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Overview of the poem
seen as an extension of ‘To the evening star’ and ‘poetical sketches’
depicts night as both beautiful but dangerous
‘our flocks’ - require divine protection
darkness brings comfort to the natural world
angels are unable to control the free will and naturalisation of predators
Night
symbol of death
also represents a more primitive instinctual and dangerous impulse whose actions cannot be governed by a divine power alone
“sun …star…flower…green fields….blossom”
pastoral imagery
combined with abstract emotions “joy … delight”
and religious imagery “flock … angel”
oppositions are abundant in the poem suggesting state of innocence cannot be extracted from the world of experience
Enjambment
used more in the second part of each stanza
increases the pace, inevitability and power of the actions being described
Structure of the poem
a poem of 2 halves : innocence and experience, heaven and earth, night and ‘immortal’ day
1st half = pastoral setting where benevolent moon and stars appear and there is the guardianship of angels who nurture and protect life
3rd stanza - ominous world begins to encroach on the innocent
2nd half = danger in the form of predators introduced resulting in the death of their prey and their ascension to heaven
“wolves”
Biblical imagery
allusion to Isaiah “The wolf will lie with the lamb”
suggesting that the predator and the prey are reconciled and living in the kingdom of heaven
“howl…pitying … dreadful”
introduces violence, danger and death to the poem
before transforming darkness into an inherited world of heaven
Rhyme scheme
regular rhyme scheme
alternative rhyme followed by 2 couplets
couplets may give a final feel to the ending of each stanza
Speaker
suggested speaker wants to achieve a state of innocence joining natural and supernatural
natural for the child but unnatural for an adult who has lost their innocence
the speakers frustration creates a tone of melancholy in the poem as it attempts to attain a higher state of innocence