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‘Blanche must finally have the understanding and compassion of the audience’
- Raymond Williams
‘to carry on is sometimes the hardest, most tragic thing of all’
- Sean McEvoy
'a poetic tragedy’
- Tennessee Williams
‘down-at-heel newcomers… in troubled pursuit of the American Dream’
- Sean McEvoy
‘the size of her feeling is too great for her tpo contain without madness’
- Tennessee Williams
‘Blanche is the invader in an unfamiliar world which resents her and will destroy her’
- Porter
‘Despite its seemingly less restrictive mores, the new society of Elysian Fields sees Blanche as unclean due to her affairs and denies her a place in its world’
- Reigh
‘the ravishment of the tender, the sensitive and the delicate by the brutal forces of modern society which destroys those who don’t conform’
- Tennessee Williams
‘the plantation served as a symbol of the past’
- Adler
‘Stanley and Stella’s baby stands for the way the working class ethos will be carried into the future’
- Adler
‘Stanley, the master player and Darwinian survivor, controls all’
- Reigh
‘Williams displays Stanley as bestial, driven more by instinct than rational thought’
- Bubb
‘Stanley’s assertiveness is clearly dependent on his relationship with Stella and his ability to crush opposition’
- McDonough
‘he [Mitch] cannot break through the sexual code upheld and policed by Stanley’
- McDonough
‘poker is a microcosm of masculinity’
- Webb
‘Blanche infests…
…the sacred marriage of Stella and Stanley’
‘a sombre,
Darwinian tragedy’
‘Williams depicts Blanche as little more than a loud-mouthed and flirtatious whore’
Lant
‘he [Stanley] is a bully’
Gilbert
‘Blanche is painfully aware of the chasm between
her presentation of herself as a demure Southern Belle and the reality of her status’
‘she [Blanche] is an aging spinsterm who is homeless,
jobless and with a reputation in tatters’
Mitch cannot see her ‘underlying panic and need for protection’
- Tennessee Williams
Blanche ‘perceives herself as a victim of
desires and circumstances that she cannot control’
sexual desire is presented as ‘exhilerating and vital, but also as compulsive and debasing’
- Reeve-Tucker
‘Blanche’s feeble aristocracy is thrown into sharp contrast by
Stanley’s vitality’
‘he [Stanley] represents the macho,
forward-driving future America’
Blanche is ‘punished by Stanley and society’
- Webb