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Polyeuktos, Portrait of Demosthenes,
c. 280 BCE

Michelangelo, Victory
c. 1528-30

Michelangelo, Pieta, for St. Peter’s
c. 1499-1500

Parmigianino, Conversion of St. Paul
1527-28

Raphael, Santa Cecilia Altarpiece
1514

Raphael, Entombment
1507

Titian, Supper at Emmaus
1525

Giovanni Baglione, Sacred and Profane Love
1602

Dürer, The Betrayal of Christ
c. 1509

Ottavio Leoni, Portrait drawing of Caravaggio
1598-1602

Ottavio Leoni, Portrait drawing of Cardinal Francesco del Monte
c. 1600
Caravaggio’s Full Name
Michelangelo Merisi da Caravaggio

Caravaggio, Boy with a Basket of Fruit
1596-7

Caravaggio, “Sick” Bacchus
1595-6

Caravaggio, Bacchus
1596-7, Florence

Caravaggio, Boy Bitten by a Lizard
1596

Caravaggio, The Cardsharps
1594-5, Fort Worth

Caravaggio, Fortune Teller
c. 1594, Louvre

Caravaggio, Penitent Magdalene
mid-1594

Caravaggio, Rest on the Flight to Egypt
1597 for Gerolamo Vittrici

Caravaggio, The Musicians
c. 1597 for Cardinal del Monte

Caravaggio, The Lute Player
c. 1597, for Giustiniani

Caravaggio, Saint Catherine of Alexandria
1597

Caravaggio, Basket of Fruit (Still-Life)
c. 1597 for Cardinal del Monte as a gift for Cardinal Federico Borromeo

Caravaggio, Martyrdom of St. Matthew
1599-1602.
Where is the Martyrdom of St. Matthew
Contarelli Chapel, San Luigi dei Frencesi, Rome

Caravaggio, Conversion of St. Paul (second on canvas)
1601-05
Where is the Conversion of St. Paul (second on canvas)
Santa Maria del Popolo, Rome

Caravaggio, Taking of Christ
c. 1602-3, for Ciriaco Mattei

Caravaggio, Christ Crowned with Thorns
c. 1603 for Giustiniani

Caravaggio, Supper at Emmaus
c. 1601 for Ciriaco Mattei

Caravaggio, Incredulity of Thomas,
c. 1602-3 for Giustiniani

Caravaggio, Amor Vincit Omnia (Love Conquers All)
c. 1602 for Giustiniani

Caravaggio, Entombment, Vittrice Chapel, Chiesa Nuova
c. 1603-04 for the Vittrice family

Caravaggio, Death of the Virigin
1605-6 for S. Maria della Scala (rejected)
Decorum
the idea of suitability, that art should respect conventions of modesty and historical tradition
Chiaroscuro
tonal modeling in extremes of dark and light
alla prima
working directly on the canvas without cartoon
the affetti
the emotions of the human soul, derived from Aristotle’s Poetics