE OF CHICAGO, MAY 7, 1974

CHRIS BURDEN, BED PIECE, 72 MARKET ST. VENICE, CALIFORNIA, FEB. 18–MARCH 10, 1972

CHRIS BURDEN, DOOMED, MUSEUM OF CONTEMPORARY ART, CHICAGO, APRIL 11–13 1975—45 HOURS, 10 MINUTES

ANA MENDIETA, UNTITLED (GLASS ON BODY IMPRINTS), 1972

ANA MENDIETA, BIRD TRANSFORMATION, CHICKEN RITUAL, 1972

ANA MENDIETA, RAPE PIECE, STAGED IN HER IOWA CITY APARTMENT; INVITED GUESTS WHO FOUND HER POSED IN THIS SCENE, 1973

ANA MENDIETA, DOOMED, MUSEUM OF CONTEMPORARY ART, CHICAGO, AMOFFITT BUILDING PIECE, IOWA CITY, 1973—ANIMAL BLOOD AND VISCERA IN FRONT OF BUSINESS, AND FILMING PASSERSBY REACTING (OR NOT); DISCUSSION OF THE SO-CALLED BYSTANDER EFFECT IN THE WAKE OF RAPE / MURDER OF KITTY GENOVESE, QUEENS, NY, 1964RIL 11–13 1975—45 HOURS, 10 MINUTES

ANA MENDIETA, SILUETA (SILHOUETTE) SERIES: IMÁGEN DE YÁGUL, 1973,

ANA MENDIETA, UNTITLED (MEXICO), 1976

LYNDA BENGLIS (B. 1941), NOW, 1973, 11:45, VIDEO: COLOR, SOUND

ARTFORUM

KEY VENUE FOR AMERICAN ART DISCOURSE IN THE 1960s and 70s ORIGINALLY ENGAGED W/ GREENBERG’S IDEAS + COHORT: FRANK STELLA, MICHAEL FRIED, ROSALIND KRAUSS, BUT INCREASINGLY MOVING BEYOND: ARTFORUM COVERS W/ SERRA, SPLASHING, 1969, BURDEN, 1976

KRAUSS AND OTHERS QUIT ARTFORUM IN THE WAKE OF BENGLIS AD; START ACADEMIC / THEORETICAL JOURNAL OCTOBER IN 1976; ISSUE 1 INCLUDES KRAUSS’S ESSAY ON VIDEO

LYNDA BENGLIS, ARTFORUM AD, 1974

ROBERT MORRIS, POSTER W/ ARTIST WEARING CHAINS AND GERMAN MILITARY HELMET, APRIL 1974

BRUCE NAUMAN (B. 1941), VIOLIN TUNED D.E.A.D., 1968

RICHARD SERRA (1938–2024), NANCY HOLT (1938–2014), BOOMERANG, 1974

HOLT LISTENING TO WORDS FED BACK WITH A SECOND OF DELAY: DISTRACTION

JACK GOLDSTEIN, A GLASS OF MILK, FILM, 4 MIN., 1972

JACK GOLDSTEIN, BALLET SHOE, FILM, 19 SEC.., 1975

JACK GOLDSTEIN, METRO-GOLDWYN-MAYER, FILM, 2 MIN. 1975

JACK GOLDSTEIN, THE JUMP, FILM, 26 SEC., 1978

ROBERT LONGO, THE AMERICAN SOLDIER, 1977

ROBERT LONGO, SOUND DISTANCE OF A GOOD MAN, 1978; FILM STILL AND PERFORMANCE AT FRANKLIN FURNACE, LONG ISLAND CITY, NY

CINDY SHERMAN, UNTITLED, 1975

CINDY SHERMAN, BUS RIDERS, 1976

CINDY SHERMAN, UNTITLED FILM STILLS #2, 1977

CINDY SHERMAN, UNTITLED FILM STILLS #3–6, 1977

SHERRIE LEVINE, SONS AND LOVERS, 1976

SHERRIE LEVINE, UNTITLED, 1977

SHERRIE LEVINE, UNTITLED (FASHION COLLAGE), 1979

SHERRIE LEVINE, ALL THREE: UNTITLED (PRESIDENT), 1979

THERESA HAK KYUNG CHA, AVEUGLE VOIX (BLIND VOICE), PERFORMANCE AT ARTIST-RUN SPACE, SAN FRANCISCO, 1975

THERESA HAK KYUNG CHA, MOUTH TO MOUTH, BW VIDEO, 8 MIN. 1975