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Authentic Cadence
Chord V (or V7) resolves to I
Perfect Authentic Cadence
Similar to Authentic; only if both V and I are in root position and the melody ends on the tonic
Imperfect Authentic Cadence
Any other form of authentic cadence; either the V or I is not in root position, or the melody doesn’t end on the tonic
Half Cadence
Any cadence ending on V or V7
Phrygian Half Cadence
Like a Half Cadence; Chord iv6 resolves to V (bass goes le to sol)
Deceptive Cadence
V chord does not resolve to I (usually resolves to vi instead)
Plagal Cadence
IV chord resolves to I; “Amen“ ending